Wednesday 30 August 2023

Top 30 in 1995 Reviewed: Week 35

Here's my weekly look at the Top 30 from 28 years ago. The plan is for these posts to go out at 17:30 on a Wednesday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1995 with my verdict on each record:


The Top 40 debut for Alanis Morissette. It's a well known song but was pretty low key at the time with her album "Jagged Little Pill" getting more of the attention. What I do know is that I don't like this record.

Verdict - Rubbish


The follow up to her big hit "Your Loving Arms" which never reached the same heights. I can understand why, this one isn't even catchy and there's a lot of emphasis on the annoying singing.

Verdict - Rubbish


This was originally a Top 40 hit for Smokie back in 1976. Then there was a cover by Gompie that was big in Europe where the audience would reply "Alice, who the fuck is Alice". Smokie therefore decided to revive this song and get comedian Roy 'Chubby' Brown to add the "Alice, who the fuck is Alice" bit. I think it's great.

Verdict - Good


Kenny Thomas in 1995? It had been nearly 2 years since we'd last seen him in the Top 40 and this was his final Top 40 hit to date. This time it's not a cover and Kenny Thomas actually wrote this record himself. It's still just as bland as his other hits though.

Verdict - Rubbish


This record as actually quite uplifting for a Morrissey record and the guitars a heavier too. As a result I guess you could say this is one of the better Morrissey records  but it's still pretty non-descript and not very good.

Verdict - Rubbish


The only UK Top 40 hit for The Connells and I think one of those situations where it may be just as well they left it at that because if I was to hear anything else by them it would most likely be a big disappointment. I absolutely love this record, there's no such thing as perfection but this is pretty damn close to it. Then there's the video showing various people from the class of 74-75 then and now (well 1993 when the video was made). I'm now older than these people were back then by a few years, they would now be of retirement age.

Verdict - Good


When this came out in 1995 I thought they were ripping off the "Hey Now" remake of "Girls Just Want To Have Fun" by Cyndi Lauper. It turns out that this is a cover of a record by Redbone and Cyndi Lauper sampled the Redbone record. It's a cheesy eurodance record no doubt, but somehow it seems more acceptable in 1995.

Verdict - Good


If I had to pick a record to sum up the summer of 1995 then this would probably be it. This was also my favourite of The Outhere Brothers hits. 

Verdict - Good


This was originally a Top 40 hit in 1991 and follows the trend of early 90s dance records being given a 1995 makeover. This seems to have barely changed from the original though, I would honestly struggle to distinguish this with the original. Just as well I like the original then.

Verdict - Good


The final Top 40 hit for Madonna's R&B era. This time it's Mary J Blige producer Dave Hall on songwriting/production duties. I will concede that this is the most convincing R&B record but that doesn't mean it's any good.

Verdict - Rubbish


The Top 40 debut for Diana King and the record she is best known for. It was from the soundtrack to "Bad Boys", a film that has Will Smith in it. The fact it wasn't Will Smith making the record for the film might have indicated that he'd given up on music. Maybe that's why I like this.

Verdict - Good


This is the "you do it to yourself" record. I would also say this is more similar to "Creep" than their more mellow records that they'd already started making by this point. As a result it's a lot easier to get into.

Verdict - Good


The 3rd Top 40 hit for Deuce and it was the final one to feature main singer Kelly O'Keefe before she left the group. Like its predecessor it's a dreadful record and no doubt inspired the music of Steps in years to come.

Verdict - Rubbish


The Top 40 debut for JX and also the record he's most famous for. It did sound quite futuristic at the time and falls under the progressive house banner. It wasn't his highest charting hit though, that came 2 years later. One of the classics which does mean somewhat overplayed, but still decent enough.

Verdict - Good


One thing that makes Corona different to your usual eurodance acts is that they have 3 big hits that could all claim to be their big hit. Not only that but each of those 3 are quite distinctive and not just soundalikes of what they've done before.

Verdict - Good


One thing this record reminds me of was the fact it would always appear in the search results when I was looking up the group The Honeyz on the internet back in the day. This was the follow up to "This Is How We Do It". It's a good summer record.

Verdict - Good


The other Scatman Top 40 hit. It sounds like there's a more serious message in this one but you can't really take this record seriously. The eurodance sound, the funny noises he makes and the fact it's referring to his own fantasy world see to that. A great record though.

Verdict - Good


The 2nd Top 40 hit for Echobelly which came over a year after their first. This was also their biggest Top 40 hit. 

Verdict - Good


"Kiss From A Rose" was originally a Top 40 hit in 1994 but was given a new lease of life when it featured in the "Batman Forever" soundtrack. I'd never heard "I'm Alive" until I bought the CD single of this. 

Verdict - Good Good


I do remember this record but what I don't remember is the fact it sampled "Good Times" by Chic. It had already been proven to be a good record to sample. As a result we have another Michelle Gayle record that I actually like, which I'm surprised by.

Verdict - Good


A nice bit of music trivia here, what was the 3rd highest new entry on the week of the Blur vs Oasis chart battle? Nobody seems to know the answer though, nobody really paid attention to what was below the Top 2 that week. Based on this record I don't blame them.

Verdict - Rubbish


What I was learning from being a raver in 1995 was that you generally weren't supposed to like house music because it's too slow. There were of course exceptions to the rule and this was one of them. The person who told me of that rule liked this record himself.

Verdict - Good


Robbie Williams had left Take That by this point but his vocals were still present on the record. Howard Donald took lead vocals on this record which was unexpected given he was very much in the background prior to this. I hated it at the time, but now it's actually quite good.

Verdict - Good


I've already mentioned a memory of listening to the Chris Evans Breakfast Show one day on Radio 1 around this time and liking everything he was playing. This was another of those records that he played. It became the biggest hit to that point for TLC.

Verdict - Good


This of course was the theme song for the TV show Friends. I used to watch Friends back in the 90s and I liked it but I have to say it's not aged very well. The theme music though was always shit, but it was probably intended to be that way.

Verdict - Rubbish


This was originally a Top 40 hit in 1994 but fared better on it's return to the Top 40 in 1995. Around the same time there was a happy hardcore record called "Rainbow in the Sky" by Paul Elstak that was based on the same tune but with different lyrics.

Verdict - Good


This originally made the Top 40 at the beginning of the year but was much more successful when it re-entered the Top 40 in August. I can sort of understand why because it's a record more suited to the summer. It's great to listen to whatever the time of year though.

Verdict - Good


This record was written by R Kelly. It's a ballad and R Kelly was one of those people who knew how to write a ballad well.

Verdict - Good


There are a handful of records that very famously reached number 2 in the charts and this was one of them. Famous because it lost the Blur vs Oasis chart battle. I wasn't on either side but this was the worst of the 2 records.

Verdict - Rubbish


The winner of the Blur vs Oasis chart battle. As a raver at the time I didn't care for Blur or Oasis but if I had to pick one it would have been Blur. In fact I did like Blur during their "Parklife" album era. This record marked the start of their demise in my opinion

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 20/30, or 67%. Slipping again but still a decent score.

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