Sunday, 13 November 2022

Top 30 in 1992 Reviewed: Week 46

Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1992 with my verdict on each record:


My memory of what happened when is a bit hazy but I know INXS were my 2nd favourite band by 1993. No doubt this record contributed to that though I do prefer "Baby Don't Cry" which came before and "Beautiful Girl" which came after.

Verdict - Good


This was the 2nd Top 40 hit for both artists and perhaps an unlikely Top 40 hit too. I can only imagine this was riding on the success of the opera influenced Olympic records which had recently charted. Not the sort of thing I would normally listen to, but I quite like it.

Verdict - Good


Before I played this I tried to think of how it went, but I couldn't. I do like a bit of Roxette and would have likely listened to this at some point. On listening to it though it does ring a bell, but is a bit boring. Definately the poorest Roxette single I've heard so far.

Verdict - Rubbish


Whenever I mention gabber music to people they usually respond with what's that? Well here we have the one and only gabber record to make the UK Top 40. As the name suggests they are Dutch which is where a lot of gabber comes from.

Verdict - Good


The era of toytown techno in the Top 40 was now over and rave was giving way to eurodance. The theme for the novelty side of eurodance was versions of computer game music with this being the first. Quite surprisingly the man behind this record was Andrew Lloyd Webber. I prefer this to pretty much everything else he's done but that's because I really don't like his music.

Verdict - Rubbish


This was the 7th Top 40 hits for Little Angels who hadn't been higher than number 21 prior to this. It was the lead single from their yet to be released chart topping "Jam" album. They also had Bryan Adams doing backing vocals. On paper you'd think this would give them a bigger hit, but it got no higher than 22. The better records are often found in the lower reaches of the Top 40 though.

Verdict - Good


This is a song my memory places in 1993 for some reason. Quite strange seeing how this is an 80s band doing a song that sounds like it belongs in the 80s. Go West are one of those bands who have always irritated me and this record is no exception.

Verdict - Rubbish


This months effort from The Wedding Present sounds like pretty much all the other months effort. I like the YouTube regarding their monthly hits "The  whole  thing  exposed  how  worthless  the  singles  chart  had  become  as  a  measure  of  real  popularity. Do  you  think  the  band  had  a  single  new  fan  at the  end  of  the  year ?". Less than 9k YouTube views in almost 13 years suggests probably not.

Verdict - Rubbish


This is the penultimate Top 40 hit to date for Extreme and one of their best in my opinion. It's one of those records you need to listen to all the way through to really appreciate and it builds up to be quite something at the end.

Verdict - Good


When Elton John rereleased "Sacrifice" and "Healing Hands" as a double a-side charity record he scored his first solo number one. He was unable to repeat that success with this record though which was for his AIDS foundation. It was a Freddie Mercury tribute song so it's quite surprising it wasn't more successful. It does take a few listens to get into though. I thought it was pretty non descript when I first heard it but now I've heard it a few times it's not bad.

Verdict - OK


I'm surprised this record only got to number 16. It's hard to pin point one record as being the one En Vogue are best know for but "Free Your Mind" is definitely a candidate. Both tunes are from the "Funky Divas" album and influenced my decision to buy that album.

Verdict - Good / Good


The 2nd Top 40 hit for Felix which isn't as well remembered as his first. It has more of a eurodance feel to it than its predecessor which may explain why it enjoyed more success on the continent. Fortunately it doesn't cross the line into annoying cheesy territory that many eurodance records do. 

Verdict - Good


This was the comeback single for Bon Jovi after 3 years away from the Top 40. The big news surrounded this at the time though was that Jon Bon Jovi had a haircut. Music wise I loved this record at the time and there came a point when Bon Jovi were my 2nd favourite band.

Verdict - Good


This was single number 28 for Madonna which was the lead single off what was only her 5th album. It somehow manages to be both irritating and boring. It was controversial at the time and the video was banned on MTV, but it's really a nothing song.

Verdict - Rubbish


This was the 3rd version of this record to reach the Top 40. The original by the Bee Gees wasn't one of them though. It came 2 years after Jimmy Somerville's cover. It's done in a typical Michael Bolton ballad type way therefore it's shit.

Verdict - Rubbish


I think we're reaching the point here where the rules were getting established in that if you were female you liked Take That and if you were male you didn't. I should point out I no longer subscribe to that way of thinking, I like what I like. What I will say about this song is that it showcases Gary Barlow's credentials as a songwriter. It's a proper song, nothing particularly cheesy about it unlike their previous efforts. That doesn't mean I like it though.

