Time to go back to a much better era for music at least:
Five - Got The Feelin'
Lucid - I Can't Help Myself
Time to go back to a much better era for music at least:
Five - Got The Feelin'
When I was 29 I made the conscious decision to stop going raving or clubbing all night once I turned 30. I didn't strictly stick to that rule though once I did hit my 30s, but given the number of years it's been since I last did an all nighter and the fact I'm now in my 40s it's safe to say those days are truly over now.
One thing that's helped is daytime events. They've allowed me to go out and see the DJs I like and get to bed at a reasonable time.
In the last few days it's been announced that Westfest which is put on by Slammin Vinyl each year is going to be a daytime rave for the first time. Judging by the comments I've read this has not been a popular decision and there's even a petition that's been started demanding they make it an all nighter.
Tranzmission which is Slammin Vinyl's other main event has been a daytime rave for some time now, although it doesn't look like there's going to be one this year.
Westfest has been going since 2004. My days of going to Slammin Vinyl had finished by then so I've never been. I would have been in the right age group for it at the time but what can't say for sure is whether it's still people of my age going or a new generation. An 18 year old now wouldn't have been born when the first Westfest happened, a lot of people at the first Westfest would be over 40 now.
I've not managed to find a flyer for the first Westfest but I've found one for the 2005 event. I've heard of near enough every DJ on the line up. On last years flyer the only main stage DJs I'm familiar with are Andy C, Hype and Gammer. I've also heard of Wilkinson but he's very much after my time.
In the One Nation arena I've not heard of anyone and I've not heard of the majority of DJs in the other arenas too. This suggests to me that they're catering for the youngsters. The protests against it becoming a daytime rave also suggests that.
Why change it to a daytime rave then?
Before I went to my first rave I loved the idea of being up all night. In practice it was never as good as it sounded. It was knackering not just staying up all night, but catching up on sleep afterwards. If I could have anonymously picked whether a rave should be day or night I would have probably picked day but would never have admitted it.
Another thing to remember though is that even back in the day not all raves were all night. At my first all night rave I remember how empty the place was by the last set.
Don't get me wrong, there will be people who genuinely want it to be all night. Some will get older and decide it's no longer for them, some may carry on until they drop dead. To me though the logical way to stop people from growing out of raving is to put it on in the daytime.
Rave was something I listened to in my youth the same way a youth of the 60s listened to the Rolling Stones for example. A lot of people who saw the Rolling Stones in the 60s will still go to see them in concert now and wouldn't look out of place there.
If the only way of seeing the Rolling Stones was to arrive at the venue by midnight and see them on stage at 4am, how many of them would still go? Not many I would imagine.
Now that Westfest is going to be all day will I go? Well put it this way, I live in London and Tranzmission is in London and I've never been. Westfest is a long way from London so seems highly unlikely. Judging by the line ups I would say it's after my time.
Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1993 with my verdict on each record:
Here's my weekly look at the Top 30 from 27 years ago. The plan is for these posts to go out at 17:30 on a Friday.
Here is the Top 40 in full.
Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1996 with my verdict on each record:
Best Song: The Bee Gees - For Whom The Bell Tolls
There were 2 really strong contenders for best song and very little to pick between them as they're both excellent in their own ways. I've gone with The Bee Gees though as this is the best thing I've ever heard them do. When the chorus comes in and Robin Gibb starts singing it's quite something.
Worst Song: Mariah Carey - Hero
Picking the worst song was actually quite an easy choice. Whilst there's plenty of rubbish records this was by far the most painful to listen to. It's such a dreary record and it just makes me angry, the knowledge it probably inspired modern dreary shite like Adele is likely a factor.
Top 40 Review
Let's begin with the record that narrowly missed out on best song. It was "What's My Name" by Snoop Doggy Dogg which was his Top 40 debut. A great record from one of my all time favourite albums, the reason I've not picked it is because Snoop Dogg has made better tunes.
It's a full house for the 4 rap records in this Top 40 with the others coming from Ice-T, Cypress Hill and K7.
The Christmas number one battle in 1993 was an interesting one. The week before Christmas Take That knocked "Mr Blobby" off the top and looked set for Christmas number one. Then Mr Blobby reclaimed the top spot and therefore got the Christmas number one. Both records are crap though.
There was just the one Christmas record in the Top 40 and quite surprisingly it's one I like. It's "I Was Born On Christmas Day" by Saint Etienne which was at 37.
I was already aware of the score the Top 30 would get as I've already written the yet to be published Top 30 review. What I didn't anticipate though was the the records from 31 to 40 collectively score 6 out of 10 and 2 of those records with no points were older records by the Village People and Whitney Houston.
What is quite eye opening about this Top 40 overall is the sheer quantity of ballads. The definition is open to interpretation, but by my reckoning you could legitimately say that around half the records in the Top 40 could be considered a ballad.
Ballads can be really good if well written, you could argue my best song choice is a ballad for example. That quantity of ballads though doesn't make for a good listen overall and this is a reason behind my theory of the charts taking a nosedive at Christmas time.
It's a chart of 2 extremes though, just the one record gets half marks which is "Your Love" by Diana Ross which is definitely a ballad.
There's enough decent records though, particularly in the lower reaches to end up with a pretty respectable score.
Score: 15.5
Table
Thanks to the lower reaches we have a better score for the Christmas charts in 1993 than the best year charts:
Here's my weekly look at the Top 30 from 28 years ago. The plan is for these posts to go out at 17:30 on a Wednesday.
Here is the Top 40 in full.
Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1995 with my verdict on each record: