Showing posts with label LCD Soundsystem. Show all posts
Showing posts with label LCD Soundsystem. Show all posts

Thursday, 23 April 2026

Record of the Year Revisited: 2007

Original Record of the Year: LCD Soundsystem - North American Scum

October 2007 was the first month of the 21st century at least where I didn't like a single new entry in the Top 40. In the year up to that point there were just 29 new entries that I liked but looking at the list I question whether I even like that many.

My pick only just scraped into the Top 40 and comes from LCD Soundsystem who fit the pretty well known but not much of a chart presence category with this being their 2nd and final Top 40 hit.

Had this record charted 1 place lower then March would have been the first month of the 21st century where I didn't like any of the new entries.

Does it retain its crown?

Absolutely. This would be a strong contender in other years and happens to be the out and out winner in a very poor year for Top 40 music.

Tuesday, 1 April 2025

UK Number 40s: LCD Soundsystem - North American Scum (2007)

 


I was still listening to some new music around this period but I had no idea whether any of it was commercially successful or not. Most of it wasn't, but one that was perhaps more popular than I realised was LCD Soundsystem.

When they decided to call it a day in 2011 they were big enough to play their final gig at Madison Square Garden. From a Top 40 perspective though they just had a number 29 and a number 40 to their name.

Their debut was "Daft Punk Is Playing At My House" which was from their self titled debut album. This one came from their second album "Sound Of Silver". The performance of this record at their farewell gig had Arcade Fire on stage doing backing vocals.

Despite this being just one of two Top 40 hits though, when I went to see them on their comeback tour they never played this. It was a shame really because it sounds much better live than the studio version.

Thursday, 23 May 2024

LCD Soundsystem - American Dream (2017)


I picked the self titled LCD Soundsystem debut album as one of my favourites. It originated from me hearing "Losing My Edge". The album was perhaps more guitar driven than I expected but I soon grew to like it.

LCD Soundsystem grew in popularity over the years and then in 2011 after 3 albums, main man James Murphy decided to call it a day. They played their final gig at Madison Square Garden which lead to the film "Shut Up and Play the Hits" which documented this final gig. When I watched it at the cinema I saw how good LCD Soundsystem were live and regretted the fact I'd never gone to see them.

Fast forward to the start of 2016 and we had the news that LCD Soundsystem was back. They played some UK festivals that summer which could be watched on the TV/internet and I found myself watching these performances a lot.

I couldn't wait for them to play a gig in their own right in the UK. Before they did this though they recorded a new album. Then in 2017 I finally got to see them play in Alexandra Palace and they were excellent.

Despite my super excitement about the return of LCD Soundsystem, one thing that I didn't do was listen to their new album. At least I don't remember listening to it.

It's 10 tracks which are all quite lengthy with the final track being just over 12 minutes long. One thing that's true about all the previous LCD Soundsystem albums is they took me a while to get into but once I did I loved them.

The problem with listening to this album for the first time is that I've not reached that point yet. It did take a while for the album to get going, but I did find myself enjoying it on the whole and then once I reached the end I completely forgot what I'd just been listening to.

Maybe I did listen to it when it got released but didn't give it enough listens to truly get into it or remember any of it. I see potential for me to truly like it, but we'll have to see.

Saturday, 23 September 2017

LCD Soundsystem @ Alexandra Palace

For some reason I never saw LCD Soundsystem in concert the first time round. After they called it a day I went to my local cinema to watch "Shut Up and Play the Hits", the film centred around their final gig at Madison Square Garden I realised how good they were live and regretted not going to see them in concert.

However the beginning of last year saw the return of LCD Soundsystem and last night was their first gig in London aside from festivals since the comeback.

A few days prior to the gig I was sent the set times and saw Shit Robot was playing when the doors opened at 18:30 and again at 20:30, someone I'd quite like to see. It wasn't logistically possible for me to get there at 18:30 but I aimed to get there for around 20:00 so I could see him at 20:30.

Unfortunately Ally Pally is quite possibly the worst gig venue in London to get to. Alexandra Palace station isn't served by the tube, only trains and it's then a never ending walk up a long hill to get to the venue itself. On arrival we were greeted by a huge queue, the reason apparently because they were doing ID checks, but when I got to the door they didn't even properly look at my ID. Then came the huge queue for the toilet and huge queue for the bar, so not only did I miss Shit Robot but I also missed the start of LCD Soundsystem.

Needless to say I wasn't in the best of moods at this point, but LCD Soundsystem playing "I Can Change" soon changed that. It's almost inevitable that when a band of a certain age plays a gig the crowd will generally favour the old stuff over the new, particularly when the new album hasn't been out long enough for people to be too familiar with yet. This was evident when "Tribulations" from the first album was played.

Just like the album, next up came "Movement" and when that began I thought it would be the moment the crowd would erupt but surprisingly they didn't. They did gain some momentum though when "Yeah", also from the first album came was played.

Around an hour in James Murphy said they would play three songs, go for a pee, then play another three songs. It didn't sound a lot, but their songs are quite long so I could easily see it being another hour.

The first two came from the new album and then they played "Home" from the third album which I think is around 10 minutes long. After returning from their toilet break they did "Losing My Edge" and then James Murphy said they actually have time to fit another song in so they did one from the new album. Then came "Dance Yrself Clean" and they finished with "All My Friends".

As the only direct train from Alexandra Palace to Kings Cross between 23:00 - 0:00 was at 23:12 we left at 22:55 which was around half way through "All My Friends". They had blocked the station entrance nearest the venue so we had to go round the other side and only made the train because it was a minute late, that's how long it takes to get from the station to the venue alone. I dread to think how long it would have taken me to get home had I not ducked out early.

