Sunday 30 June 2019

Top 20 in 1999 Reviewed - Week 26

Here's my weekly look at the Top 20 from 20 years ago. On the basis we'd reach the Top 20 in the Top 40 countdown around 17:30 on a Sunday at the time the plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 20 from this week in 1999 with my verdict on each record:

20. Cher - All Or Nothing


After the huge success of "Believe" the previous year Cher has another hit with a tune that sounds pretty much the same as "Believe". I thought "Believe" was a load of crap so therefore I think this is too.

Verdict - Rubbish

19. Jason Nevins Vs Cypress Hill - Insane In The Brain (New)


Jason Nevins followed up his chart topping remix of "It's Like That" by Run DMC with another remix of an older rap record. This time is was "Insane In The Brain" by Cypress Hill that got the remix treatment. It's not as good as his Run DMC remix and it's not as good as the original, but I still quite like it.

Verdict - Good

18. Chicane ft Maire Brennan - Saltwater


This was about halfway through the Trance CD on "Kiss in Ibiza 99". It also brings back memories of watching a "Club@Vision" Ibiza special where Chicane was doing a live p.a. at Privilege and me wishing I was there. Probably my favourite Chicane single.

Verdict - Good

17. Wiseguys - Ooh La La


This first came out in 1998 and sounds like it very much belongs in 1998, the year of Big Beat. However it failed to reach the Top 40, but charted in 1999 after featuring on the Budweiser advert. I hated it at the time but I'm more tolerant towards it these days.

Verdict - OK

16. Lit - My Own Worst Enemy (New)


The Blink 182 song that actually has nothing to do with Blink 182. Ok I never thought it was Blink 182, I'd not even heard of them at the time, but many do think it's them. It's the only Lit song most people know, though they did have another Top 40 hit the following year. I've heard quite a few of their songs thanks to a mate often playing it in his car, but I didn't like it enough to go out and buy it myself. That said, I was a poor student already spending more than I should have on music so buying every bit of music I liked was way out of my budget.

Verdict - Good

15. Another Level - From The Heart


A House version of this record appears on "Kiss in Ibiza 99". Normally this Dance versions of Pop songs are rubbish, but this was good. I think this helped me to like the original too.

Verdict - Good

14. Sixpence None The Richer - Kiss Me


The other week I was in the pub and this song came on. Someone asked me what year it was from and I said 1999, but they weren't convinced. Well here's confirmation, although it does appear on their self titled 1997 album. It's alright, nothing special.

Verdict - OK

13. Aerosmith - Pink (New)


This originally entered the Top 40 in 1997 reaching 38. After they scored their first Top 10 with "I Don't Want To Miss A Thing" perhaps they thought a re-issue of this could do the same again. It did better than originally, but missed out on the Top 10. I remember this being on the music channels a lot but the song itself didn't really do much for me, but I guess it's ok.

Verdict - OK

12. Backstreet Boys - I Want It That Way


The only UK number one for American boy band Backstreet Boys, written by a couple of blokes from Sweden, one of whom was the writer of "Baby One More Time" by Britney Spears. I guess it's not too bad.

Verdict - OK

11. The Cartoons - Doodah!


Here's the Cartoons with their cheesy Eurodance cover of the American folk song "Campdown Races". Again like with their previous record it's obvious they're a piss take but I can't rate this as anything other than rubbish.

Verdict - Rubbish

10. The Chemical Brothers - Hey Boy Hey Girl


What came first, the phrase "Superstar DJs" or this tune? Well the Fatboy Slim vs Armand Van Helden event had already happened so maybe that phrase was already in use. However, the line is sampled from "The Roof Is On Fire" which came out in 1984. The Chemical Brothers are a mixed bag really, they have some great tunes but some tunes that are completely crap too. This is one of their great tunes.

