Sunday, 23 November 2025

Top 30 in 1999 Reviewed: Week 47

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


My assessment of Beck's Top 40 career is that he started with "Loser" and then everything he did since all sounds the same. This undoubtedly follows the Beck formula but it's actually a bit more interesting than his other record(s) and I actually don't mind this.

Verdict - OK


With this record Puff Daddy became just the 5th rap act to reach double figures for Top 40 hits after Salt-N-Pepa, 2Pac, LL Cool J and Busta Rhymes. This was the Top 40 debut for Mario Winans with his only other Top 40 hit being the 2004 chart topper "I Don't Wanna Know" which also featured Puff Daddy. It's a rather boring record.

Verdict - Rubbish


After charting high with pretty much every record they released during the heights of Britpop, Suede were charting in the lower reaches now the Britpop era was over. This record was produced by Steve Osborne, the man who worked extensively with Paul Oakenfold in the 90s. It's still a pretty dull record though.

Verdict - Rubbish


Primal Scream were back with another album. They made a point of changing their sound with each album, so with dance music as big as it had ever been in 1999 they made a dance record. Makes a lot of sense and they've done a pretty good job with this record.

Verdict - Good

If we give the records which were good 1 point each and those which were OK half a point, the final score is 11/30, or 37%. We stay the same.

Friday, 21 November 2025

Dutch Top 40 1995: Week 47

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Linda, Roos en Jessica - Ademnood

I guess you could say this is the band Kylie Minogue could have been in if she was Dutch. In Holland there is a soap called "Goede tijden, slechte tijden" which had characters called Linda, Roos and Jessica who released as string of singles in the late 90s beginning with this. It was the Christmas number one of 1995, a fact I'm keen to point out to people. The actress who played Roos sadly passed away a few years later but the actresses who play Linda and Jessica are still on it, though they did leave and come back.

Nakatomi - Free

This is a happy hardcore version of the Deniece Williams record of the same name. It was one that I heard on many tapes back in the day. Whilst this never made the UK Top 40, Nakatomi did make the UK Top 40 in 2002 with "Children Of The Night" years after it first came out. Nakatomi have just 3 records to their name, all of which made the Dutch Top 40. However once the happy hardcore scene had died down in Holland they moved onto their next project, The Vengaboys.


Thursday, 20 November 2025

January Charts: 1985

Here are the new entries ranked from best to worst:


The best word to describe this batch of records is solid. Whilst it was riding high in the charts this month unfortunately the record "Solid" doesn't make the cut because it was released the last week of 1984, otherwise it would have come near the top of the table.

It's probably the tightest its ever been. The truth be told I like the mid-table records all equally. We have a clear winner though with "This House (Is Where Your Love Stands)" by Big Sound Authority. It was a relatively minor hit and their only hit but is simply a great piece of 80s pop.

A clear 2nd place is the more successful return of "1999" by Prince to the charts. Ordinarily I wouldn't include it, but it was double a-side with "Little Red Corvette" which made the Top 40 for the first time and is the better tune.

Staying with the funk we have "20/20" by George Benson in 3rd place which I'm surprised to learn only got to number 29. There's the Top 40 debut and biggest hit for King with "Love & Pride". In addition to Prince and King being on this list there were also Top 40 hits for Queen and Princess later on in the year.

Motown continues to be present in the Top 40 with a comeback by The Commodores minus Lionel Richie for one final Top 40 hit with "Nightshift". Then we have something the 80s is best known for, a power ballad which comes from Chicago with "You're The Inspiration".

Is the Chicago better than the Big Country record down in 15th? Only marginally, that's how tight the table is. The Chaka Khan and Kirsty MacColl records are alright and it's the lack of rubbish records that put them this far down the table.

The Pointer Sisters are an example of 80s cheese that's just irritating. However with "Neutron Dance" it's not especially cheesy but that just means it's rubbish without being particularly catchy.

At the bottom though we have Pat Benetar with "We Belong". She was only 2nd bottom with "Love Is A Battlefield" the last year but record is even worse and it's bottom placing is well deserved.

If we had more truly great records then this might have been the best January, but it still scores well.