Overall, a great performance from LCD Soundsystem and I'm glad I finally got to see them play, but a terrible venue and the atmosphere was a bit flat, but you can't fault the band for that

Tuesday, 29 March 2016

Reunions and Other Related Issues

To me, the best time to go an watch a band/artist in concert is when they are on their first album. The music is new and exciting, you'll hear the vast majority of the album at the gig as they won't have much more material to play and everyone is there because they like the only album the artist has released. I remember for example going to see Nelly Furtado in 2002 where she played virtually every track from her debut album and left the concert thinking how good was that. I've not been to see Nelly Furtado since, partly because the music she has released since then is a bit of a mixed bag, but also there are some album tracks that sounded so good hearing out loud at the gig I went to that she is highly unlikely to play at gigs now her back catalogue has grown, so I know it won't be as good.

There always comes a point in a band/artists career where they need to decide whether they continue until no-ones interested anymore, quite while there ahead and if so, do they reunite in several years time. Whatever decision they make, it will divide their fans opinions.

In 2016 so far, there have been two reunions which have caught my attention.

First, there is the LCD Soundsystem one. They intend to write a new album as well as tour, but one could argue that the new album part is not really a reunion because James Murphy is the only one who plays on every track. The live element though is most definitely a reunion and has divided opinion. When they called it a day 5 years ago it was a big event. They played a 4hr gig at Madison Square Garden and released a film documenting their final days. On that basis a reunion does seem quite silly. However for me personally, I think its fantastic news because I never got to see them the first time round but hopefully I can finally get to see them play now.

Secondly, there is the Guns n Roses one. It's not really a reunion though as they never went away, they just had many changes in personnel leaving Axl Rose as the only original member, although this was actually the case when Izzy Stradlin left in 1991. It's actually a reunion of the classic line-up rather than the original one, except it isn't really. Basically Slash and Duff have re-joined the group, there is no Izzy, and neither of their classic era drummers, Matt or Steven, are in it. Because of this, some people are not interested unless its the full classic line-up and inevitably fans will be divided by the Matt era or the Stephen era. For others though, the important thing is Slash being back and I suspect many would still be interested even if Duff hadn't re-joined. For me personally though, knowing the extortionate prices they are charging for their gigs in USA it's unlikely I'll attend one if they come to the UK, it's not worth it.

The Guns n Roses example though raises an interesting point, all bands have a classic line-up but what changes in personnel matter and which don't?

Several years ago, the Temptations were doing a gig at a venue near to where I lived at the time. The classic line-up of the Temptations is Otis Williams, Melvin Franklin, Paul Williams, Eddie Kendricks and David Ruffin. By this point though, Otis Williams was the only one from the classic line-up still alive. Further to that, he was the member who never sings lead vocal, so initially I wasn't interested. I changed my mind later and went to see them play and it was a very good concert. An interesting point though is that "Papa Was a Rolling Stone", one of the most popular Temptations songs did not feature David Ruffin, Eddie Kendricks or Paul Williams. So the only singers from the classic line-up on that track were the bass singer and the one who never sings. Another point is that current member, Ron Tyson, has been in the band for 33 years and is only a couple of years off being the second longest serving member of all time. Don't get me wrong, I would much prefer to see the classic line-up, but as this is not possible the current line-up is the best thing available.

On the other hand, another group I like is UB40. Several years ago, Ali Campbell left the group and went solo. My thoughts were that I didn't want to see UB40 in concert without Ali Campbell, but then I didn't really want to see Ali Campbell because I wanted to see UB40, not Ali as a solo artist. Then a couple of years ago, Astro, who to me was the second most important member, left the group. He joined forces with Ali and keyboardist Mickey who had also left the group several years ago, to form their own version of UB40. Whilst not the official UB40, this is the version I chose to go and see in concert. To me, it doesn't really matter that the other members are not there as Ali and Astro were the ones I've always noticed in the group.

Back to the subject of actual reunions though, the main question is do you make new music or just play the old stuff?

Deacon Blue reunited several years ago and do make new music. My personal favourite song of theirs though is "Real Gone Kid", the one they are most famous for. I went to see them at the Royal Albert Hall a couple of years ago and they played that song quite early on. They did one of these big endings to the song and lead singer Ricky Ross was hyping up the crowd say it was just going to get better. I made the comment that it wouldn't as they've just played their best song, but instead of ending the song they just extended it. So clearly they knew that would be most people favourite. If you didn't know any of Deacon Blues music though, you would be able to tell what was old and what was new. For the old song, everyone was stood up dancing and singing along and for the new ones most people were sat down in silence.

Something interesting I did read some time ago was on the official website of Dennis Locorriere, the former singer in Dr Hook. He mentions that he often gets asked if there will ever be a Dr Hook reunion. His answer is which Dr Hook do you want to reunite? They went through several line-up changes, the only other member who was in it for the whole duration was keyboardist Billy Francis who has since died. There are other members who have since died too, so it may only be possible to reunite people who never played with each other in the first place. However, whilst Dennis is making a good point, the real question about a Dr Hook reunion is whether Dennis and Ray Sawyer will play together again. I suspect most people won't mind who else is involved, they just want to see Dennis and Ray back on the stage together again. If it does happen though, it would need to be soon as Ray turns 80 next year so time is running out.

So what should a band/artist decide?

Well it depends on who they are and specifically which fan they are trying to please. Maybe one of the positives of me never making it in the music industry with my band is this is a decision I'll never have to make.