My Random Music Blog
Thursday, 5 February 2026
January Charts: 1996
Wednesday, 4 February 2026
Record of the Year Revisited: 1969
Original Record of the Year: Gene Pitney - Maria Elena
One thing I've discovered in the last 10 years is that 1969 is the best year for Top 40 hits. This makes my original choice for the record of the year a little baffling. Don't get me wrong it's a great record but I wouldn't even put it in my Top 5 Gene Pitney songs.
The fact that 1969 was such a good year for music puts a bit more pressure on how good the record of the year should be. There's plenty of great records but I don't think there's one that stands head and shoulders above the rest.
New Record of the Year: Love Affair - Bringing On Back The Good Times
I'll probably choose a different record every day but for now I've gone with "Bringing On Back The Good Times" by Love Affair.
This was the final Top 40 hit for them. They're best known for chart topper "Everlasting Love" but in my opinion their other singles are better and this is the best of the lot.
The tour of London in the video makes me want to get in a time machine and go back there.
Monday, 2 February 2026
Record of the Year Revisited: 1968
Original Record of the Year: Honeybus - I Can't Let Maggie Go
I picked a record I would hear every shift when working in a supermarket as a youngster but somehow never got sick of.
When I look at the list of Top 40 hits in 1968 I see plenty of decent records. Yet very few are what I would describe as outstanding. Then when it comes to songs I particularly like I ask the question of whether it's good enough to be record of the year.
The only one where the answer is yes it the record I picked in the first place. It's a song I continue to listen to regularly and makes me nostalgic about a time I never lived through. It also makes me a bit nostalgic about the time I used to hear it at work. Not the job itself, but the time in the late 90s when I was optimistic about the future.
Saturday, 31 January 2026
Record of the Year Revisited: 1967
Original Record of the Year: Keith West - Excerpt From A Teenage Opera
I said at the time that for 1967 there was only ever going to be one winner for the record of the year. A bold statement to make but then I do love this record. It makes me somewhat nostalgic about an era I wasn't even around to witness.
Thinking about my own childhood though we used to have our milk delivered by a milkman and newspaper delivered by the paper boy. That world doesn't really exist anymore, I can't remember the last time I saw a milk float or someone delivering newspapers.
The village I grew up in had a butchers, a post office, a florists, a freezer shop and a newsagents. All that remains now is a co-op. That's progress for you. Even in London 10 years ago I may have just about still been getting my meat from my local butchers before it closed down and turned into an estate agents.
Anyway aside from reminiscing on how the world used to be a much better place, have I found a better song?
New Record of the Year: Small Faces - Tin Soldier
Yes I have. I don't know when I first heard this or when I really got into it, but what a tune. By 1967 standards this is a pretty heavy record. The history books tell me that the Small Faces were one of the poppier acts of the 60s and for one or two of their records I can see why.
A lot of their records though seem to have a harder edge to them than the other music of the time. I listen to this record a lot and is one of my go to records for 60s nostalgia.
Friday, 30 January 2026
Music Bias
There's the saying a bad days fishing beats a good day at the office. The point is fishing is something one generally enjoys and being in the office is something one generally doesn't.
Applying that logic to music you could say a bad record by an artist you like beats a good record by an artist you don't like. Or does it?
I'm a huge advocate for letting the music do the talking but no matter how much I try to adopt this philosophy I feel there's always going to be a degree of bias.
Take for example "Firestarter" by The Prodigy. Prior to this the "Music For The Jilted Generation" album changed my life and the "Experience" album doesn't have a bad track on it. Still to this very day though I've not been able to take to "Firestarter" and I'll never forget the disappointment when I heard it the first time.
Had The Prodigy not released any music prior to "Firestarter" would I be thinking the same thing or would I like it? I'll never know, all I know is that when I hear it I don't enjoy it.
"Firestarter" knocked what was supposed to be the final Take That hit off number one. I couldn't stand Take That at the time and to this very day I find most of their music irritating. However when they made their comeback in 2006 with "Patience" I thought it was easily the best thing they've ever done.
The same month "Patience" came out Jamiroquai released "Runaway". Jamiroquai are a band I've always rated but I've seen I previously rated this song as OK but thought they were past their best by this point. I've just had to play the song to remind myself how it goes and my thoughts are still the same.
More importantly though given the choice of listening to "Runaway", a not so good song by a band I like or "Patience" a great song by a band I don't like, which would I choose? I would say "Patience".
Another question is had Jamiroquai not released better music in the 90s would I even give this song half marks? Or would I give it full marks for being better than most of the rubbish coming out at that time? I suspect more likely the former given I had to remind myself how it went, but it's not bad.
Sometimes something sounds much better on paper than it does in reality. Staying in 2006 there was a collaboration between Pharrell and Kanye West. Both were producers I rated highly a couple of years prior and it seemed like a dream collaboration. The record itself though was a huge disappointment and if I'm honest I was rating both artists because of music they'd made in the past rather than music they were making at that point in time.
It would be another 4 years until Pharrell would return to the charts and it would be in quite a different capacity.
During those 4 years I'd properly got back into dance music. One of my favourite dance records to chart in this period was "I Found U" by Axwell. I also discovered Sebastian Ingrosso as a DJ and had one of his mix CDs. Together with Steve Angello they formed the Swedish House Mafia.
It was in collaboration with the Swedish House Mafia that Pharrell returned to the charts with "One (Your Name)". This was not only a collaboration between DJs I liked, but also a producer in the rap and R&B world who I was a fan of a few years prior. I really wanted to like this tune until I finally conceded it was crap.
Fast forward another 3 years until we saw Pharrell in the charts again. This time he was collaborating with Daft Punk and Nile Rodgers on "Get Lucky". This time though it's a record I still like, but is it because I'm biased?
There's a real difference between my perceptions of Swedish House Mafia and Daft Punk. I may have liked Sebastian Ingrosso the DJ before he went commercial, but Swedish House Mafia as a collective were commercial rubbish. Daft Punk on the other hand were already commercial and credible when I first heard them.
At the end of 2013 was when Pharrell had his biggest success of all, "Happy". Again I paid attention because it was Pharrell but what a terrible song.
To give a bit more background, Pharrell was part of NERD and I love their "In Search Of" album. One particular track I like is "Bobby James", a dark record that really hits you. Whilst you can tell "Happy" is sung by the same person, musically it couldn't be any more different.
As for Daft Punk, whilst some say they sold out with the "Random Access Memories" album I do like it and it certainly stands out as better than all the EDM nonsense coming out at the time.
Their last venture into the charts came via a couple of collaborations with The Weeknd. One of these was in the Christmas charts in 2016 and I rated it as OK. Who am I trying to kid though, it's rubbish and I've always thought that if I'm honest with myself. I was just biased because it was Daft Punk.
Thursday, 29 January 2026
January Charts: 1995
Record of the Year Revisited: 1966
Original Record of the Year: Lou Christie - Lightnin Strikes
I was quite reluctant to pick "Lightnin Strikes" by Lou Christie as my record of the year because as much as I like it I think "I'm Gonna Make You Mine" from 1969 is much better but competition is much more fierce that year.
I also mentioned that Lou Christie was still making music but he isn't now because he sadly passed away last year. Have I now found a better record from 1966?
New Record of the Year: Billy Stewart - Summertime
I don't think I knew this record 10 years ago, at least not this version. It's a jazz standard from the 1930s and Fun Boy Three did a version in the 80s but I would of never guessed it was the same song. This version is just crazy. It's 5 minutes long and it ends with you wanting more, a sure sign of a good song.
It was the only UK Top 40 hit for Billy Stewart.