Score: 55

Tuesday, 18 November 2025

UK Number 40s: KSI ft Jay1 & Deno - Gang Gang (2021)

 


Once upon a time if you liked a record enough to have in your collection so you can listen to it anytime you want, you'd go to the record shop and pay £3.99 for a CD. If it was popular enough to chart then thousands of people would do the same which in turn would give the artist thousands of pounds for their effort in theory.

Nowadays you just need to go onto YouTube to listen and not pay a penny. The solution KSI had to this problem is to first and foremost be a YouTube star and then make music on the side. One would therefore assume he made more money for YouTube streams of this video than several higher charting singles did.

He made his Top 40 debut in 2015 with "Lamborghini" and didn't return to the Top 40 again until the end of 2019. Between then and this single he clocked up 13 Top 40 hits.

He had 2 other hits out around the same time, "Holiday" that made number 2 and "No Time" that made 24. Had this been 20 years earlier it would have more likely been an album track than a CD single.

Monday, 17 November 2025

UK Number 40s: D-Block Europe & Lil Pino - Kevin McCallister (2021)

 


D-Block Europe are one of those chart acts who have many more Top 40 hits than you'd expect. At the time of writing at least they're not exactly a household name. They may have had further Top 40 hits between me writing this and you reading it. It was the end of 2018 when they made their Top 40 debut and this was Top 40 hit number 16 for them. The only acts to score more Top 40 hits during that time period were Drake and Dave.

Perhaps one of the reasons they hadn't become household name is that none of those hits made the Top 10. The lower reaches of the Top 40 was almost where you'd expect them to be. Or even outside the Top 40, at the time of writing there's not much difference between the number of charting singles that made the Top 40 vs those that didn't.

This won't be the last time we'll be featuring D-Block Europe in these posts, more on that when the time comes.

Sunday, 16 November 2025

Top 30 in 1999 Reviewed: Week 46

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


This was a chart topper in the year 2000 but originally charted in 1999. I remember this in 1999 and was quite baffled why it returned to the charts more successfully the following year as there were so many better dance records that could have done the same. I don't mind it though.

Verdict - OK


Marc Anthony is best known in the UK as the musician who was once married to Jennifer Lopez. I'd guess many would struggle to name one of his records though. This was his only solo effort in the Top 40. It's a Latin pop record and based on this I don't think we've been missing out on his lack of chart success in the UK.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 11/30, or 37%. Can we get to 50% one more time?

Friday, 14 November 2025

Dutch Top 40 1995: Week 46

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

De Smurfen - Knutsel Komt Zo

In 1996 The Smurfs returned to the UK Top 40 for the first time since the 70s. Just before that at the end of 1995 they bid farewell to the Dutch Top 40. This final hit from them is their own version of another record that was still in the Dutch Top 40 this week - "Het Busje Komt Zo" by Hollenboer which as a reminder is a novelty record about a bus sung in Dutch.

Alejandro Sanz - La Fuerza Del Corazon

I'm seeing conflicting information about Alejandro Sanz. When you look at his discography on his Wikipedia page I count 19 number ones in his native Spain which made me think has anyone had more? Then I looked at the list of artists with a Spanish number one and that list states he only had 4. Anyway this is about the Dutch charts so I refrained digging any further. His Dutch chart record doesn't even feature on his Wikipedia page but this was his only Dutch Top 40 hit as main artist and this only made 31 so barely worth mentioning. 

Vanessa - Lidia 

Cast your mind back to earlier on in the year you may remember Vanessa did a duet with Northern Irish musician David McWilliams with "Candlelight". To recap, she's a Dutch singer whose real name is Cornelia. This would be her final Dutch Top 40 hit after a 14 year run.

Thursday, 13 November 2025

January Charts: 1984

Here are the new entries ranked from best to worst:


It now seems to be taking more effort to get through each batch of records. Not so much the quantity, more the songs are getting longer so its taking longer.

We have a clear winner this time with "Where Were You Hiding When The Storm Broke" by The Alarm. I first came across this around 15 years ago and have regularly played it since and I just have to sing along to the backing vocals in the chorus.

