Monday, 31 July 2023

25 Years Since....July 1998

Time to go back to a much better era for music at least:

Five - Got The Feelin'


Guilty pleasure time. Five were still a relatively new boy band at the time but there was a lot of hype about them. I remember watching this video for the first time and thought how ridiculous it was seeing a boy band try to look like gangsta rappers.

Yet at the same time I found myself drawn to this record and I've no idea why. 

Energy 52 - Cafe Del Mar 98

One of the classic trance anthems that's had lots a lots of remixes. This was the first version to make the UK Top 40. It was played a lot at the time and admittedly I did start to get sick of it. Once it stopped getting played so much I could appreciate again what a tune it was.

Echobeatz - Mas Que Nada

A Brazilian style house record by British act Echobeatz. It was from around the time of the World Cup and everyone was expecting Brazil to win it. 

Ronaldo's Revenge - Mas Que Mancada

This was basically another house version of the same record as Echobeatz. With a name like Ronaldo's Revenge you may expect them to be Brazilian, but no their English again. They were Michael Gray and Jon Pearn who has previously had Top 40 hits as Full Intention and Sex-O-Sonique.


Lucid - I Can't Help Myself

A big record from the summer of 1998 which was pretty much my favourite record at the time. It was the ultimate feel good weekend anthem in my opinion.

As we got later into the year and we didn't hear it so much I would phone up Dave Pearce's Dance Anthems every Sunday to get this played but it never happened.

Sunday, 30 July 2023

All Night Raving

When I was 29 I made the conscious decision to stop going raving or clubbing all night once I turned 30. I didn't strictly stick to that rule though once I did hit my 30s, but given the number of years it's been since I last did an all nighter and the fact I'm now in my 40s it's safe to say those days are truly over now.

One thing that's helped is daytime events. They've allowed me to go out and see the DJs I like and get to bed at a reasonable time. 

In the last few days it's been announced that Westfest which is put on by Slammin Vinyl each year is going to be a daytime rave for the first time. Judging by the comments I've read this has not been a popular decision and there's even a petition that's been started demanding they make it an all nighter.

Tranzmission which is Slammin Vinyl's other main event has been a daytime rave for some time now, although it doesn't look like there's going to be one this year.

Westfest has been going since 2004. My days of going to Slammin Vinyl had finished by then so I've never been. I would have been in the right age group for it at the time but what can't say for sure is whether it's still people of my age going or a new generation. An 18 year old now wouldn't have been born when the first Westfest happened, a lot of people at the first Westfest would be over 40 now.

I've not managed to find a flyer for the first Westfest but I've found one for the 2005 event. I've heard of near enough every DJ on the line up. On last years flyer the only main stage DJs I'm familiar with are Andy C, Hype and Gammer. I've also heard of Wilkinson but he's very much after my time.

In the One Nation arena I've not heard of anyone and I've not heard of the majority of DJs in the other arenas too. This suggests to me that they're catering for the youngsters. The protests against it becoming a daytime rave also suggests that.

Why change it to a daytime rave then?

Before I went to my first rave I loved the idea of being up all night. In practice it was never as good as it sounded. It was knackering not just staying up all night, but catching up on sleep afterwards. If I could have anonymously picked whether a rave should be day or night I would have probably picked day but would never have admitted it. 

Another thing to remember though is that even back in the day not all raves were all night. At my first all night rave I remember how empty the place was by the last set. 

Don't get me wrong, there will be people who genuinely want it to be all night. Some will get older and decide it's no longer for them, some may carry on until they drop dead. To me though the logical way to stop people from growing out of raving is to put it on in the daytime. 

Rave was something I listened to in my youth the same way a youth of the 60s listened to the Rolling Stones for example. A lot of people who saw the Rolling Stones in the 60s will still go to see them in concert now and wouldn't look out of place there.

If the only way of seeing the Rolling Stones was to arrive at the venue by midnight and see them on stage at 4am, how many of them would still go? Not many I would imagine.

Now that Westfest is going to be all day will I go? Well put it this way, I live in London and Tranzmission is in London and I've never been. Westfest is a long way from London so seems highly unlikely. Judging by the line ups I would say it's after my time.