Verdict - Good

9. 'N Sync - Tearin' Up My Heart (New)


This was originally released in 1997 but only made number 40. The follow up "I Want You Back" didn't even make the Top 40. Then "I Want You Back" was re-issued in 1999 and made the Top 10, and then this was re-issued and also made the Top 10. On hearing both of these songs, I thought they were both by the Backstreet Boys. One day one of these songs came on and someone told me they're trying to sound like the Backstreet Boys, I asked who they were and that's how I first heard of N Sync. Perhaps the reason I thought it was the Backstreet Boys was because both songs were written by Max Martin, who also wrote "I Want I That Way" amongst other Backstreet Boys songs. It basically follows that American boy band formula, made in Sweden.

Verdict - OK

8. Shanks And Bigfoot - Sweet Like Chocolate


During the mid to late 90s it was all about House and Garage, but then in 1999 it was all about House and Trance. The "Kiss in Ibiza 99" compilation had a House CD and a Trance CD, the House CD contained the Garage tune "Straight From the Heart" by Doolally. That's despite the fact Doolally, who were now known as Shanks & Bigfoot, had a number one Garage record with "Sweet Like Chocolate". I like UK Garage and a like a lot of the commercial stuff, but this ones a bit too cheesy for my liking, but I guess it's not bad.

Verdict - OK

7. Baz Luhrmann - Everybody's Free (To Wear Sunscreen)


What the fuck is this? Maybe it has meaningful lyrics but as a tune it's just ridiculous.

Verdict - Rubbish

6. Shania Twain - That Don't Impress Me Much


The song title pretty much sums up how I feel about this song. This was the fourth Top 40 hit from her Country/Pop crossover album "Come On Over". The first three singles didn't really sound Country at all to me, but this sums up everything bad about Country Pop.

Verdict - Rubbish

5. Adam Rickitt - I Breathe Again (New)


When a soap actor starts a music career you can pretty much guarantee the music will be dreadful. When Coronation Street actor Adam Rickitt released this his debut single it was as expected.

Verdict - Rubbish

4. Madonna - Beautiful Stranger


As mentioned previously, I went through a period of my life where I wouldn't listen to anything that wasn't Rave but by this period I'd opened myself up to all sorts of different styles of music. Despite this there were still certain artists I'd be reluctant to like songs of, and  Madonna was one of those. But even at the time I had to admit this tune is brilliant. I guess the involvement of William Orbit helped a bit. The intro sounds vaguely similar to "Light My Fire" by the Doors, a band I really got into later on that year. Maybe this tune helped with that.

Verdict - Good

3. Britney Spears - Sometimes (New)


A teenage love ballad sung from a teenage girls perspective, written by a 36 year old bloke from Sweden.

Verdict - OK

2. S Club 7 - Bring It All Back


The debut hit for S Club 7 and the number one question I had was does there really need to be 7 people singing it? I thought that 4 or 5 "singers" in a pop group was a bit excessive, but 7? Predictably for a manufactured pop group who had their own kids TV show it was shit.

Verdict - Rubbish

1. Vengaboys - Boom, Boom, Boom, Boom!! (New)


The night before this charted at number one, I was in a bar where I heard this for the first time and someone informed me it was the new Vengaboys song. Given the history of cheesy euro acts releasing the record every knows them for, followed by a record that sounds the same, followed by fading into obscurity, I assumed the Vengaboys would do the same. Instead they had their first number one, I felt the same as I did when I realised the Spice Girls weren't going to be a one hit wonder.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 9.5/20, or 47.5%. Too many OK records and not enough good..

25 Years Since....June 1994

Time again to look at the records I was enjoying at the time:

Ace of Base - Don't Turn Around


I used to love the Aswad version of this when it reached number one in 1988. I didn't think this version was as good, but I still liked it.

I think the Ace of Base factor helped here, whilst they weren't anything like the sort of music I'd typically listen to at the time, nor were they a band I'd admit to liking, in my mind they had 2 brilliant singles to date in "All That She Wants" and "The Sign" ("Wheel of Fortune" passed me by) and this was bringing a song I liked in the 80s into the 90s.


Blur - To the End


Given how big Blur were by now, I'm surprised this only managed to get to number 16 in the charts. That said, the "Parklife" album was now out so I guess people were buying that instead of the single.

Singles wise I'd say this is the best one from the album.


Eddi Reader - Patience Of Angels


It's all about the intro with this one, quite frankly you could put any old rubbish after the intro and I'd still probably like it.