Comfortably in 2nd place we have "Street Dance" by Break Machine which as you may have guessed is a breakdancing record which appeared to be all the rage around this time.

An 80s synth pop anthem in 3rd place with "Wouldn't It Be Good" by Nik Kershaw. Then we have a more obscure Whitesnake record in "Give Me More Time" which I got to like via the Top of the Pops reruns.

In 5th we have the "Auf Weidersehn Pet" theme which I've known for as long as I've known the programme. I have to say though working on a building site in the German winter whilst staying in a cabin with a bunch of other builders isn't my idea of living alright.

John Lennon has a posthumous hit with "Nobody Told Me" which is better than his more obvious solo hits. When I hear the name Echo & the Bunnymen I think boring music on TFI Friday in the 90s but it turns out they had some good records in the 80s with "The Killing Moon" being one of them.

At the other end of the table we have the debut Top 40 hit for Madonna with "Holiday". I've hated it as long as I've known it which is the majority of my living memory. 

Just above Madonna is Pat Benatar with "Love Is A Battlefield". It's just always irritated me. Then above that we have "Here Comes The Rain Again" by Eurythmics. I've tried to like them and think Dave Stewart is a very talented musician  but I have to concede I find most of their records rubbish.

The Police had their final original hit with "King Of Pain". It's not a bad record but it does nothing for me and just tells me they'd run out of ideas by this point. Likewise with Musical Youth with their final Top 40 hit "Sixteen".

I think the best way to describe this batch overall is solid if unspectacular.

Score: 47

Tuesday, 11 November 2025

UK Number 40s: Roddy Ricch - Late At Night (2021)

 


Roddy Ricch is an American rapper who made his Top 40 debut in March 2019 with "How It Is". In April 2020 he topped the charts with his 4th Top 40 hit "Rockstar". Then came this, his 5th Top 40 hit which only made number 40.

It was the lead single from his second album "Live Life Fast" which was yet to be released at the time. The main difference between this and is chart topper was that his chart topper was a collaboration with Dababy whereas this was on his own. That said he managed to reach number 2 with his first record on his own, "The Box".

Once again it would seem this only made number 40 because the sheer quantity of rap in the Top 40 meant we'd inevitably get rap records in the lower reaches.

Monday, 10 November 2025

UK Number 40s: Lil Tjay & Polo G & Fivio Foreign - Headshot (2021)

 


The question I always have for a number 40 record is why did it only make number 40? Is it an artist of yesteryear clinging on to their chart career? Is it someone yet to reach the peak of their popularity? Is it something quite niche?

This is a record by 3 rappers. The week this entered the Top 40 at it's number 40 peak, Lil Tjay was at number 9 with his debut single "Calling My Phone" which had peaked at number 2. Polo G was at number 7 with his debut single "Patience" which had peaked at number 3. Fivio Foreign was making his Top 40 debut.

All new artists then, but given how recent this was we still don't know whether any of them are yet to reach the peak of their popularity. A logical reason for this number 40 placing is that the sheer quantity of rap in the Top 40 meant we would inevitably get rap records in the lower reaches.

Sunday, 9 November 2025

Top 30 in 1999 Reviewed: Week 45

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


With Pete Waterman enjoying success with Steps, Matt Stock and Matt Aitken started writing records for their own version of Steps. This was the Top 40 debut for Scooch and it's much the sort of formula that Steps used and could just as easily be a Steps record. Obviously it's shit then.

Verdict - Rubbish


Shola Ama was back with a 2nd album and this was the lead single. It was just the 2nd Top 40 hit written by Norwegian songwriting duo Stargate who had written "S Club Party" which was still in the Top 40 one place below this record. It's not a great comeback and it flopped. 

Verdict - Rubbish


In the UK I would say that Semisonic are best known for "Secret Smile" but in America this one was their big hit. I would put both records on a par when it comes to how catchy they are, but neither record is really my cup of tea.

Verdict - Rubbish


Whilst his former Stone Roses band mate John Squires only managed one album with his post Stone Roses band The Seahorses, Ian Brown had managed to make it to a 2nd solo album of which this was the lead single. It's more of the same really and not to my liking.