Verdict - Rubbish


This is the last Top 40 hit to date for Shakespear's Sister as a duo, with Marcella Detroit leaving the following year. She sings so little in this record though that it may as well have been Siobhan Fahey on her own. The thing is though, Marcella Detroit can sing and Siobhan Fahey can't.

Verdict - Rubbish


I recall a few years ago watching a "Forgotten Gems of the 90s" show on one of the music channels. It was a welcome change to the usual anthem bashing you get on retro channels. If memory serves me correctly this was number one. My initial thought was is this really forgotten, but then I guess I've not heard it much since the 90s. That may be a reason why I still like it.

Verdict - Good


You couldn't escape this record at the time, it was everywhere. I recall "The Bodyguard" film which this was taken from being massive as well. Let's just say the film was much better than the song.

Verdict - Rubbish


A record from 1967 which was given a new lease of life in 1992 when it featured on the Levi's advert. Erma Franklin was the sister of Aretha and had more or less retired from the music business long before this. It's the only record of hers I've ever heard so my impression of her as a singer is a positive one.

Verdict - Good


After doing their Abba covers, here is Erasure going back to their roots literally. This failed to make the Top 40 when first released in 1985 but succeeded when released in 1992. I remember hearing it at the time and thinking that's more like it. 

Verdict - Good


This is a tune which reminds me of the beginning of a school year. I loved this tune at the time and still do. It was the 3rd Top 40 hit for Bizarre Inc but it was a change in direction compared to it's predecessors. The story is that the record label wanted them to make more of a pop record and this was the result. 

Verdict - Good


Simon Harris was one of the first DJs to bring Hip House to the charts in the late 80s. It was more or less dead as a genre in the charts by 1992 and instead Simon Harris was doing this. Why you would turns computer game music into an actual tune I don't know, in the days when I played computer games I'd often turn the sound off because the music irritated me so much.

Verdict - Rubbish


When this came out I was yet to hear the original so this was the first version I heard. I loved this record at the time and I was was very pro modern music I probably would have still loved it had I heard the original. Because of these fond memories I still like it today.

Verdict - Good


I'd pretty much forgot about this record until I watched a Classic Chart Show episode which this appeared on. I don't know if I ever know who did it at the time, but when I saw it was Vanessa Paradis I was quite surprised. I was also surprised to learn this was written by Lenny Kravitz. It certain has that 90s nostalgia to it.

Verdict - Good


When I first heard people talking about Rage Against the Machine in 1993 I thought surely they can't be talking about the group who had a hit with "Run to You" not so long ago. They weren't as this group were simply called Rage. It's a eurodance cover of the Bryan Adams record which on paper should be dreadful. It's actually not bad though.

Verdict - OK


I mentioned in the "Ebeneezer Goode" review the the person who gave me a lift to school would always turn off the radio when that tune came on. When this one appeared on the radio that person said they actually liked this record. So did I.

Verdict - Good


In 1992 there were just 2 rap records which made the Top 10, "Jump" by Kris Kross and this record. It was the Top 40 debut for Arrested Development. It was the weird noises that I always liked about this record at the time.

Verdict - Good


Literally everyone I knew at the time loved this record. Some even went as far as saying Charles & Eddie were their favourite band based on this record alone. I was no exception, I loved this record too. 

Verdict - Good


When it comes to Boyz II Men I can't look past the comparison that's often made between them and Jodeci which is basically Jodeci were the bad boys of R&B whereas Boyz II Men were the clean cut group. Behind the scenes though Babyface was one of the writers and he has also written for K-Ci & Jojo of Jodeci. That doesn't mean this song is good though.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 18/30, or 60%. Same as last week.

Thursday, 10 November 2022

Dance Planet @ The Sanctuary, Milton Keynes 11/11/1995

  

DJ Vibes

So far this year we've visited Dance Planet in Cornwall, Dance Planet in Birmingham and now we have Dance Planet at The Sanctuary in Milton Keynes.

It wasn't the first time they'd held an event there, the first was in 1993 and was actually before the first Helter Skelter event was held there.

We've seen the end of an era for several things in 1995, but I would say this event was heading towards the end of an era for Dance Planet. This was their final event of 1995 and they had big plans for 1996 including a big outdoor event. That never happened though and they only did 3 events in 1996. They started a weekly club night in Wolverhampton at the start of 1997 but by February they were finished.

When I looked at the tape pack and it's track listings I saw there was a set from Carl Cox in there and he was playing hardcore. I thought did they manage to bring him out of retirement one last time to play a hardcore set. It turns out they didn't, it's a set from 1994.

The set I've posted is the DJ Vibes one because I just think it illustrates how the music has changed throughout 1995. The breaks haven't gone completely but it certainly feels more of a kick drum led set.

Most of the tapes are hardcore ones, just a DJ SS tape, a Mastervibe tape with a couple of hardcore tracks and a part Groovrider set provide the drum & bass.

As a result not too many new for 1995 drum & bass tunes which are:

D-Power - Beef

Apollo 13 - Wobble

Phyzix - Down Wid Da Lights

DJ Rap - I Can't Stop

Maldini - Wake Up Call 

Plenty of new for 1995 hardcore tunes though:

Ultimate Buzz - Rock Da Bass

Casio Brothers - Partytime

GSI - Power Up

Two Ruff - I Want You

Piano City Productions - Set Me Free

DJ Isaac & Pagan - Up, My Way

DJ Isaac - Pump Up The Party

El Bruto - Heaven

Ferocious - Listen To Me

Jack D - Get Down

JDS - Rock The Disco

Ultra-Sonic - Make That Move

Bill & Ted - Rhythm

DJ Ham - So Damn Tuff

Renegade & Static - Scotland Is Rockin

Force & Styles - Fireworks

DJ Demand - 31 Seconds

Force & Styles - Get On Up

High Flyers Feat DJ Fade - Take Me Higher

High Flyers Feat DJ Fade - Can You Feel It

DJ Ten - Turn Up The Music

Happy Tunes - Volume 7

Jack Speed - Everybody Here Tonight

The 4 Beater - Let Go

DJ Ten - Rock The Discotek / You Make Me Happy

One of note is "31 Seconds" by DJ Demand which is essentially a hardcore version of "Valley of the Shadows" by Origin Unknown. Not the only time something like that has happened, but it doesn't work for me.

It's the last visit to Dance Planet for the year, but not the last visit to The Sanctuary. More on that when the time comes.

Tuesday, 8 November 2022

UK Number 40s: Sugar - Your Favorite Thing (1994)

 


This is a number 40 I dare say would be considered a success given it actually reached the Top 40. Personally speaking as someone who mainly listened to rock music at the time, I don't remember them. I don't ever recall hearing anyone acknowledging their existence either.

No doubt they had a good following though and technically they were a supergroup. Their members were Bob Mould from Huskur Du, David Barbe from Mercyland and Malcolm from Human Sexual Response. I'll add the none of these ex groups had a Top 40 hit.

Sugar formed in 1992 and had their first Top 40 hit in 1993 with "If I Can't Change Your Mind" which made number 30. This record was their 2nd and final Top 40 hit to date. It came from their 2nd album "File Under: Easy Listening".

By 1995 Sugar were finished and look like they haven't reunited at all since.

Sunday, 6 November 2022

Top 30 in 1992 Reviewed: Week 45

Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1992 with my verdict on each record:


Yes that's right, Jon Secada had another Top 40 hit. In fact he had 5 UK Top 40 hits in total with this being his 2nd. Like it's predecessor he changes the tone of the record as soon as he starts singing which makes it interesting. It also benefits from the fact nobody remembers it therefore it doesn't get played to death like it's predecessor. 

Verdict - Good


The Farm are best known for "Groovy Train" and "All Together Now" and many would struggle to name a 3rd record of theirs. Chart wise this was the 3rd most successful and yes it's a cover of the Human League record. On paper this should be awful and listening to it I can confirm it is awful.

Verdict - Rubbish


With a title like that and the fact it's by Chippendales you just know it's going to be shit. It doesn't fail to disappoint in that respect. It's a cheesy dance record and probably inspired the current crop of EDM DJs like David Guetta who are more famous for going to the gym than making music.

Verdict - Rubbish


When Elton John rereleased "Sacrifice" and "Healing Hands" as a double a-side charity record he scored his first solo number one. He was unable to repeat that success with this record though which was for his AIDS foundation. It was a Freddie Mercury tribute song so it's quite surprising it wasn't more successful. It does take a few listens to get into though. I thought it was pretty non descript when I first heard it but now I've heard it a few times it's not bad.