It took a while for me to realise that this was sung by the same person singing on "Perfect" by Fairground Attraction. I think I'd been vaguely aware that Fairground Attractions singer was Eddi Reader and vaguely aware this song was by Eddi Reader but I guess I didn't give it enough thought to make the connection.

What does surprise me though was this only made number 33 in the charts.


Therapy? - Die Laughing


This was the final single from the "Troublegum" album and one I'm more likely to refer to as "I Think I've Gone Insane" rather than it's actual title.

It's also a song I've sung many times when waking up for work in the morning, specifically the bit that goes "I would kill for a good nights sleep, I'm feeling I'm feeling dead".

M-Beat - Incredible

Much like with N-Trance last month, there's the question of whether I first heard when it first charted in June 1994, or when it re-entered the charts later on in the year or somewhere in between.

This was the first Jungle record to make the Top 40 and it was my introduction to what Jungle was.

Saturday 29 June 2019

My 25 Favourite Albums: Plump DJs - A Plump Night Out


A key moment in the history of rave came in the mid-90s when the scene split into Happy Hardcore and Drum & Bass. As both genres evolved, by the end of the 90s they were both completely different to the original rave sound they grew out of.

At the same time, it was becoming more common for Old Skool sets to feature at raves to cater for those who missed the older sound.

My tapepack collection only went back as far as 1993 so when I got my first tape pack to feature the Ratpack doing an Old Skool set I thought it was great. However a few tapepacks later I started to realise the limitation of an Old Skool set was that there are only a finite number of tunes from 1992. You were never going to hear anything new and ground-breaking, it was all from the past.

The solution to this was Nu Skool Breaks which basically took the old skool breakbeat formula to create new music.

In 2000, Nu Skool Breaks DJs the Plump DJs released "A Plump Night Out". It's a DJ mix album as opposed to studio album, but it consists entirely of their own material either as the original artist or remixers.

It's not an album that sounds like it's from 1992 though, in fact the beats are where the similarities end. The rest is essentially a mix of all different kinds of dance music.

That's what makes the album so great, the beats keep the album flowing and you get variety everywhere else.

Sunday 23 June 2019

Top 20 in 1999 Reviewed - Week 25

Here's my weekly look at the Top 20 from 20 years ago. On the basis we'd reach the Top 20 in the Top 40 countdown around 17:30 on a Sunday at the time the plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 20 from this week in 1999 with my verdict on each record:

20. Tatyana Ali - Everytime (New)


The third and final Top 40 hit for Ashley from "The Fresh Prince of Bel-Air". With her first hit there was the novelty of Ashley singing a song. With the second there was the novelty of having the Fresh Prince himself rapping on it. By the third though nobody cared anymore and it only made number 20. Did well to get that high, just a load of generic pap.

Verdict - Rubbish

19. Boyzone - You Needed Me


The penultimate Top 40 hit for Boyzone before going on hiatus and their final number one. In true Boyzone style it's a poor cover of an old song. I don't particularly like the original and this version is even worse.

Verdict - Rubbish 

18. Red Hot Chili Peppers - Scar Tissue


I was a big fan of the Red Hot Chili Peppers before I became a raver. Even in the early days of being I raver I still liked them. Then they just disappeared off the face of the earth until they came back with this. I loved it as soon as I heard it, I think what impressed me was how they could make a song like that with just the guitar, bass and drums.

Verdict - Good

17. Geri Halliwell - Look At Me


A year after leaving the Spice Girls, Geri Halliwell released her first solo record. I can't decide if this is better or worse than your average Spice Girls record but what I do know is it's bloody awful.

Verdict - Rubbish

16. TLC - No Scrubs


TLC were big in the mid 90s with their "Crazy Sexy Cool" album and then for me at least they just disappeared until this came out. It was a great comeback though, and the funny thing is that had Xscape not broken up the year before it could have been an Xscape single given Kandi and Tiny of the group were two of the writers.