Verdict - Rubbish


It had been over a year since Cher topped the charts with "Believe" and this was the final single to be taken from the album of the same name. It's another dance record, but this time there's a Latin flavour to it and it sounds like it could be a Gloria Estefan record.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 7.5/30, or 25%. An improvement but still poor.

Friday, 7 November 2025

Dutch Top 40 1995: Week 45

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Marco Borsato - Kom Maar Bij Mij

This has an unusually low chart peak of 20 for Marco Borsato who's had more Dutch number ones than anyone else besides the Beatles. I can sort of see why though, whilst his other songs I've heard are quite catchy this is a pretty forgettable ballad.

Benny Neyman - Scherven Van Je Leven

Benny Neyman was a Dutch singer from the 80s who was now in the latter stages of his Dutch Top 40 career with this being his penultimate Dutch Top 40 hit. We have a pretty forgettable ballad again, not what one would expect from a country that gave us gabber.

La Bouche - Sweet Dreams (Ohla Ohla Eh)

I keep thinking this is a DJ Scott record because he had a UK Top 40 hit in 1995 with "Sweet Dreams" but this was a cover of the Eurythmics record and I keep forgetting that. La Bouche had just the 1 UK Top 40 hit with "Be My Lover" but I'd say this ones pretty well known despite it not making the UK Top 40.

Thursday, 6 November 2025

January Charts: 1983

Here are the new entries ranked from best to worst:


I think the best word to describe this batch of records generally speaking is funky. 

Lets begin with the top record which is "My Love Is Waiting" by Marvin Gaye. A lot is said about his big 80s comeback with "Sexual Healing", a great record by the way. This follow up barely gets acknowledged but is one of the best things he's done and showed not all former Motown artists were past their best.

There were 2 more former Motown artists entering the charts this month. Former Miracles member Billy Griffin had his only solo hit with "Hold Me Tighter In The Rain" which is a decent effort. Michael Jackson had one of his biggest hits with "Billie Jean" which isn't bad but I've heard it far too many times in my life.

In 2nd place is "Down Under" by Men Of Work, a record I've also heard many times but I never tire of it. In 3rd we have the largely forgotten "European Female" by The Stranglers where they're again illustrating they can do other things besides punk.

Prince made his Top 40 debut with "1999" which had little impact on the charts this time but would find greater success when it was reissued 2 years later. It's a surprise really because it fits in well with other records around this time.

Joe Jackson had his final hit with "Steppin Out" which sees him moving in a synth pop direction and works really well. Speaking of which we have debuts from China Crisis with "Christian" and The Thompson Twins with "Love On Your Side", both showing the good side of synth pop.

The same can't be said for fellow synth pop debutants Kajagoogoo with "Too Shy". This to me is the cheesy jump on the bandwagon style of synth pop but you're probably more likely to hear it at an 80s night than the other synth pop records mentioned.

Wham! were on their 2nd Top 40 hit with "Wham Rap" which is their attempt at a rap record. They bucked the normal trend of having their big hits later on in their existence rather than this beginning and I don't think this one is fondly remembered by many.

Haysi Fantayzee were what Jeremy Healy did before he became a big name DJ. Their 2nd and final hit was "Shiny Shiny" and I find it cheesy and crap. A bit like his DJing really.

"Africa" by Toto is a very marmite record and I'm one of those who hates it. It's always bugged me. Likewise "Last Night A DJ Saved My Life" is another thing that bugs me, I find it very cringeworthy.

The worst record though is "Sign Of The Times" by The Belle Stars. It was the biggest hit for them and I find it really irritating. It also proves there were shit girl groups before the Spice Girls.

One thing I've found with a few years now is that the first week is great and it almost looks like it could be the best year, but then the quality starts to decline in subsequent weeks. This was one of those years, but it still finds itself near the top of the leaderboard for now.

Score: 49

Tuesday, 4 November 2025

UK Number 40s: Keith Urban & Pink - One Too Many (2020)

 

With a name like Keith Urban you may expect him to be a rapper or an R&B singer. He's neither though, he's a country singer from Australia who's lived in America for the last 30 years.