Verdict - OK


This is 3 groups doing covers of the first 3 Right Said Fred singles. All were on independent record label Heavenly records. On the face of it you may ask why would they do that? but Right Said Fred were on an independent record label themselves which technically makes them an indie band. Anyone I'm sure these covers are shit on purpose, and they are shit.

Verdict - Rubbish


It had been over a year since their self titled album aka the black album and been released, but the singles kept coming with this being the 4th. This one upset the purists with it's use of Asian instruments but like with the orchestra on "Nothing Else Matters" it's not that obvious they are there with the guitars dominating again. 

Verdict - Good


I'm surprised this record only got to number 16. It's hard to pin point one record as being the one En Vogue are best know for but "Free Your Mind" is definitely a candidate. Both tunes are from the "Funky Divas" album and influenced my decision to buy that album.

Verdict - Good / Good


This is the last Top 40 hit to date for Shakespear's Sister as a duo, with Marcella Detroit leaving the following year. She sings so little in this record though that it may as well have been Siobhan Fahey on her own. The thing is though, Marcella Detroit can sing and Siobhan Fahey can't.

Verdict - Rubbish


This was the 7th Top 40 hits for Little Angels who hadn't been higher than number 21 prior to this. It was the lead single from their yet to be released chart topping "Jam" album. They also had Bryan Adams doing backing vocals. On paper you'd think this would give them a bigger hit, but it got no higher than 22. The better records are often found in the lower reaches of the Top 40 though.

Verdict - Good


This was the beginning of Sweden taking over the music world. Dr Alban was a Nigerian based in Sweden and wrote this with Denniz Pop who founded Cherion Studios. There were a number of songwriters who have since been very prolific with their songwriting including Max Martin who at the time of writing only has Paul McCartney ahead of him in terms of most Top 40 hits as songwriter. Given how much dreadful music has been created as a result of this I should hate it. However it probably would have still happened with or without this record and I do like it in a 90s nostalgia sort of way.

Verdict - Good


Levi's weren't the only jeans company who's adverts were giving old songs a new lease of life. This was originally recorded in 1961 but charted for the first time after appearing on the Lee advert giving John Lee Hooker his first Top 40 hit in 28 years. 

Verdict - Good


This is a song my memory places in 1993 for some reason. Quite strange seeing how this is an 80s band doing a song that sounds like it belongs in the 80s. Go West are one of those bands who have always irritated me and this record is no exception.

Verdict - Rubbish


This was the 2nd Top 40 hit for both artists and perhaps an unlikely Top 40 hit too. I can only imagine this was riding on the success of the opera influenced Olympic records which had recently charted. Not the sort of thing I would normally listen to, but I quite like it.

Verdict - Good


This was the 3rd version of this record to reach the Top 40. The original by the Bee Gees wasn't one of them though. It came 2 years after Jimmy Somerville's cover. It's done in a typical Michael Bolton ballad type way therefore it's shit.

Verdict - Rubbish


The era of toytown techno in the Top 40 was now over and rave was giving way to eurodance. The theme for the novelty side of eurodance was versions of computer game music with this being the first. Quite surprisingly the man behind this record was Andrew Lloyd Webber. I prefer this to pretty much everything else he's done but that's because I really don't like his music.

Verdict - Rubbish


The 2nd Top 40 hit for Felix which isn't as well remembered as his first. It has more of a eurodance feel to it than its predecessor which may explain why it enjoyed more success on the continent. Fortunately it doesn't cross the line into annoying cheesy territory that many eurodance records do. 

Verdict - Good


Literally everyone I knew at the time loved this record. Some even went as far as saying Charles & Eddie were their favourite band based on this record alone. I was no exception, I loved this record too. 

Verdict - Good


I'd pretty much forgot about this record until I watched a Classic Chart Show episode which this appeared on. I don't know if I ever know who did it at the time, but when I saw it was Vanessa Paradis I was quite surprised. I was also surprised to learn this was written by Lenny Kravitz. It certain has that 90s nostalgia to it.

Verdict - Good


A record from 1967 which was given a new lease of life in 1992 when it featured on the Levi's advert. Erma Franklin was the sister of Aretha and had more or less retired from the music business long before this. It's the only record of hers I've ever heard so my impression of her as a singer is a positive one.

Verdict - Good


This was the comeback single for Bon Jovi after 3 years away from the Top 40. The big news surrounded this at the time though was that Jon Bon Jovi had a haircut. Music wise I loved this record at the time and there came a point when Bon Jovi were my 2nd favourite band.

Verdict - Good


After doing their Abba covers, here is Erasure going back to their roots literally. This failed to make the Top 40 when first released in 1985 but succeeded when released in 1992. I remember hearing it at the time and thinking that's more like it. 

Verdict - Good


Simon Harris was one of the first DJs to bring Hip House to the charts in the late 80s. It was more or less dead as a genre in the charts by 1992 and instead Simon Harris was doing this. Why you would turns computer game music into an actual tune I don't know, in the days when I played computer games I'd often turn the sound off because the music irritated me so much.

Verdict - Rubbish


I think we're reaching the point here where the rules were getting established in that if you were female you liked Take That and if you were male you didn't. I should point out I no longer subscribe to that way of thinking, I like what I like. What I will say about this song is that it showcases Gary Barlow's credentials as a songwriter. It's a proper song, nothing particularly cheesy about it unlike their previous efforts. That doesn't mean I like it though.

Verdict - Rubbish


This was single number 28 for Madonna which was the lead single off what was only her 5th album. It somehow manages to be both irritating and boring. It was controversial at the time and the video was banned on MTV, but it's really a nothing song.

Verdict - Rubbish


I mentioned in the "Ebeneezer Goode" review the the person who gave me a lift to school would always turn off the radio when that tune came on. When this one appeared on the radio that person said they actually liked this record. So did I.

Verdict - Good


This is a tune which reminds me of the beginning of a school year. I loved this tune at the time and still do. It was the 3rd Top 40 hit for Bizarre Inc but it was a change in direction compared to it's predecessors. The story is that the record label wanted them to make more of a pop record and this was the result. 

Verdict - Good


I recall a few years ago watching a "Forgotten Gems of the 90s" show on one of the music channels. It was a welcome change to the usual anthem bashing you get on retro channels. If memory serves me correctly this was number one. My initial thought was is this really forgotten, but then I guess I've not heard it much since the 90s. That may be a reason why I still like it.

Verdict - Good


When I first heard people talking about Rage Against the Machine in 1993 I thought surely they can't be talking about the group who had a hit with "Run to You" not so long ago. They weren't as this group were simply called Rage. It's a eurodance cover of the Bryan Adams record which on paper should be dreadful. It's actually not bad though.

Verdict - OK


In 1992 there were just 2 rap records which made the Top 10, "Jump" by Kris Kross and this record. It was the Top 40 debut for Arrested Development. It was the weird noises that I always liked about this record at the time.

Verdict - Good


When it comes to Boyz II Men I can't look past the comparison that's often made between them and Jodeci which is basically Jodeci were the bad boys of R&B whereas Boyz II Men were the clean cut group. Behind the scenes though Babyface was one of the writers and he has also written for K-Ci & Jojo of Jodeci. That doesn't mean this song is good though.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 18/30, or 60%. OK the predicted decline hasn't happened, we've improved over last week.

Friday, 4 November 2022

UK Charts Best Year Search: 2022

 What's this all about?

Top 40

Best Song: Kate Bush - Running Up That Hill

Picking the best song from this Top 40 was easy. This originally charted in 1985, but returned to top the charts in 2022 thanks to it's inclusion in something on Netflix or some other streaming service. It's the youth of today discovering what proper music is.

Worst Song: Cat Burns - Go

Picking the worst song on the other hand was difficult because there were so many candidates. I've gone with this record though. It's a boring depressing song, the singer is a terrible singer and there's lots of needless swearing in it. The only way to make it worse is if David Guetta was to do a remix.

Top 40 Review

After concluding my best year series earlier on this year, I thought it would be a good idea to revive it once a year to see how the latest charts compare.

In recent months I've been reading interviews with Mr. C from The Shamen and he describes commercial dance music as lowest common denominator worm fodder. I would say this is a pretty good description of this Top 40 overall, regardless of genre.

If we begin with EDM, a very strong contender for worst record was "Crazy What Love Can Do" by David Guetta ft Becky Hill and Ella Henderson. Even by David Guetta standards this is bad, I struggle to think of anything that has more irritating vocals on it.

The other EDM records are the usual formula, DJ and vocalists and not the sort of music people into proper dance music are likely to like. Perhaps one exception is "Afraid to Feel" by LF System which doesn't feature every man and his dog on vocals, but does have vocals and is cheesy nonsense.

Inevitably we have Drake and Ed Sheeran in there with 3 songs each, all crap. Also with 3 songs in there is Harry Styles, again all crap.

We're also seeing rock music for people not into rock music. OK not really rock music, more pop music with electric guitars. Examples include "Hold My Hand" by Lady Gaga and "She's All I Wanna Be" by Tate McRae. Again all crap.

Then there's the depressing acoustic guitar/piano type nonsense which there's a few of. By the time I was listening to "Flowers" by Lauren Spencer-Smith, perhaps the most depressing of all I was really losing the will to live.

As is the trend in recent years though, rap is the dominant genre. I've recently seen a video of someone listening to modern rap records and the looks you see on her face were pretty much the looks I was making. 

One exception that gets half a mark is the disco rap record "About Damn Time" by Lizzo. The vocals are a bit iffy, but it has a decent backing track.

Score: 1.5

Table

2022 is the joint second worst year in chart history:






Thursday, 3 November 2022

Origin @ Brighton Corn Exchange, Brighton 03/11/1995

  

Pitse

Of all the raves featured so far this year, this is the one I know the least about. There's very little on the internet about it too. What I can tell you is it ran from 1994-1997 with several being held at this venue.

It's an all hardcore line up, though drum & bass does feature at other events. There are 6 DJs on the line up with 5 of them appearing on the tape pack, Vinylgroover being the only one not appearing.

Easygroove is one of the DJs playing and like his appearance at Slammin Vinyl & Tazzmania last week he features some drum & bass in his set as well as hardcore. The only new for 1995 drum & bass tune in his set is "Da Heads Ringing" by Cantankerous. Hardcore wise the new for 1995 tune he plays is "Let It Hit Em" by Slim & Hookey.

The set I've chosen to post though comes from Pitse. Who's that? you might be asking. He was a DJ from Brighton and Origin is the only event I've seen evidence of him playing at which he did a few times. I've also found out he sadly passed away in 1997.

It's a shame he never played at any of the bigger events as this is a really good set and has the bulk of the new for 1995 tunes in it. There's "You Take Me Away" by Midas & Vinylgroover and "The Renegade" by DJ Mystical. There were also 2 of his own tunes in the set which are pointed out by the MC, but neither have been identified to this day and were presumably unreleased.

Just one more new for 1995 tune appeared on the tapes which was "Free" by Nakatomi which appeared in the Dougal set. It would be a big tune in 1996 and Nakatomi would have even bigger success with "Children of the Night" before moving away from hardcore and giving the world the Vengaboys towards the end of the decade.


Tuesday, 1 November 2022

UK Number 40s: Lulu - Goodbye Baby And Amen (1994)

 


Lulu was one of the biggest female solo artists of the 60s and that's when 10 of her 18 Top 40 hits came. It started with "Shout" in 1964 and ended with "Boom Bang-A-Bang" in 1969 which are her 2 best known hits.

Then came the 70s which was a time many 60s acts found themselves out of favour. She did have a brief revival in the mid-70s with the number 3 single "The Man Who Sold the World" and "Take Your Mama For A Ride" which scraped into the Top 40 to reach 37.

Aside from "Shout" having a second outing in the Top 40 in the 80s, Lulu wouldn't return to the Top 40 again until 1993. She released "Independence" at the start of the year which came from the album of the same name and made number 11. Then came a collaboration with Bobby Womack on "I'm Back For More".

She enjoyed her greatest chart success later on in 1993 though alongside Take That on the chart topper "Relight My Fire" which is her only number one to day, some 29 years after her Top 40 debut.

Like in the 70s though, her 90s revival was brief with this record coming next which only made number 40. It was also the first Lulu Top 40 hit to be written by Lulu herself.

It sounds very much like a 90s dance pop record and that was likely the problem. It's unlikely to be the sort of music her fans from the 60s would like. At the same time she didn't have the likes of Take That alongside her to appeal to the kids.

She wasn't finished with the Top 40 yet though. Next came "Where the Poor Boys Dance" in 2000 and then her final hit to date came in 2002 with "We've Got Tonight" alongside Ronan Keating.