Top 30 in 1993 Reviewed: Week 31

Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1993 with my verdict on each record:


The Top 40 debut for Juliet Roberts who had previously sung on the Funk Masters record "It's Over" a decade earlier. Than man behind this record is Daniel Poku aka D-Mob, so it's an all English affair but sounds very much like a US garage record. It's no poor imitation either.

Verdict - Good


The 3rd Top 40 hit for D:Rream who were yet to be household names as this was still before the re-issue of "Things Can Only Get Better". It's basically the usual generic dance pop rubbish we would come to expect from them.

Verdict - Rubbish


The final Top 40 hit from the "Automatic for the People" album and I dare say the least remembered. If you are going to do what is basically an acoustic ballad you have to do it well. I think they've achieved that here.

Verdict - Good


When searching for the best year for the singles chart I decided this was the worst record in the Top 40 I sampled. Taylor Dayne is a singer I've always found irritating and here she is doing a piss poor cover of the Barry White record. Hopefully this is the last time I'll ever have to hear it.

Verdict - Rubbish


I remember hearing this for the first time on the Big Breakfast and then hearing other singing it later on that day. It's a pretty catchy record and now I know it was produced by Denniz Pop that was clearly the point. I loved this record at the time and still like it even though I've perhaps heard it too many times.

Verdict - Good


There was a period of time in 1993 when The Spin Doctors were my 10th favourite band and it was because of this record alone. The rest of my Top 10 was always changing and they dropped out when I could easily name 10 bands who were better. I would say their placing at number 10 was more symbolic of me thinking this is a solid decent record but only a nitwit would think it's the best song ever.

Verdict - Good


Yet another cover by Rod Stewart. This was originally by Van Morrison and is pretty well known but never made the Top 40. I like the original version, but this karaoke effort from Rod Stewart is shit.

Verdict - Rubbish


When I got into R&B one thing I struggled with was there being some records which sounded a whole lot of nothing but were hailed by some as being masterpieces. I made the effort to get into these records as I thought I might be missing something but I eventually concluded that I wasn't. This is one of those examples.

Verdict - Rubbish


When it comes to early 90s Manic Street Preachers I would put this down as being their best known record, though it was nowhere near their highest charting. I've not heard this for a long time, but the first thing that strikes me when listening to it now is that I don't remember it being so mellow. As such I'm finding it a frustrating listen, but has potential if it was heavier.

Verdict - OK


One thing I remember when this record was out was that I'd learned the rules that if you were a rock and metal fan you weren't supposed to like anything that wasn't rock and metal. I remember that because I couldn't help but like this record despite those rules. I like the way the pause in the record gets longer each time.

Verdict - Good


It had been over 6 months since Whitney Houston had spent forever at the top of the charts with a dreary ballad from "The Bodyguard". Now here she is with yet another dreary ballad from "The Bodyguard". 

Verdict - Rubbish


After making her name as singer on some Massive Attack records, this was the Top 40 debut of Shara Nelson as a solo artist. I can't say this record does anything for me, I find it rather boring. 

Verdict - Rubbish


This was the biggest hit for Oui 3. They were very flash in the pan, but years later I came across their album at HMV in Oxford St and bought it after remembering I quite liked them. They were also a big influence on Faithless.

Verdict - Good


Much like "Heal the World", I thought this record was acceptable at the time but as I've gotten older and more bitter I have little tolerance for soppy music like this anymore. It's the 8th Top 40 hit from his "Dangerous" album and wasn't his last.

Verdict - Rubbish


My memory of Kim Wilde in the 90s is that Chris Evans was a fan and she appeared on "Don't Forget Your Toothbrush". Looking at the timings though, this would have been before that. This is however her last Top 40 hit to date. It's a pointless cover.

Verdict - Rubbish


After Sister Sledge returned to the Top 40 in 1993 with remixes of their old records it was now the turn of Gloria Gaynor. The original of this is a record I've always hated and is a perfect example of why disco was seen as a bit of a joke in the end. The remix doesn't improve it at all.

Verdict - Rubbish


At the time I recall someone accusing me of only liking this record because it was at number one. If anything that would have been a reason for me to not like it. UB40 do divide opinion, some say how can you take a reggae band from Birmingham who do lots of covers seriously whereas others say doesn't it really matter it's good to listen to. I fit the latter category.