There have been several big name country singers who have enjoyed great success in America but haven't had much of a chart career over here and Keith Urban fits that category. At the time of writing he's had 20 US Country Chart number ones with his first one coming in 2000. This record is his one and only UK Top 40 hit at the time of writing which came 29 years after he released his first album.

We've never really been fans of country music here in the UK although it would appear in more recent years it has been gaining in popularity and this is probably why this record made the Top 40.

Pink made her Top 40 debut in 2000 and this was her 34th Top 40 hit. She is another artist who has had both a number 1 and a number 40.

Monday, 3 November 2025

UK Number 40s: Blackpink - Lovesick Girls (2020)

 


At the end of 2019 The X Factor had a short lived spin off show called "The X Factor: The Band". A boy band and a girl group was formed on the show and they collectively had zero Top 40 hits between them.

The youth were no longer watching the TV to find the next big thing in pop, they were looking further afield on the internet. Most notably they were looking at Korea whose brand of pop music had become the biggest in the world. The biggest girl group from Korea were Blackpink.

However, when you look at their Top 40 record it doesn't suggest biggest girl group in the world. At the time of writing they've never got higher than 17 in the charts. When you're big on the internet though, why would the charts of one country matter.

Amongst the songwriters on this record is David Guetta. In theory this should have helped it up the charts, but he was having a lull in Top 40 hits himself at the time.

Sunday, 2 November 2025

Future Top 40 Heavyweights: 3 Years Later

3 Years ago I made this post about who could be the next Drake or Ed Sheeran i.e. clock up a ridiculous amount of Top 40 hits that nobody knows. To keep it simple I looked at all acts to debut after Ed Sheeran to have 15 or more Top 40 hits to their name. A year later I looked at how things were progressing and added another 6 acts who now fitted the criteria. Then last year I did another update.

It seems the mythology from last year has done little to cut down the list but I'll stick with it for now. 

Here's how it's looking then:

The Weeknd (41) (LY 38)
I said last year he looks the most likely of these acts to reach 50 Top 40 hits first. He's already the first to make 40. It seems like he's on his way.

Ariana Grande (41) (LY 35)
6 Top 40 hits in the past year which essentially came in 2 batches of 3. The first was due to being in a film and the second was having Max Martin as songwriter. As long as this continues to be the case I suspect the hits will keep coming.

Central Cee (35) (LY 30)
We're now in an era where UK rappers presence in the Top 40 has plummeted. Bucking this trend is Central Cee who has added 5 to his total in the last year. He's clocked up his first 35 Top 40 hits in the same amount of time Elvis Presley did it and nobody has done it quicker.

Dave (34) (LY 30)
Another UK rapper bucking the trend of UK rappers not getting the hits. One of those 4 Top 40 hits in the last year was a collaboration with Central Cee. If they can buck the trend then maybe there's more to come from them.

Little Mix (32) (LY 32)
They're still on hiatus so no further Top 40 hits.

Stormzy (32) (LY 32)
No longer leading the way for British rappers and with no Top 40 hits in the last year have we seen the last of Stormzy in the Top 40?

D-Block Europe (30) (LY 30)
Now 27 Top 40 hits in their first 4 years but just 3 in the last 3 years and none in the last year. They might be back but for now it looks like they're finished

Kendrick Lamar (30) (LY 26)
Kendrick Lamar continued his batches of Top 40 hits in November last year and then added another to his total as a featured artist in February. No doubt another 3 will come all at once in the future, or maybe they won't now I've said that.

Dua Lipa (26) (LY 26)
She seems to be in the news all the time but no Top 40 hits in the last year. Maybe she's enough of a celebrity now that she doesn't bother with music. We can only hope.

Post Malone (25) (LY 25)
Nothing in the last year for Post Malone. Maybe he's just waiting for the new trend before jumping on the bandwagon.

Billie Eilish (23) (LY 23)
Last year I said her number of Top 40 hits exceeds her age just. With no Top 40 hits in the last year she has a month until her age overtakes her number of Top 40 hits.

