Sunday 27 August 2023

Top 30 in 1993 Reviewed: Week 35

Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1993 with my verdict on each record:


It had been almost a year since Tasmin Archer released the only record most people remember her for, but here she is with her 4th Top 40 hit which is her penultimate one to date. It's no "Sleeping Satellite" that's for sure and like with her other forgotten Top 40 hits it has glimpses of goodness in it but just isn't that great overall.

Verdict - OK


This was the only Top 40 hit for British R&B singer Sinclair. The Levert record "Casanova" clearly inspired this record but it just about gets away from being different enough to avoid any copyright issues. I still can't help but think of this as being an inferior version of the Levert record though, but it's not bad.

Verdict - OK


This was the Top 40 debut for Bad Boys Inc. I would describe them as being the Virgin Cola of the boy band world in the early 90s i.e. very much the 3rd biggest but way behind Take That and East 17. They were formed by Ian Levine who was producer on some early Take That records. One of the writers of this song was Damon Rochefort from Nomad, so it wasn't just Steve Mac from that group who went on to write crappy boy band songs.

Verdict - Rubbish


The other Top 40 hit from Joey Lawrence that doesn't sound that different to his first. It has different songwriters on it though, maybe both sets of songwriters were challenged to write a song of a certain sound and these were the results. Anyway I didn't like his bigger hit so therefore I don't like this either.

Verdict - Rubbish


Back in the late 80s when Madonna did "Cherish" and "Dear Jessie" I had quite a positive impression of Madonna. In the early 90s though I absolutely couldn't stand her. Shit like this reminds me of why I couldn't stand her.

Verdict - Rubbish


The Bee Gees Top 40 career spanned from the 60s to the 21st century, an impressive run. That said, this was just their 3rd Top 40 hit since the start of the 80s. Many people are only interested in their 70s disco era, but I'd say their best music came outside that era. 

Verdict - Good


I remember this record at the time and my thoughts were why is Terence Trent D'Arby making a rock record. I remember the "She kissed me and she put it there" lyrics but didn't really remember how the song goes. A sign that this record wasn't very good.

Verdict - Rubbish


This is the last Top 10 hit to date for Roxette. It was made for the Super Mario Bros film and has Tony from Hollyoaks in the video before he was Tony from Hollyoaks. It's since been disowned by Roxette themselves. I think they have a point.

Verdict - Rubbish


The Robin S singles discography is basically "Show Me Love", the "Show Me Love" remix, another "Show Me Love" remix, well you get the picture. She did however have another hit that wasn't called "Show Me Love" though. Listening to it though the "Show Me Love" remix with different lyrics would have been a suitable title.

Verdict - Rubbish


I remember every Ace Of Base record from the early 90s at the time apart from this one. That includes "Happy Nation" which only got to number 40, so I'm not sure why I don't remember this. It's an odd one, it's their usual reggae pop sound but a bit darker and less radio friendly than their other hits. It does the trick though. 

Verdict - Good


The Top 40 debut for Gabrielle and perhaps her best known hit. I remember being in 2 minds about this record at the time. It didn't make a good impression on me initially but it grew on me. Neither a good or bad record really.

Verdict - OK


The Sisters Of Mercy were in a lot of peoples Top 10 bands around this time, but it wouldn't be too long before the consensus was that they weren't very good and belonged in the 80s. This record, which is their final Top 40 hit to date must have played a big part in that. I never really got the appeal of them if I'm honest and still don't. 

Verdict - Rubbish


The only Top 40 hits of the 90s for The Pogues and their final Top 40 hit to date. Shane MacGowan had left the group by this point with with Spider Stacy doing the lead vocals. He's certainly a better singer, but that's why this just seems wrong. Part of The Pogues charm in my opinion is Shane MacGowans inability to sing.

Verdict - Rubbish


Yet another person making the transition from a soap to the music world. Michelle Gayle was on Eastenders and this was her Top 40 debut. You can tell they've tried to make it sound more credible than other soap stars music by going down the R&B route. Being British though it sounds like it could easily be a Mica Paris record which is never a good thing.