Verdict - Good

15. Brandy - Almost Doesn't Count (New)


The final single from her "Never Say Never" album. This song passed me by at the time, but I did buy the "Never Say Never" album on the strength of "The Boy Is Mine" and hearing what a great album it was supposed to be. I found the album to be a big disappointment and ended up selling it on eBay. As for this particular song, it's ok but nothing special.

Verdict - OK

14. Jamiroquai - Canned Heat


I was always sat on the fence with Jamiroquai in the 90s. I didn't know whether I should like them or not, but when this came out I couldn't help but like it. This is probably my favourite Jamiroquai single and since then I've bought every Jamiroquai album of the 90s.

Verdict - Good

13. Chicane ft Maire Brennan - Saltwater


This was about halfway through the Trance CD on "Kiss in Ibiza 99". It also brings back memories of watching a "Club@Vision" Ibiza special where Chicane was doing a live p.a. at Privilege and me wishing I was there. Probably my favourite Chicane single.

Verdict - Good

12. Cher - All Or Nothing


After the huge success of "Believe" the previous year Cher has another hit with a tune that sounds pretty much the same as "Believe". I thought "Believe" was a load of crap so therefore I think this is too.

Verdict - Rubbish

11. Another Level - From The Heart


A House version of this record appears on "Kiss in Ibiza 99". Normally this Dance versions of Pop songs are rubbish, but this was good. I think this helped me to like the original too.

Verdict - Good

10. Sixpence None The Richer - Kiss Me


The other week I was in the pub and this song came on. Someone asked me what year it was from and I said 1999, but they weren't convinced. Well here's confirmation, although it does appear on their self titled 1997 album. It's alright, nothing special.

Verdict - OK

9. Wiseguys - Ooh La La


This first came out in 1998 and sounds like it very much belongs in 1998, the year of Big Beat. However it failed to reach the Top 40, but charted in 1999 after featuring on the Budweiser advert. I hated it at the time but I'm more tolerant towards it these days.

Verdict - OK

8. Backstreet Boys - I Want It That Way


The only UK number one for American boy band Backstreet Boys, written by a couple of blokes from Sweden, one of whom was the writer of "Baby One More Time" by Britney Spears. I guess it's not too bad.

Verdict - OK

7. The Cartoons - Doodah! (New)


Here's the Cartoons with their cheesy Eurodance cover of the American folk song "Campdown Races". Again like with their previous record it's obvious they're a piss take but I can't rate this as anything other than rubbish.

Verdict - Rubbish

6. The Chemical Brothers - Hey Boy Hey Girl


What came first, the phrase "Superstar DJs" or this tune? Well the Fatboy Slim vs Armand Van Helden event had already happened so maybe that phrase was already in use. However, the line is sampled from "The Roof Is On Fire" which came out in 1984. The Chemical Brothers are a mixed bag really, they have some great tunes but some tunes that are completely crap too. This is one of their great tunes.

Verdict - Good

5. Shanks And Bigfoot - Sweet Like Chocolate


During the mid to late 90s it was all about House and Garage, but then in 1999 it was all about House and Trance. The "Kiss in Ibiza 99" compilation had a House CD and a Trance CD, the House CD contained the Garage tune "Straight From the Heart" by Doolally. That's despite the fact Doolally, who were now known as Shanks & Bigfoot, had a number one Garage record with "Sweet Like Chocolate". I like UK Garage and a like a lot of the commercial stuff, but this ones a bit too cheesy for my liking, but I guess it's not bad.

Verdict - OK

4. Shania Twain - That Don't Impress Me Much


The song title pretty much sums up how I feel about this song. This was the fourth Top 40 hit from her Country/Pop crossover album "Come On Over". The first three singles didn't really sound Country at all to me, but this sums up everything bad about Country Pop.

Verdict - Rubbish

3. Baz Luhrmann - Everybody's Free (To Wear Sunscreen)


What the fuck is this? Maybe it has meaningful lyrics but as a tune it's just ridiculous.

Verdict - Rubbish

2. Madonna - Beautiful Stranger (New)


As mentioned previously, I went through a period of my life where I wouldn't listen to anything that wasn't Rave but by this period I'd opened myself up to all sorts of different styles of music. Despite this there were still certain artists I'd be reluctant to like songs of, and  Madonna was one of those. But even at the time I had to admit this tune is brilliant. I guess the involvement of William Orbit helped a bit. The intro sounds vaguely similar to "Light My Fire" by the Doors, a band I really got into later on that year. Maybe this tune helped with that.