Verdict - Good


This would be the last time we'd see both Craig McLachlan and Debbie Gibson in the Top 40. It's a cover of the Grease record and they were both in a London stage show version at the time. It was crap the first time round, this cover is even worse.

Verdict - Rubbish


The Robin S singles discography is basically "Show Me Love", the "Show Me Love" remix, another "Show Me Love" remix, well you get the picture. She did however have another hit that wasn't called "Show Me Love" though. Listening to it though the "Show Me Love" remix with different lyrics would have been a suitable title.

Verdict - Rubbish


If memory serves me correctly (and it does tend to mislead me) this was the last dance record I truly got into before I became strictly rock and anti-pop. It treads that fine line where it's clearly a commercial dance record but is credible at the same time. 

Verdict - Good


Even though this wasn't the biggest hit for Dannii Minogue I would say this one is the best known. It came at a time when Kylie Minogue had left Stock Aitken & Waterman and was yet to launch her post-Stock Aitken & Waterman career. It's a pointless cover.

Verdict - Rubbish


The melody to this record was basically taken from "Highwire" by Linda Carr. Given that M People called their debut album "Northern Soul" I would say that was deliberate too. Aside from that it's that generic dance sound that's a bit rubbish. 

Verdict - Rubbish


This is the last Top 10 hit to date for Roxette. It was made for the Super Mario Bros film and has Tony from Hollyoaks in the video before he was Tony from Hollyoaks. It's since been disowned by Roxette themselves. I think they have a point.

Verdict - Rubbish


Back in the late 80s when Madonna did "Cherish" and "Dear Jessie" I had quite a positive impression of Madonna. In the early 90s though I absolutely couldn't stand her. Shit like this reminds me of why I couldn't stand her.

Verdict - Rubbish


This is an iconic 90s record that everybody remembers. My memory of this record was having a teacher called Mrs Hathaway who we started calling Mrs Haddaway which led to people randomly singing it in her lessons. That said, I've always considered it to be a bit crap and still think the same.

Verdict - Rubbish


When this record topped the charts I remember somebody saying to me that I must be pleased, unaware I'd long moved on from being a Queen fan by this point. Even if I was still a Queen fan though I'm not sure I would have liked this. It's basically Freddie Mercury's voice put over some generic eurodance crap.

Verdict - Rubbish


The Top 40 debut for Chaka Demus & Pliers. This was one of many more radio friendly reggae records that charted in 1993. It's almost the blueprint on how to make a record reggae style.

Verdict - Good


The Top 40 debut for Gabrielle and perhaps her best known hit. I remember being in 2 minds about this record at the time. It didn't make a good impression on me initially but it grew on me. Neither a good or bad record really.

Verdict - OK


I remember someone at school at the time listing 4 Non Blondes in their Top 10 bands and we all reacted by saying what the fuck? None of us liked it, even it's composer Linda Perry doesn't like it. 

Verdict - Rubbish


Take That were undoubtedly the most popular group amongst females at school in early 1993, but one thing I could smile and say was they were yet to have a number one. Then the inevitable happened with this going straight in at number one. It's a terrible record.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 10/30, or 33%. The joint lowest score of the 90s so far.

Friday, 28 July 2023

Top 30 in 1996 Reviewed: Week 30

Here's my weekly look at the Top 30 from 27 years ago. The plan is for these posts to go out at 17:30 on a Friday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1996 with my verdict on each record:


The final original Top 40 hit to date for The Nightcrawlers and once again they're singing about pushing. It's very much a commercial dance record which is a cover of a song by a girl group who never really got anywhere called Eden. I don't mind it.

Verdict - OK


The record Ocean Colour Scene are best known for was their debut "The Riverboat Song" but this was their joint highest charting hit. The verses to this gives the notion of riding along on a train I think and the chorus is simple but effective. An all round good record.

Verdict - Good


This was a record I never liked at the time, partly because with a name like the Tony Rich Project I was expecting a dance record but it wasn't. Then when I was going through my R&B phase I started liking it. What do I think of it now though? Well first of all I could have sworn it was written by Babyface but it wasn't, though it did come out on his label and the songwriters have seemingly done nothing else so you never know. The fact it sounds like a record Babyface could have done himself though is a good thing.

Verdict - Good


In the 21st century Mariah Carey had more of an R&B element in her music thanks in part to having Jermaine Dupri write and produce some of her records. This is where it began though with this record being written and produced by Jermanine Dupri. It's still shit though.

Verdict - Rubbish


Erick Morillo was a respected DJ in the dance music scene, but Reel 2 Real was very much his cheesy commercial dance project. This was the penultimate Top 40 hit to date for Reel 2 Real and is a cheesy commercial dance record, but it isn't bad.

Verdict - OK


I never really liked Kula Shaker at the time. This was their breakthrough record that I remember most for its incomprehensible lyrics. Then in more recent times I'm finding that I really like this record. Probably helps that the only times I listen to it these days is of my own accord. 

Verdict - Good


We're into the home straight when it comes to the Top 40 career of Belinda Carlisle. It's a cover of a record by Jenny Morris but was written by Rick Nowels who wrote the bulk of Belinda Carlisle hits. The mentions of highways makes me liken it to "Rush Hour" by her Go-Go's bandmate Jane Wiedlin, not to say it sounds the same because it doesn't. I just like the concept really.

Verdict - Good


The 4th Top 40 hit for Apollo 440 and their first to make the Top 30 though I would still say its chart position doesn't really reflect how well known it is. I can definitely appreciate Apollo 440 for the experimental nature of their music now than I did at the time. 

Verdict - Good


There was a happy hardcore version of "Rush Hour" by DJ Magical around the same time which was a tune I liked. It was a rock version that made the Top 40 though and was the only Top 40 hit for Joyrider. I like the tune and think it works well as a rock song too.  

Verdict - Good


This was the final Top 40 hit to date for Lush who would break up a few months later following the suicide of their drummer. The song title is named after a Fiat 500. At the time I thought it was a cover of an 80s record but it isn't. It sounds a bit of a joke record but not funny.

Verdict - Rubbish


After the Lisa Marie Experience charted with their version of "Keep On Jumpin" here's Todd Terry with his version. The whole vocals are included in this one. I have to say I prefer the Lisa Marie Experience version, but this has it's place too. 

Verdict - Good


Here's proof that there were charting musicians from New Zealand that had nothing to do with the Finn brothers. There had been John Rowles and Kiri Te Kanawa previously. It was the only Top 40 hit for OMC and the title more or less describes the tune. I like it though. I also know that we'll soon be getting OMD in the charts too just to confuse things. 

Verdict - Good


The Sex Pistols reunited in 1996 and this was taken from their reunion tour. It sounds pretty much the same as the studio version which is no bad thing. One of the all time punk classics.

Verdict - Good


This was the 2nd and last Top 40 hit for 2Pac before he died, though many more hits followed after that. It was also the Top 40 debut for K-Ci & JoJo. There was a period of my life when I was possibly listening to both 2Pac and K-Ci & JoJo more than I was listening to anyone else and this tune featured in that. 

Verdict - Good


We're into holiday season now which means crappy songs people danced to on holiday making their way into the charts. Umboza were English though but just gave the impression they were Spanish or something with this record. 

Verdict - Rubbish


This record is what it says on the tin but is basically a remix done by Adam Clayton and Larry Mullen of U2. I will give them credit for the fact this sounds nothing like a U2 record. That doesn't mean it's any good though.

Verdict - Rubbish


The final Top 40 hit to date for Pato Banton which is similar in nature to his first i.e. a cover of a 60s record with a few extra bits added to it. Not a bad formula really, it's easy on the ears to listen to.

Verdict - Good


This was the 5th Top 40 hit for Toni Braxton and the 5th to be written by Babyface. A general rule I am finding with Babyface compositions is that he uses his signature sound for more credible artists and writes crap for those who aren't credible. Yet this isn't really his signature sound and I would say Toni Braxton is credible enough. I guess that just showcases the songwriting talents of Babyface.

Verdict - Good


This is a cover of the John Waite song. My memory of it was that it didn't sound overly different to the original but listening to it now I'm thinking this is a pretty poor cover. It sounds really weak, almost like someone's found the demo button on a keyboard and the song being sung over that.

Verdict - Rubbish


Celine Dion was pretty well established as a chart act by this point and was mainly known for doing ballads. It therefore seemed almost inevitable really that she'd end up with a single written by Diane Warren and here it is. 

Verdict - Rubbish


As a general rule music and football do not mix. New Order however showed it is possible to make a decent football record. In theory there was no reason why the Lightning Seeds couldn't have done the same and it is liked by many, but not by me.