Rita Ora (22) (LY 22)
If I come up with a new methodology it should be one to take Rita Ora off this list. That said she'll probably have a big comeback if I do.

Sam Smith (22) (LY 22)
13 artists in and 8 of them have had no Top 40 hits in the last year, it's starting to sound more like past Top 40 flash in the pans. With Sam Smith though I get the feeling he's not finished yet.

Charli XCX (21) (LY 20)
In the last year somebody told me about Charli XCX and how she loves her old skool rave music and makes tunes to reflect that. I was however warned she also sings on them in autotune. She's added 1 to her total in the last year with something I've fortunately never heard.

KSI (20) (LY 19)
He's a YouTube person and it seems he was most prolific during Covid when that's all we had to amuse ourselves with. Now he's more occasional, but as long as YouTube is around he'll probably keep going.

Travis Scott (20) (LY 19)
He was a new addition 2 years ago but has had just one further Top 40 hit in the past year. 

Doja Cat (20) (LY 17)
One of the newer Top 40 debutants on this list so more potential to go further. 

Aitch (20) (LY 18)
It only took him 3 years 4 months to clock up 18 Top 40 hits, then over 2 years of nothing before adding 2 to his total in the last year.

Raye (20) (LY 16)
Her average has now gone above 2 a year but again the question is will she have the longevity?

Fredo (19) (LY 19)
Last year I said it's unlikely he's going to add much to his total in the future and that's accurate so far.

One Direction (18) (LY 18)
If they don't reunite and get back in the Top 40 in the next year they'll drop off this list.

Anne-Marie (18) (LY 18)
Nothing in the last year though you feel that David Guetta and co may keep her Top 40 career going in the future.

Becky Hill (18) (LY 18)
Nothing in the last year though you feel that David Guetta and co may keep her Top 40 career going in the future.

AJ Tracey (18) (LY 17)
After more than 3 years away he's added 1 to his total.

Headie One (17) (LY 17)
Nothing in the last year, perhaps one of the victims in the decline of UK rap in the Top 40.

Tion Wayne (16) (LY 16)
Another British rapper who appears to have run out of steam for clocking up Top 40 hits.

J Hus (16) (LY 16)
Another British rapper who appears to have run out of steam for clocking up Top 40 hits.

Jax Jones (16) (LY 16)
I'm sure he'll drop off the list in the future.

Camila Cabello (15) (LY 15)
Ditto.

Cardi B (15) (LY 15)
Ditto.

J Cole (15) (LY 15)
A new addition last year but nothing to add this year.

We have some new additions to the list this year:

SZA (17)
Just outside the criteria last year and helped onto the list this year by her collaborations with Kendrick Lamar.

21 Savage (15)
Just outside the criteria last year and helped onto the list by a collaboration with Central Cee this year.

Sabrina Carpenter (15)
After making her Top 40 debut in Jan 2021 she had her 2nd in Jan 2023 and 3rd in Jan 2024. Then from Apr 24 she clocked up 12 in 18 months.

Forever Sanctuary 2025

I'll start with the obligatory anti-Milton Keynes rant. V7 Saxon St may have cemented it's place in rave history but what a horrible road to walk down. 10-15 minutes after getting off the train I could still see the platform I'd just come from. Then every sign you walk past says Stadium MK 1 1/4 miles. Finally seeing the Marshall Arena where this event took place ahead you still have to walk half a mile across a car park to get there.

All in all it was 45 minutes between getting off the train and getting inside the venue. Given the last train was at 23:12 it meant no Scott Brown or Mark EG & M-Zone but I'm not overly concerned about the former and I saw the latter last year with MC Ribbz who I prefer to Squidgy B who was MCing for them this time.

The latest set I could see was the Force & Styles experience which is Force without Styles accompanied by MC Charlie B who would MC for them when MC Junior was in prison and vocalist Jenna. However I would of missed the last 15 minutes of a 40 minute set to catch the train, would this be worth sticking around for?

I bought an early doors ticket meaning I'd have to arrive in the first hour. With Ellis Dee in the 2nd room at 14:30 I was more than happy to do this. However at 14:30 there was no activity in the 2nd room. The technodrome wasn't due to open until 15:30 so my only choice was DJ Rap in the main room.