Verdict - Good

1. S Club 7 - Bring It All Back (New)


The debut hit for S Club 7 and the number one question I had was does there really need to be 7 people singing it? I thought that 4 or 5 "singers" in a pop group was a bit excessive, but 7? Predictably for a manufactured pop group who had their own kids TV show it was shit.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 9.5/20, or 47.5%. We've started slipping again.

Monday 17 June 2019

Record of the Year 2016: Craig David ft Big Narstie - When the Bassline Drops


To tell you the truth, I more or less picked this as my Record of the Year for 2016 quite early on in 2016. Initially after hearing about the big comeback of Craig David I thought I'd give this a listen. At the same time my yearly chart reviews had just begun and I was conscious that I'd have to pick a record for the more recent years where I knew very little of the music getting into the charts. Every time I listened to a new chart hit in 2016 I asked myself the question "is it better than this?" to which the answer was always no.

Craig David of course made a name for himself back in 1999 as vocalist on "Re-Rewind The Crowd Say Bo Selecta" by the Artful Dodger, though some thought he was the Artful Dodger. This was also the record which taught the mainstream public what UK Garage was.

His solo chart career began with a UK Garage record, "Fill Me In", but after that none of his solo singles were actually UK Garage. I did like a few of his singles that followed, but found certainly once he came back with his second album that his music suffered from what I call "British R&B Syndrome". Generally speaking, the British can't do R&B nearly as well as the Americans can and a lot of British R&B ends up sounding like the poundland version of it's American counterpart. There are some exceptions, but Craig David wasn't one of them.

By 2008 his chart career looked to be finished until he made his successful comeback with this record 8 years later.

In my opinion, the reason why this comeback was so successful was because he finally made another UK Garage record. It was UK Garage that made him a household name in the first place, but given the lack of UK Garage he made after his initial breakthrough, you could say this is the record that people had been waiting 16 years for him to make.

Sunday 16 June 2019

Top 20 in 1999 Reviewed - Week 24

Here's my weekly look at the Top 20 from 20 years ago. On the basis we'd reach the Top 20 in the Top 40 countdown around 17:30 on a Sunday at the time the plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 20 from this week in 1999 with my verdict on each record:

20. Supergrass - Pumping On Your Stereo


When I first heard this I was surprised to see Supergrass were still going. The world had moved on but Supergrass were living like it was still 1995, not that I thought Supergrass were any good in 1995.

Verdict - Rubbish

19. Phats And Small - Turn Around


By the time this tune charted I'd heard it a lot and I remember it appearing on Dave Pearce's Dance Anthems on Radio 1 pretty much every week. I also remember Phats & Small presenting the show themselves one week when Dave Pearce was on holiday. Despite it being overplayed though I have good memories of this tune, despite the lyrical content of someone being down it's a feel good Dance record. Funnily enough "Feel Good" was the name of their next hit.

Verdict - Good 

18. Sugar Ray - Every Morning


I specifically remember this record and "You Get What You Give" by the New Radicals being out at the same sort of time and like to listen to them back to back. I also own the "14:59" album which features this song as well as another Sugar Ray album. Needless to say I like it.

Verdict - Good

17. Hepburn - I Quit


One memory I have of this song is a work colleague at the time singing this on his last day. I just find the song irritating though.

Verdict - Rubbish

16. 21st Century Girls - 21st Century Girls (New)


The one and only Top 40 hit for 21st Century Girls who never managed to have a hit in the 21st Century. It's bloody awful.

Verdict - Rubbish

15. Red Hot Chili Peppers - Scar Tissue (New)


I was a big fan of the Red Hot Chili Peppers before I became a raver. Even in the early days of being I raver I still liked them. Then they just disappeared off the face of the earth until they came back with this. I loved it as soon as I heard it, I think what impressed me was how they could make a song like that with just the guitar, bass and drums.

Verdict - Good

14. Boyzone - You Needed Me


The penultimate Top 40 hit for Boyzone before going on hiatus and their final number one. In true Boyzone style it's a poor cover of an old song. I don't particularly like the original and this version is even worse.

Verdict - Rubbish

13. Precious - Say It Again


The Eurovision entry for the UK in 1999 by a group that contained future Atomic Kitten member Jenny Frost. I think it's better than any Atomic Kitten song I've ever heard, but that doesn't make it any good.

Verdict - Rubbish

12. TLC - No Scrubs


TLC were big in the mid 90s with their "Crazy Sexy Cool" album and then for me at least they just disappeared until this came out. It was a great comeback though, and the funny thing is that had Xscape not broken up the year before it could have been an Xscape single given Kandi and Tiny of the group were two of the writers.

Verdict - Good

11. Geri Halliwell - Look At Me


A year after leaving the Spice Girls, Geri Halliwell released her first solo record. I can't decide if this is better or worse than your average Spice Girls record but what I do know is it's bloody awful.

Verdict - Rubbish

10. Jamiroquai - Canned Heat


I was always sat on the fence with Jamiroquai in the 90s. I didn't know whether I should like them or not, but when this came out I couldn't help but like it. This is probably my favourite Jamiroquai single and since then I've bought every Jamiroquai album of the 90s.

Verdict - Good

9. Chicane ft Maire Brennan - Saltwater


This was about halfway through the Trance CD on "Kiss in Ibiza 99". It also brings back memories of watching a "Club@Vision" Ibiza special where Chicane was doing a live p.a. at Privilege and me wishing I was there. Probably my favourite Chicane single.

Verdict - Good

8. Sixpence None The Richer - Kiss Me


The other week I was in the pub and this song came on. Someone asked me what year it was from and I said 1999, but they weren't convinced. Well here's confirmation, although it does appear on their self titled 1997 album. It's alright, nothing special.

Verdict - OK

7. Backstreet Boys - I Want It That Way


The only UK number one for American boy band Backstreet Boys, written by a couple of blokes from Sweden, one of whom was the writer of "Baby One More Time" by Britney Spears. I guess it's not too bad.

Verdict - OK

6. Another Level - From The Heart (New)


A House version of this record appears on "Kiss in Ibiza 99". Normally this Dance versions of Pop songs are rubbish, but this was good. I think this helped me to like the original too.

Verdict - Good

5. Wiseguys - Ooh La La


This first came out in 1998 and sounds like it very much belongs in 1998, the year of Big Beat. However it failed to reach the Top 40, but charted in 1999 after featuring on the Budweiser advert. I hated it at the time but I'm more tolerant towards it these days.

Verdict - OK

4. Shania Twain - That Don't Impress Me Much


The song title pretty much sums up how I feel about this song. This was the fourth Top 40 hit from her Country/Pop crossover album "Come On Over". The first three singles didn't really sound Country at all to me, but this sums up everything bad about Country Pop.

Verdict - Rubbish

3. The Chemical Brothers - Hey Boy Hey Girl (New)


What came first, the phrase "Superstar DJs" or this tune? Well the Fatboy Slim vs Armand Van Helden event had already happened so maybe that phrase was already in use. However, the line is sampled from "The Roof Is On Fire" which came out in 1984. The Chemical Brothers are a mixed bag really, they have some great tunes but some tunes that are completely crap too. This is one of their great tunes.

Verdict - Good

2. Shanks And Bigfoot - Sweet Like Chocolate


During the mid to late 90s it was all about House and Garage, but then in 1999 it was all about House and Trance. The "Kiss in Ibiza 99" compilation had a House CD and a Trance CD, the House CD contained the Garage tune "Straight From the Heart" by Doolally. That's despite the fact Doolally, who were now known as Shanks & Bigfoot, had a number one Garage record with "Sweet Like Chocolate". I like UK Garage and a like a lot of the commercial stuff, but this ones a bit too cheesy for my liking, but I guess it's not bad.

Verdict - OK

1. Baz Luhrmann - Everybody's Free (To Wear Sunscreen) (New)


What the fuck is this? Maybe it has meaningful lyrics but as a tune it's just ridiculous.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 10/20, or 50%. An improvement on last week.