Verdict - Rubbish


After eventually topping the charts with their Top 40 debut "Dreamer" the previous year, this was their follow up. It was with a different singer this time. It's not hugely different to it's predecessor though and not a good, but not bad either.

Verdict - OK


This was the big holiday song of 1996 and I can remember hearing it all the time when I went on holiday in 1996 myself. When this made the charts I wasn't expecting the 2 men who sing it to be so old, they were almost 50 by this point which actually doesn't seem that old these days. Anyway it's cheesy and terrible and everything you expect from a big holiday song.

Verdict - Rubbish


This record original charted in 1995 but then went one place better when it was remixed in 1996. It certainly felt a much bigger record this time round as I recall. I particularly liked the build up towards the end where it gets pitched up. 

Verdict - Good


This was the Top 40 debut for Mark Morrison in 1995, but following the success of "Return of the Mack" this was remixed and charted higher than it did the first time around. I'd say this is an illustration of how British R&B is often inferior to it's American counterpart. 

Verdict - Rubbish


What can I say about this record to do it justice? Underworld are one of my favourite acts ever and this was their biggest hit and what got me into them in the first place. At a time when commercially successful music was getting more and more mellow it was refreshing to see a banging techno record giving a big fuck you to all of that. 

Verdict - Good


The record that Peter Andre was best known for. It's a reggae style pop record that sounds a bit like its ripping off "Sweat" by Inner Circle. I remember this being in the charts when Peter Andre was presenting Top of the Pops and during the chart countdown he said it was "by Bubbler Ranx and me". It's not the worst record in the world, but I'm sick to death of it now and would happily never hear it again.

Verdict - Rubbish


When Take That split up earlier on in the year I was happy. What I didn't anticipate though was the solo careers that would follow which began with this Gary Barlow record. It clearly topped the charts because it was Gary Barlow because musically it's terrible. 

Verdict - Rubbish


I remember this going straight into number one on the Top 40 countdown which was the first time I heard it. Initially from the intro I thought it was going to be a depressing song, but then the beats kicked in and I though hang on a minute this is actually quite good.

Verdict - Good


There was no escaping this song in the summer of 1996. It was the Top 40 debut for the Spice Girls and I thought it had one hit wonder written all over it at the time. Unfortunately it wasn't and there was no escaping them for the next 2.5 years which felt a lot longer. 

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 16.5/30, or 55%. The highest score we've had in a while.

Thursday, 27 July 2023

Christmas Charts Rated: 1993

Top 40

Best Song: The Bee Gees - For Whom The Bell Tolls

There were 2 really strong contenders for best song and very little to pick between them as they're both excellent in their own ways. I've gone with The Bee Gees though as this is the best thing I've ever heard them do. When the chorus comes in and Robin Gibb starts singing it's quite something.

Worst Song: Mariah Carey - Hero

Picking the worst song was actually quite an easy choice. Whilst there's plenty of rubbish records this was by far the most painful to listen to. It's such a dreary record and it just makes me angry, the knowledge it probably inspired modern dreary shite like Adele is likely a factor.

Top 40 Review

Let's begin with the record that narrowly missed out on best song. It was "What's My Name" by Snoop Doggy Dogg which was his Top 40 debut. A great record from one of my all time favourite albums, the reason I've not picked it is because Snoop Dogg has made better tunes. 

It's a full house for the 4 rap records in this Top 40 with the others coming from Ice-T, Cypress Hill and K7.

The Christmas number one battle in 1993 was an interesting one. The week before Christmas Take That knocked "Mr Blobby" off the top and looked set for Christmas number one. Then Mr Blobby reclaimed the top spot and therefore got the Christmas number one. Both records are crap though.

There was just the one Christmas record in the Top 40 and quite surprisingly it's one I like. It's "I Was Born On Christmas Day" by Saint Etienne which was at 37.

I was already aware of the score the Top 30 would get as I've already written the yet to be published Top 30 review. What I didn't anticipate though was the the records from 31 to 40 collectively score 6 out of 10 and 2 of those records with no points were older records by the Village People and Whitney Houston.

What is quite eye opening about this Top 40 overall is the sheer quantity of ballads. The definition is open to interpretation, but by my reckoning you could legitimately say that around half the records in the Top 40 could be considered a ballad. 

