Record of the Year Revisited: 2002

Original Record of the Year: Dilated Peoples - Worst Comes To Worst

In 2002 I was mainly listening to rap music so quite appropriately I picked a rap record as my record of the year. I said it was good to hear something which sounded like it was from the underground rather than rappers showing off how much money they'd now got which was the case in many Rap records in the charts.

I also said that there were still some genuinely good dance records in the charts though cheesy vocal trance was making commercial dance look a bit rubbish.

The question is has one of the genuinely good dance records or indeed a non-dance record now taken the Dilated Peoples crown?

No, they still retain the crown. What I've since learned was just how bad 2002 was for Top 40 hits and as I look through the list I'm reminded of how most of it was rubbish. Not as bad as the current charts though.

Record of the Year Revisited: 2001

Original Record of the Year: Zero 7 - Destiny

In 2009 I picked my 25 favourite albums and was biased towards the 21st century because I liked to think I wasn't over the hill yet. One of those albums was "Simple Things" by Zero 7 and even now I've long conceded I'm too old for modern music it would have a good chance of still making my Top 25.

It therefore seemed logical to pick the only Top 40 hit from that album as my record of the year. It also went with my bias towards chill out records over more upbeat ones.

It is a great record but if I was to rank my favourite tracks from that album this would be nearer the bottom than the top. As only Top 40 hits are eligible this was my only choice from that album.

Has it retained it's crown?

New Record of the Year: Santos - Camels

No. In 2001 dance music was still huge and there was lots of it on TV and one channel that stands out in my memories is Rapture. As well as music videos they'd have interviews with DJs and footage from club nights amongst other things.

"Camels" by Santos was a stand out track in this era and when I think Rapture I think this track. 

It also holds another significant memory. One day at work in 2004 it came on the radio and I'd not heard it for a while but let it be known this was a tune I loved. It led to a conversation about music with a colleague who at a guess was in his 40s.

He loved his music and seemed very knowledgeable about it so I asked whether he knew a particular record in the Top 40 at the time. His answer was no, and another colleague said to me "he's not followed the Top 40 for at least 20 years" and he said "yes pretty much".

Now I've became that 40 something who hasn't followed the Top 40 for 20 years.

Record of the Year Revisited: 2000

Original Record of the Year: New Vision - Just Me & You

One thing that's inevitable now we've hit the 21st century is the list of viable candidates is going to shrink. Not just because overall quality goes down but the number of new entries each year starts to dwindle too as the years go by.

My pick for the year 2000 was a record that hit the Top 40 in January but is one I remember Pete Tong playing on his radio show in the summer of 1999.

When it comes to commercial dance music I don't think it gets any better than 1999. There were some great records that were huge. Whilst this record did make the Top 40 it wasn't one of the big anthems but it probably had a bigger impact on me that the other dance tunes.

There was a decline in quality of commercial dance music in the year 2000 and that alone ensures this records crown of record of the year for 2000 is safe.

Record of the Year Revisited: 1999

Original Record of the Year: Masters At Work - To Be In Love

Masters At Work go down as one of the all time greats in my opinion. When it comes to the soulful side of dance music I can't think of anyone who's better.

My own dance music journey began being more into the harder side but as time went on I found myself more drawn to the soulful side. I then saw this side as being more musical and for a record to be truly great this is where to look.

To me this record had everything a truly great record needed and the only way I could think to make it better was to tone down the vocals a little.

Surely no record can take it's crown?

New Record of the Year: Carl Cox - Phuture 2000

Actually there is a record that can. I don't think there's another DJ as highly regarded by all areas of the dance music world and it's easy to understand why. He's a legend of the rave world, a pioneer of techno and a top house DJ. Yet this record isn't really any of those.

There's 2 main reasons why this has now beaten the Masters At Work record. First of all as much as I still love "To Be In Love" I've become less tolerant of the vocals over the year. Secondly, this Carl Cox record has my favourite type of bear, the breakbeat.

Record of the Year Revisited: 1998

Original Record of the Year: Lucid - I Can't Help Myself

I'm a bit critic of vocal trance music and rightfully so. Some of the vocal trance records around the turn of the century are just as bad as the David Guetta type EDM of today or the 2 Unlimited type Eurodance of the early 90s.

Yet here I was picking a vocal trance record as my record of the year from 1998. It also comes from a duo of which one worked extensively with Pete Waterman and the other wrote music for S Club 7.

This all sounds terrible on paper so what possessed me to pick this as my record of the year?

Well simply because it's a good tune. Not all vocal trance is bad, not all music from the Pete Waterman stable is bad and I'd even be open to listening to an S Club 7 song if I found it any good.

My biggest gripe with vocal trance is the vocals and the actual music sounding too obvious. Yet neither are always bad things. 

In this record the way the vocals are made to sound like a saw in places gives them character. Music doesn't need to be complex to be good and this certainly isn't complex. At the same time its not following any rules. 

When a lot of genres get more popular they start to follow a tried and test formula and it gets stale. More often than not though there are interesting records that came before and I think this is one of those.

Record of the Year Revisited: 1997

Original Record of the Year: Adam F - Circles

1997 was the year that had the most new entries in the Top 40 and therefore was the year that gave me the most options. 

In theory more new entries should equate for more capacity for more interesting records to get into the Top 40. In practice it meant an overload of boy bands/ girl groups and similar some of which is now long forgotten.

That said there were still decent tunes in the Top 40, the sort that wouldn't make it onto Top of the Pops as I've been finding out via the reruns.

My original pick for my record of the year was a drum & bass record that I'd heard on tapes from raves long before it entered the Top 40. I witnessed first hand this going from an underground record to a Top 40 hit.

Has another record got a better claim to be record of the year?

No I don't think so. There's some decent records, some of which were definitely made for the clubs rather than the charts. What we have here though is a record I was very fond of when it was an underground record whilst it may have lost its underground tag when it charted it's still the same record.

Record of the Year Revisited: 1996

Original Record of the Year: Way Out West - The Gift

In 1996 I was mostly listening to underground dance music which meant by definition whatever I was going to pick as my record of the year would be too commercial given it would of made the Top 40.

As I went through the list I was reminded of my pick for 1996 with the reservations I had both at the time and now for picking "The Gift". The fact it's a trance record that samples vocals from a well known record of yesteryear.

The truth is there were many great dance records that made the Top 40 in 1996 and I found myself asking is "The Gift" really better than each of those records I considered.

At the same time I could think of reasons for pretty much any candidate to not take the crown. Anything from being too obvious and/or overplayed, too cheesy or not cheesy at all but doesn't have enough about it to be considered the best.

Have any of them managed to take the crown?

No they haven't. Whilst it may have sampled vocals it has a key ingredient most other dance records that made the Top 40 in 1996 didn't have, the breakbeat. 

Whilst some instrumental banging techno from Carl Cox or Dave Clarke made the Top 40 and would of been worthy winners I couldn't really pick the kick drum over a breakbeat.

More to the point though I gave "The Gift" a listen and was taken back to the good old days of 1996 and reminded that the most important thing of all is what it sounds like.