Saturday 15 June 2019

UK Singles Chart: 2016

Joining the 30+ Top 40 hits club in 2016 are Beyoncé, David Guetta and Chris Brown:

  Artist No of Hits New Hits Year of Last Hit
1 Elvis Presley 124   2007
= Cliff Richard 124   2009
3 Elton John 69   2009
4 Madonna 68   2015
5 David Bowie 58   2013
= Status Quo 57   2010
7 Queen 53   2009
8 Michael Jackson 51   2014
9 Paul McCartney 49   2015
= Kylie Minogue 49   2014
11 Rod Stewart 45   2001
= Rihanna 45 Work, This Is What You Came Here For, Too Good, Needed Me 2016
13 Pet Shop Boys 44   2009
14 Diana Ross 43   2005
= Rolling Stones 43   2005
= Depeche Mode 43   2009
17 Stevie Wonder 41   2005
= U2 41   2009
19 UB40 40   2005
20 Mariah Carey 39   2013
= Jay-Z 39   2013
22 Prince 38   1997
= R Kelly 38   2014
24 Janet Jackson 37   2006
= Bon Jovi 37   2013
26 Tom Jones 36   2009
= George Michael 36   2012
= Justin Bieber 36 Cold Water, Let Me Love You 2016
29 Robbie Williams 35 Love My Life 2016
= Kanye West 35 Famous 2016
31 Erasure 34   2007
= Manic Street Preachers 34   2010
= Beyonce 34 Hold Up, Formation, Sorry, 6 Inch, Don't Hurt Yourself, Freedom, Daddy Lessons 2016
34 Frank Sinatra 33   1993
= Shakin Stevens 33   2005
= Morrissey 33   2009
37 Iron Maiden 32   2007
= Simply Red 32   2007
= Whitney Houston 32   2009
= Eminem 32   2014
41 Roy Orbison 31   1992
= Bee Gees 31   2001
= REM 31   2005
44 Lonnie Donegan 30   1962
= Beatles 30   1996
= Tina Turner 30   2004
= Duran Duran 30   2005
= Paul Weller 30   2010
= Mary J Blige 30   2010
= Glee Cast 30   2011
= Britney Spears 30   2015
= David Guetta 30 Bang My Head, This Ones For You 2016
= Chris Brown 30 Paradise 2016

No change in terms of most number ones:

  Artist No of #1s New #1s
1 Elvis Presley 21  
2 Beatles 17  
3 Cliff Richard 14  
= Westlife 14  
5 Madonna 13  
6 Take That 12  
7 Abba 9  
= Spice Girls 9  
9 Rolling Stones 8  
= Oasis 8  
= Eminem 8  
= Rihanna 8  
11 George Michael 7  
= Michael Jackson 7  
= Kylie Minogue 7  
= U2 7  
= Elton John 7  
= McFly 7  
= Robbie Williams 7  
= Calvin Harris 7  
= Tinie Tempah 7  
22 Slade 6  
= Rod Stewart 6  
= Boyzone 6  
= Blondie 6  
= Queen 6  
= Sugababes 6  
= Britney Spears 6  
= David Guetta 6  


Kanye West keeps his consecutive years of hits going and we have a total of 12 acts to have had a Top 40 hit in every year so far this decade including 2009 X Factor contestant Olly Murs:

  Artist Hits Every Year Since
1 Kanye West 2004
2 Rihanna 2005
3 Chris Brown 2006
4 Calvin Harris 2007
5 Jason Derulo 2009
= David Guetta 2009
7 DJ Fresh 2010
= Drake 2010
= Ellie Goulding 2010
= Nicki Minaj 2010
= Olly Murs 2010
= Tinie Tempah 2010

The effect of streaming and the lack of Top 40 hits it produces was even more severe in 2016. There were just 168 new entries, the last time there was as few as that was in 1955 when it was still a Top 20.

For the first time ever, the X Factor winners song is an actual Christmas song which came from Matt Terry with "When Christmas Comes Around". However it never made Christmas number one, reaching number 3 instead.