Ballads can be really good if well written, you could argue my best song choice is a ballad for example. That quantity of ballads though doesn't make for a good listen overall and this is a reason behind my theory of the charts taking a nosedive at Christmas time.

It's a chart of 2 extremes though, just the one record gets half marks which is "Your Love" by Diana Ross which is definitely a ballad.

There's enough decent records though, particularly in the lower reaches to end up with a pretty respectable score.   

Score: 15.5

Table

Thanks to the lower reaches we have a better score for the Christmas charts in 1993 than the best year charts:



Wednesday, 26 July 2023

Top 30 in 1995 Reviewed: Week 30

Here's my weekly look at the Top 30 from 28 years ago. The plan is for these posts to go out at 17:30 on a Wednesday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1995 with my verdict on each record:


Whigfield is best known for her chart topping debut "Saturday Night" which is an irritating record. Then came "Another Day" which is basically the same tune with different lyrics. Then came this which made me think what the fuck, I like this Whigfield record. It's still cheesy don't get me wrong, but in a good way. Those who remember it are likely to remember it for the line "I need you inside me tonight".

Verdict - Good


We're now into the wilderness years for Kylie Minogue. You could say this is her attempt at making a house record with Brothers in Rhythm behind it. The result is that I don't think it can decide whether it wants to be a pop record or a house record so we end up with either a pop record that's no very catchy or a house record that's a bit cheesy.

Verdict - Rubbish


I heard this for the first time since 1995 quite recently on Retro Charts Radio. I recognised it pretty quickly and started thinking this is good to hear after all these years and it's aged well. Almost refreshing to see a British guitar band not going soft around this time.

Verdict - Good


The Top 40 debut for Cast who were fronted by John Power who had previously been a member of The La's. The intro to this record sounds the same as the intro to "Paradise City" by Guns n Roses. It does take on its own identity once we get further into it.

Verdict - Good


It had only been a few months since the original version of this by The Cranberries had been in the Top 40. This eurodance cover is just about as bad as it gets, a truly awful record.

Verdict - Rubbish


This was the 3rd Top 40 hit for The Boo Radleys. Their 2nd "Find The Answer Within" only made number 37. I guess that one taught people that they were quite a moody band unlike their big hit "Wake Up Boo" but this fared better presumably because people had gotten used to it. I quite like the contradiction. 

Verdict - Good


After the success of Sheryl Crow's first Top 40 hit "All I Wanna Do" she struggled to make much impact with her initial follow ups. This record came after a pair of 33s. I happen to think her music was much better around this time than her more successful period in years to come.

Verdict - Good


The 2nd Top 40 hit for Fluke and first to make the Top 30. They were always likely to struggle to have much chart success due to their music not being particularly catchy. It takes a few listens to get into it properly and fortunately I've had a few listens.

Verdict - Good


EMF had a total of 3 Top 10 hits, "Unbelievable", "I Believe" and "I'm A Believer". A bit of a theme going on with that. This would be their final Top 40 hit to date and teaming up with comedians Reeves and Mortimer probably didn't do much for their music credibility. It's crap but that's probably the point.

Verdict - Rubbish


The 3rd and final Top 40 hit for Amy Grant who had last been in the Top 40 in 1991. It's a cover of the Joni Mitchell record and I believe this was the first version of this record that I heard. I remember thinking it was good to see the singer of "Baby Baby" back in the charts.

Verdict - Good


This was the highest charting Top 40 hit for Clock. It's a eurodance cover of the Tag Team record. I do remember this being pretty big at the time but it's never worked in my opinion. The again very generic eurodance music sold records.

Verdict - Rubbish


The 3rd Top 40 hit for MN8 and the 3rd to make the Top 40 which I find quite surprising. I'm not surprised to find that they never made the Top 10 again after this. It's a cover of a record by American R&B group Surface. I guess the 1995 I get from it makes me like it.

Verdict - Good


The Lightning Seeds are one of those bands who have quite a few records that are still played regularly today. However this record isn't one of those and I don't think I've heard it since 1995. I have it down as the one about waving at the taxi's passing by. Always thought it was pretty decent.