Some jungle classics such as "Renegade Snares" and "The Lighter" were played and lifted my spirits following that horrible walk to the venue. With no activity in the 2nd room still at 15:15 it seemed like Ellis Dee hadn't turned up so I saw out the DJ Rap set and stayed in the main arena for Ramos & Supreme.

The question was would it be the mid-90s happy hardcore or late 90s trancecore version that turned up. In the beginning it was just Supreme that turned up and he started with they Force & Styles remix of "Gotta Believe" which set the tone. Ramos did eventually turn up and was a good set which included "All Systems Go" by Force & Styles. I felt following this there was no need to stick around for half a set from half of Force & Styles.

Next up was Nicky Blackmarket & Brockie which I stuck around for. Again it was an enjoyable set and good to have some drum & bass following a hardcore set like it used to be.

Then we had Hixxy where the question was would it be a 90s Hixxy or a 21st century Raverbaby Hixxy. The start of his set suggested the latter so it was off to room 2 where Simon Bassline Smith was playing. Whoever I was seeing next I was only seeing 30 minutes of but with the main arena running behind schedule it was more 20 minutes. As I walked in I was hearing "Renegade Snares" for at least the 2nd time.

At 17:30 in the 2nd room came the moment I'd been waiting for, Jimmy J. He was my favourite DJ back in the day but by the time I started raving he was winding down before retiring to Spain. He's recently come back and at 60 years old now you don't know if this opportunity would come around again.

The only downside is that we didn't have the late great MC Ruff with him for obvious reasons and when "99 Red Balloons" dropped I was muttering some MC Ruff lines I'd heard him do to that tune on a tape I've listened to countless times. We got plenty of classics from both Jimmy J & Cru-L-T and Triple J and ended with "Follow The Sun". It was worth the 30 year wait.

Back out in the main arena tributes were being made to the rave scene figures who are no longer with us and that list of people seems far too long.

It was then Fabio & Grooverider who are still big names in drum & bass to this very day and I've heard they don't do requests. When they started the set with "Lock Up" by Zero B I could tell it was going to be a good set and it was. A mixture of breakbeat hardcore and early jungle made the set spot on.

Slipmatt & Dougal were on next and again it was a solid set with some 90s classics. The problem from my own perspective was the repetition of tunes we were now getting. Inevitable when everyone was doing an upfront set back in the day but with 13 years of the Sanctuary to cover hearing the same tune 3 or 4 times was a bit overkill.

With this in mind the question was how much longer do I stay? I knew Vibes & Live Lee would mix it up but their end of set time didn't align with the trains very well plus I'd seen them last year plus it was only a 40 minute set that may be even shorter given we were running behind schedule.

On next in the main arena was Breeze. It seemed almost inevitable he'd play the 21st century tunes as this was when he went from opening set DJ to headliner. Into the 2nd room I went to see DJ SS, again decent enough but playing some tunes I'd already heard multiple times that day.

Then the choice prior to Vibes & Live Lee was stay in the 2nd room to see Kenny Ken who I heard played modern rubbish including Becky Hill last year or go into the main arena to see the remainder of the Breeze set.

After 6 hours of being there I felt I'd got my moneys worth and thought sod it I'll go home.

Top 30 in 1999 Reviewed: Week 44

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


This was the only Top 40 hit for Tal Bachman who is the son of Randy Bachman from Bachman Turner Overdrive. I'm surprised this record only got to number 30 in the charts as it seemed a pretty big record at the time. Not my cup of tea.

Verdict - Rubbish


This was the final Top 40 hit to date for Barbra Streisand which came 33 years after her Top 40 debut. It was also the only Top 40 hit for Vince Gill. The songwriter of this was Richard Marx long after his UK Top 40 career was over. It's pretty bland.

Verdict - Rubbish


I have to say I do like the video to this record. It's a funny video and when it appeared on the music channels which it did a lot I would keep it on and watch it. Unfortunately the song itself isn't really up to much, just a bit of backing music for the video really.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 6.5/30, or 22%. A sign we're heading to the 21st century.