The Christmas number one came from Clean Bandit with Rockabye. This reached number one in mid November and was still at number one by Christmas and continued to be number one into 2017 spending 9 weeks at the top.

It was the second hit of the year for Clean Bandit, who's first hit was the number 5 "Tears" which featured the previous years X Factor winner Louisa Johnson who also had a hit of her own with "So Good".

The runners up of the previous series, Reggie n Bollie had their only hit to date with "New Girl". After the career of 2012 winner James Arthur appeared to be over a year later, he was back in the charts in 2016 with the number one hit "Say You Won't Let Go". There was also a number one for 2012 winners with "Shout Out to My Ex".

With One Direction now on hiatus it was time for their solo careers. First up was the first member to leave, Zayn, who scored a number one with his first solo hit "Pillowtalk". The direction he went in with his solo material was R&B. Then came Niall Horan who reached number 9 with his Folk inspired debut hit "This Town". Louis Tomlinson went down the EDM route collaborating with Steve Aoki on his debut "Just Hold On" which made number two.

Fifth Harmony had their biggest UK hit in 2016 with "Work From Home" which made number two. However their fifth and final hit "That's My Girl" only made 26. The year ended with group member Camila Cabello leaving and we wouldn't see them in the Top 40 again.

There was a new girl group making their chart debut in 2016, M O who reached number 16 with "Who Do You Think Of".

The only boy band to have a Top 40 hit in 2016 were Take That. Their only hit of the year was "Cry" in collaboration with Sigma and was also the only Drum & Bass record of the year.

Nobody had more than one number one in 2016 but the most successful act of the year from a chart perspective was Drake. He stayed at number one for 15 weeks with "One Dance" which became joint second with Wet Wet Wet's "Love Is All Around" for most consecutive weeks at number one and was 1 week behind Bryan Adams "(Everything I Do) I Do It For You". He had a further 7 Top 40 hits in 2016.

The amount of R&B in the charts was up on recent years, but this was in part to do with both Beyoncé and The Weeknd flooding the charts with several singles following the release of their albums.

The biggest music genre of the year though was Tropical House. Most notable of these was the number one "I Took A Pill In Ibiza" by Mike Posner which started life as a Folk song but was remixed into a Tropical House song by Seeb.

Calvin Harris followed on from his Deep House record the previous year with a Tropical House record "My Way" and a Future House record "Hype" collaborating once again with Dizzee Rascal. He also had a more generic EDM hit with "This Is What You Came For" in collaboration with Rihanna.

Another genre we had in the charts in 2016 was Future Bass. This included the number one record "Closer" by Chainsmokers ft Halsey. The popularity of the mellower forms of Dance music meant that the more generic EDM music had become more mellow than in previous years. This was evident in the number one hit "Cold Water" by Major Lazer ft Justin Bieber & MO.

There was a big comeback in the charts for Craig David who had returned to make the style of music that made him big in the first place, Garage. His comeback hit was "When the Bassline Drops" which made number 10.

We also had a chart comeback for the Stone Roses who had their first hit in 21 years with "All For One". They followed this up with "Beautiful Thing". They were the earliest chart debutants to have a new Top 40 hit in 2016 having made their debut in 1989. The biggest Indie hit of the year though came from Viola Beach with "Swings and Waterslides" which was their debut Top 40 hit and reached number 11 following the death of all the band members in a car crash.

Thanks to Drake and Clean Bandit both spending so long at number one there were only 10 chart toppers in 2016. Those not mentioned yet were "Stiches" by Shawn Mendes which hit the charts in late 2015 and "7 Years" by Lukas Graham, a Danish R&B group who are yet to have another Top 40 hit.

The lack of new songs and lack of different number ones combined with individual artists like Drake, BeyoncĂ© and The Weeknd meant 2016 was arguably the least interesting year in the charts to date. However, what the charts did have in it's favour was there wasn't any genre that spawned many more hits than other genres. Whilst Tropical House was the biggest, it was nowhere near the extent that Electropop or Indie dominated in previous years.

The charts 40 years earlier in 1976 have often been seen as a low point for popular music, but then along came Punk and things improved. Will we see something similar happen in 2017?