Verdict - Good


The 2nd Top 40 hit for Hole. Whilst I wasn't a fan of their debut Top 40 hit "Doll Parts" I could at least detect a tune in there somewhere. This one is just a noise though, nothing good about it at all. It's just irritating.

Verdict - Rubbish


When I first heard this record I was quite surprised that it was a new record. I thought it sounded like it should be an older record. I still think it wouldn't have sounded out of place long before it was written, but does very much remind me of 1995 these days. It's one of those rare Paul Weller records that I actually like.

Verdict - Good


We were into the latter stages of the Top 40 career of Soul II Soul by this point. They no longer had the same influence they had when they first broke though at the end of the 80s. That was more to do with how music in general had progressed, there was still room for Soul II Soul in 1995.

Verdict - Good


This record originally came out in 1991 but was remixed and made the Top 40 for the first time in 1995. I remember going to a disco at the time and the person putting it on assured me there would be plenty of rave/dance music. This was playing as I walked in and I thought it was a good start. I can't remember much else about the disco if I'm honest.

Verdict - Good


REM have got the organ out on this record. Bands like The Doors have proved that having an organ in a rock song can work really well. I'd say REM have done it too with this record, it's a ballad with falsetto singing which is something you'd have to get right.

Verdict - Good


When PJ and Duncan performed "Tonight I'm Free" few would have predicted it would lead to a music career particularly after said record failed to reach the Top 40. When the novelty of PJ and Duncan making music caught on and led to an album I don't think too many people thought they'd have a 2nd album. Yet here they were with the lead single from their 2nd album. It sounds more polished which takes the fun out if anything.

Verdict - Rubbish


Whilst I generally have a favourable opinion of music from 1995 I'm also conscious that there was also rubbish in the charts that year with Robson & Jerome in particular that springs to mind. This was their Top 40 debut which came about after their Soldier Soldier characters sang it on the show.

Verdict - Rubbish Rubbish


It's becoming quite a familiar formula of covering a chorus of an old record with new rapped verses. Not a bad formula to have by any means. It was the first Top 40 hit for Method Man and the first time we saw Mary J Blige in the Top 10.

Verdict - Good


I have a memory of listening to the Chris Evans Breakfast Show one day on Radio 1 at the time and liking everything he was playing on it. I remember this record being one of those that he played. It was the Top 40 debut for Dana Dawson and was her biggest hit.

Verdict - Good


One thing that makes Corona different to your usual eurodance acts is that they have 3 big hits that could all claim to be their big hit. Not only that but each of those 3 are quite distinctive and not just soundalikes of what they've done before.

Verdict - Good


The solo Top 40 debut for Edwyn Collins who had previous been in the Top 40 as part of Orange Juice. This record is all about the guitar, I love the way it basically repeats the lines that he sings. The rest of the guitaring is great as well.

Verdict - Good


It had been over 2 years since Shaggy topped the charts with "Oh Carolina" but took until this record for him to score his 2nd Top 40 hit. It's based on the Mungo Jerry record of the same name and features extensive vocals from Rayvon, the first act from Barbados to have a Top 40 hit. A fun record.

Verdict - Good


"Kiss From A Rose" was originally a Top 40 hit in 1994 but was given a new lease of life when it featured in the "Batman Forever" soundtrack. I'd never heard "I'm Alive" until I bought the CD single of this. 

Verdict - Good Good


This record was famously featured on the soundtrack to "Batman Forever". It's a crap film like all the Batman films are but the music is good. I love the intro/outro riff to this.

Verdict - Good


The biggest hit for Supergrass and the one they're best known for. I was already familiar with Supergrass courtesy of their previous hits and had them down as a bit of a moody band. I was therefore surprised at how uplifting "Alright" was. They're back to their moody selves on "Time" but are sounding a bit poundland Rolling Stones for my liking.

Verdict - Good Rubbish


The Top 40 debut for Diana King and the record she is best known for. It was from the soundtrack to "Bad Boys", a film that has Will Smith in it. The fact it wasn't Will Smith making the record for the film might have indicated that he'd given up on music. Maybe that's why I like this.

Verdict - Good


If I had to pick a record to sum up the summer of 1995 then this would probably be it. This was also my favourite of The Outhere Brothers hits. 

Verdict - Good

If we give the records which were good 1 point each and those which were OK half a point, the final score is 23/30, or 77%. Just as good as last week.