Verdict - Rubbish


The Top 40 debut for Chaka Demus & Pliers. This was one of many more radio friendly reggae records that charted in 1993. It's almost the blueprint on how to make a record reggae style.

Verdict - Good


Take That were undoubtedly the most popular group amongst females at school in early 1993, but one thing I could smile and say was they were yet to have a number one. Then the inevitable happened with this going straight in at number one. It's a terrible record.

Verdict - Rubbish


A cover of the Trammps record. I think I actually heard this version first and didn't think much of it. I do like the original version, but this cover is pointless and completely ruins it in my opinion. 

Verdict - Rubbish


Therapy? had already released singles from what was their upcoming "Troublegum" album, but this song never appeared on it. I liked the fact it was named after a pretty ordinary car, sort of. The song reflects it though in that it's raw sounding in a good way.

Verdict - Good


It had been just 6 months since Whitney Houston had been knocked off the top of the charts with "I Will Always Love You" after an eternity. The last thing we needed was another version of the song in the charts, but here we have a dance version. At least it's not as depressing as the Whitney Houston version but that's the only good thing about it.

Verdict - Rubbish


I've not heard this since 1993 and when I played the video it wasn't how I remembered it. Then I played a dance version which is how I remember it sounding. It was the only Top 40 hit for Aftershock and maybe that was for the best as it would have been difficult for them to better this.

Verdict - Good


It seems a bit of a rarity to hear a Mariah Carey record that isn't a dreary ballad, but here is one. I recall at the time thinking it's rather uplifting for a Mariah Carey song. That doesn't make it a good song though, it sounds pretty naff and has her annoying screeching in it.

Verdict - Rubbish


I remember someone at school at the time listing 4 Non Blondes in their Top 10 bands and we all reacted by saying what the fuck? None of us liked it, even it's composer Linda Perry doesn't like it. 

Verdict - Rubbish


Being a UB40 record that was the follow up to a cover, one could be forgiven for expecting this to be a cover of the Stevie Wonder record. It isn't though, it's a UB40 original. Like with many UB40 records it's nothing groundbreaking but it's very easy on the ears.

Verdict - Good


A few years after this came out I was flicking through the music channels and saw this video playing and it brought back memories of how I liked this record, but I couldn't remember what it was. It was being played on "The Lick" so didn't say what it was at the end of the video, but I eventually found out. The chants of "SWV" should have given it away, which was being done by a then unknown Pharrell Williams. 

Verdict - Good


The lead song from this EP is "Boom Shack-A-Lak" which is the tune Apache Indian is best known for. I guess I'm not overly keen on other Apache Indian records because none of them are anywhere near as good as this.

Verdict - Good


One thing I remember when this record was out was that I'd learned the rules that if you were a rock and metal fan you weren't supposed to like anything that wasn't rock and metal. I remember that because I couldn't help but like this record despite those rules. I like the way the pause in the record gets longer each time.

Verdict - Good


If memory serves me correctly (and it does tend to mislead me) this was the last dance record I truly got into before I became strictly rock and anti-pop. It treads that fine line where it's clearly a commercial dance record but is credible at the same time. 

Verdict - Good


When this record first came out, not only did I think this was a great song, I also thought Bitty McLean was a great name. This led me incorporate his name into the lyrics when I sang along just so I could acknowledge what a great name it is.

Verdict - Good


When this record topped the charts I remember somebody saying to me that I must be pleased, unaware I'd long moved on from being a Queen fan by this point. Even if I was still a Queen fan though I'm not sure I would have liked this. It's basically Freddie Mercury's voice put over some generic eurodance crap.

Verdict - Rubbish


I remember when this record came out it created a divide at school between the rock crowd and everyone else. It was singled out as an example of a crappy pop record by the rock crowd but everybody else seemingly loved it. Putting all that aside, my first thought when hearing this was have Snap changed their name to Culture Beat. 

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 12.5/30, or 42%. The top half looking much better than the bottom half.

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