We found that most of the records I was enjoying in January 2000 were ones I was more enjoying in 1999. How about February then?
Byron Stingily - That's The Way Love Is
We found that most of the records I was enjoying in January 2000 were ones I was more enjoying in 1999. How about February then?
Byron Stingily - That's The Way Love Is
The Verve were one of the big names from the Britpop movement, but they only had 6 Top 40 hits in the 90s. After the band split up Richard Ashcroft started a solo career which resulted in him having 9 Top 40 hits.
This was the 9th and final one of those Top 40 hits. It's that familiar story of "Break The Night With Colour", the lead single off the "Keys to the World" album being his joint highest charting single making number 3. Then the album comes out and another two Top 40 hits follow which don't hit the same heights in the singles chart.
In reality though the fans were really wanting music from The Verve rather than Richard Ashcroft solo records. Their wishes came true the following year when The Verve reunited and then in 2008 returned to the charts with their final hit "Love Is Noise".
My lack of chart knowledge by 2006 means I incorrectly said that "Fire" by Ferry Corsten was the final trance record to make number 40. It turns out that the version of this record to make the Top 40 was a trance version.
Klaus Badelt is a German composer and he made this record for the 2003 film "Pirates of the Caribbean: The Curse of the Black Pearl".
It was remixed by Dutch DJ Tiesto which got it into the Top 40 and appeared on the 2007 Tiesto album "Elements of Life". I can't say for sure whether this will be the last trance record to make number 40, but what I can see is after that album Tiesto moved away from trance and onto EDM.
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 15.5/30, or 52%. We remain above 50%.
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
Clouseau - Laat Me Nu Toch Niet Alleen
Clouseau are a Belgian band who record in Dutch, which no doubt helped them into the Dutch Top 40. They had recorded in English prior to this but that never lead to a UK Top 40 hit. It's a pretty non-descript ballad that sounds like it might start at some point, but it never does. They will be back with an even bigger hit later on in the year
In my Chemistry class I sat next to a fellow raver. One day he came in with a list of DJs and MCs which he passed to me and others asking if we could think of anyone else to add to the list before it got confiscated by the teacher. I thought he was making some of them up, but it turned out some did really exist. One of those was DJ BoBo, though he's not what you would describe as being rave. He's a Eurodance vocalist who comes from Switzerland where he has enjoyed great chart success including some number ones. In the UK he managed a solitary minor Top 40 hit in 2003 with "Chihuahua".
Juliane Werding, Maggie Reilly & Viktor Lazlo - Engel Wie Du
Here we have a German singer, Scottish singer and French singer all singing in their respective languages. This means unless you can speak German, English and French then there will be bits of the song you won't understand. Maggie Reilly had charted in the UK as vocalist on "Moonlight Shadow" by Mike Oldfield, the other two haven't ever made the UK Top 40.
Here's a look at the chart:
In 2006 the biggest social media platform on the internet was MySpace. With it came a number of music acts who broke through after making a name for themselves on there. Little Man Tate were one of those bands.
This was their Top 40 debut. They were an indie band from Sheffield, a bit like Arctic Monkeys who had made their Top 40 debut several months earlier after also making a name for themselves on MySpace.
It had the same sort of raw sound, like they were a Northern band playing in a local Northern pub which they probably were prior to this charting. They would clock up 5 Top 40 hits in total and the highest position they would reach would be number 20.
Corinne Bailey Rae made her Top 40 debut in 2005 with "Like A Star" which made number 32. It was however her 2nd Top 40 hit "Put Your Records On" which was her true breakthrough record which made number 2.
The popularity of that record may have hindered any future releases though with this being her only other record that would make the Top 40. It appeared quite a bit on the music channels at the time and has a reasonable number of views of YouTube so that lack of chart success may not be such an issue.
It was taken from her self titled debut album which topped the albums chart. The album was already out by the time this was released.
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 15.5/30, or 52%. We've got above 50% for the first time in 1999.
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
In the UK in the mid-90s we had a few hits from Reel 2 Real. TOF sounds like the Dutch equivalent of this. This was the big hit with a lower charting follow up coming later on in the year. TOF stands for The Original Flyguy.
Another week, another non-musician with a new entry. This time though it's a Belgian comedian rather than a Dutch one. Urbanus had a few hits in his native Belgium dating back to 1979, but this was his only Dutch Top 40 hit.
The Captains - Mega Hit Medley Vol 1
One of the big things in the UK charts in 1981 was medleys and the first one that springs to mind is Stars On 45. Now I've mentioned this you might have gathered Stars On 45 came from Holland. This record is essentially what Stars On 45 would have sounded like in the 90s.
With guitars now taking back their crowns from turntables a number of dance acts were now starting to add rock elements to their music. Hot Chip had another idea though, to be a dance band with instruments.
They weren't the first to do that, but with indie music being more popular than ever they managed to appeal to the indie crowd with their music. As a result their music has been described as being indietronica music.
The full title to this record was "And I Was A Boy From School" and came from their 2nd album "The Warning". Their Top 40 debut came earlier on in the year with "Over and Over" which made number 27. Their 3rd and final Top 40 hit came in 2008 which became their biggest hit making number 6.
When a nationality or country is in a band name it almost inevitably means the band in question don't come from the country in their name. This is the case with Forward Russia who were a British indie band who hailed from Leeds.
In their early days all of their songs were numbers which was in the order the songs were made in. Quite similar to what Mansun were doing in the 90s with their EPs. The difference though was that Forward Russia only had 2 Top 40 hit with this being the 2nd. It followed "Nine" which made number 36.
This may explain their lack of chart success then. When "Twelve" came out people were looking for "One" and then when they discovered their Top 40 debut was called "Twelve" they started looking for "Thirteen" when they were looking for this. After that they must have just given up.
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 14/30, or 47%. Another big improvement.
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
Just the one record this week, but it's a hardcore record. It's not one I ever knew at the time which is a bit of a surprise as it doesn't sound like a record that would be too commercial sounding to play at a rave. It was the sole Dutch Top 40 hit for TNT.
Here's a look at the chart:
A number of years ago I went on holiday to Italy and there was an Italian gothic rock band called Lacuna Coil who were being played everywhere. I'd never heard of them and just assumed they were a band big in Italy and nowhere else. The area I was staying in was popular with locals as well as tourists.
Whilst that assumption wasn't too wide off the mark, it turned out that Lacuna Coil had already had a solitary Top 40 hit in the UK with this record. With a female singer in Cristina Scabbia they sounded like an Italian Evanescence.
They narrowly missed out on the Top 40 with their next single which was a cover of "Enjoy The Silence" by Depeche Mode which made number 41.
Nickelback were perhaps the biggest of the 21st century grunge revival band. With this record their Top 40 career had already outlasting that of Nirvana and they weren't far off outlasting the run of other big 90s grunge bands.
Like original grunge band Pearl Jam did, they left the grunge sound behind. Unlike Pearl Jam though they had basically become a pop band with this record. There was no longer the novelty of having a Nirvana for the 21st century. That said even when they first came around a lot of their fans were female and too young to really embrace Nirvana at the time. It therefore made sense to make music to target that demographic as that's who they were appealing to anyway.
It worked out in the end for them with their next single "Rockstar". It reached number 2 becoming their biggest Top 40 hit which stayed in the charts for a long time.
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 11/30, or 37%. That's quite some improvement.