A bit late but here we go:
Catatonia - Mulder And Scully
All Seeing I - Beat Goes On
A bit late but here we go:
Catatonia - Mulder And Scully
Here's my weekly look at the Top 30 from 27 years ago. The plan is for these posts to go out at 17:30 on a Friday.
Here is the Top 40 in full.
Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1996 with my verdict on each record:
Best Song: Baby D - Let Me Be Your Fantasy
It was around this time that I was getting into rave for the first time. This record originally was released in 1992 but never made the Top 40 until 1994 when it topped the charts. As such it was bringing back the rave spirit of 1992 and was a good gateway for people like myself to get into rave music.
Worst Song: Mariah Carey - All I Want For Christmas Is You
I think this record was definitely worthy of being worst song on at least one Christmas chart, so the one when it first charted seems appropriate. It's the first record to chart in the run up to Christmas these days. The only positive about it is that it's not dreary like a lot of Mariah Carey, but at the same time it's just irritating.
Top 40 Review
1994 was a great year for underground music, but for chart music it got a surprisingly low score. On the other hand 1995 was the best year of the 90s and that was just around the corner, so how would the Christmas charts of 1994 fare?
Let's begin with the Christmas number one. It was "Stay Another Day" by East 17 which was one of just a few Christmas number ones I'm giving full marks to. It's considered by some to be a Christmas record, but it isn't.
In terms of actual Christmas records there was one more in addition to the Mariah Carey record which was "Please Come Home For Christmas". I actually bought that single on the cheap at Cash Convertors a few years later but quickly realised that I don't really like it.
Meanwhile Bon Jovi had another hit in this Top 40 with "Always" which gets full marks. That's about as rock as it gets in the Top 40, the only other guitar music came from Oasis with "Whatever" which doesn't score points.
As mentioned though I was becoming a raver and there was a jungle record in the Top 40 which was "Sweet Love" by M-Beat ft Nazlyn. Other decent dance records include the excellent "U Sure Do" by Strike and "Another Night" by (MC Sar And) The Real McCoy.
Not so good is that "Saturday Night" by Whigfield is in there along with the soundalike follow up "Another Day" plus a record that's a parody of "Saturday Night" called "Whiggle In Line" by Black Duck. Needless to say none of these get marks.
In the best year search for 1994 the number one record was "Love Is All Around" by Wet Wet Wet and that was still in the Top 40 at Christmas, it's a record I like.
What is somewhat surprising is that the 2 country hits in the Top 40 are the 2 that get half marks which are "All I Wanna Do" by Sheryl Crow and "Crocodile Shoes" by Jimmy Nail.
Also helping the score for 1994 is "We Have All The Time In The World" by Louis Armstrong, a record that's actually from 1969 which I declared the best year for chart music. It was the first time that record actually made the UK Top 40 though.
The fact I've reached the end of the post without mentioning all the record with full marks indicates we're getting a score that's in double figures.
Score: 12
Table
1994 tops the Christmas charts table and is actually a better chart than the one from the best year search:
Here's my weekly look at the Top 30 from 28 years ago. The plan is for these posts to go out at 17:30 on a Wednesday.
Here is the Top 40 in full.
Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1995 with my verdict on each record:
In the summer of 1992 there were lots of acts from the rave scene breaking through to the UK charts. One of the big success stories was Sunscreem who made their Top 40 debut with "Love U More" and also managed to make the America Top 40 with that record.
Unlike many of their peers, they weren't 2 guys behind keyboards, they were a full band. They kept their run of hits going into 1993, a time when rave was making way for eurodance commercially.
At the end of 1995 it had been over 18 months since Sunscreem had a Top 40 hit which was a very long time in rave terms during that era. Their big hit "Love U More" had been covered by Paul Elstak and was a big hit in Holland in 1995 and was being played at all the raves over here.
Sunscreem were onto their 2nd album and lead single "When" failed to reach the Top 40. This was the 2nd single from the album, so the fact it made the Top 40 means it may be seen as a success.
As far as singles go this and it's predecessor are the most similar to their earlier tunes. That is perhaps why they did not succeed, people were not ready to go back to 1995. Their following 2 singles "White Skies" and "Secrets" were more guitar driven and fared better in the charts.
Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.The last time I'd bought tickets to see Snoop Dogg in concert it ended up being cancelled after he was banned from the country. Then in 2019 I bought tickets to see him at The O2 with the concert taking place in April 2020 and we all know what happened then. More postponements happened and I started doubting it would ever happen, but it finally did this week.
I'll start with my obligatory rant about The O2. They no longer do paper tickets or even pdf tickets you can print out. Instead you have to use an app which is fuckin annoying. It took me ages to figure out how to get to the tickets. Have the app by all means, but give people the option of paper tickets. You are able to take your credit card and ID to the box office on the night, but the credit card I bought it with in 2019 has long since expired. The queue at the box office on the night was also huge which goes to show people don't want these sodding apps.
I opted not to drink beer on the night but I went to the bar just to see how much of a rip off their beer is these days. It was £8.50 a pint, absolutely disgusting that they charge these prices. I think you have to buy it on an app too so I think it's safe to say I've already had my final pint at The O2.
Onto the gig then and we had a DJ warming up to start off with. He played some classics by a lot of the big name rappers from the 90s and early 00s as well as some shit by the likes of Rihanna and Beyonce. Given Snoop Dogg himself has collaborated with some pretty abysmal artists in more recent years I guess that was to be expected.
Then up came Versatile, an Irish rap duo I'd never heard of. They were funny but I won't be in a hurry to go out and buy their music. They'd done a collaboration with Coolio and paid tribute to him by covering "Gangsta's Paradise" and I found it funny hearing them rap it in an Irish accent.
Next up was D12, well 2 members of D12 anyway. I'd not heard anything of theirs since the "D12 World" album but it would seem they've not really done anything since. They fitted in a lot of tunes from their 2 albums and I enjoyed it.
Then it was time for Snoop Dogg himself which began a video of him backstage asking if we're ready for him to rock this motherfucker. He arrived on stage to "The Next Episode".
There was a time when I owned all his albums and I have his first 10. He'd released a further 9 albums since including 2 since the gig was originally going to take place. I'd listened to said albums back in 2019 to get myself up to date but have long forgotten anything on them.
I had no such thing to worry about though, he was mostly doing the classics with plenty from his debut album "Doggystyle", just the way I wanted it.
He also did some of his more questionable modern collaborations with Katy Perry, Jason Derulo and David Guetta, but you can't have it all. The lack of Katy Perry and Jason Derulo actually being there meant those performances were short and more tolerable.
One of his earlier collaborators who is sadly no longer with us was Nate Dogg. We had "Aint No Fun (If the Homies Can't Have None)" with the recording of Nate Dogg's vocals which was good to hear. It's possibly my favourite Snoop Dogg tune.
There was also a tribute to 2Pac via their collaboration "2 of Amerikaz Most Wanted" and he also covered "California Love" but only did the Dr Dre verse. He also paid tribute to Notorious BIG by covering "Hypnotize".
Perhaps the most bizarre cover of the night was "Too Close" by Next. This was followed by a screening of his "Just Eat" advert before he came back out and covered "Jump Around" by House Of Pain.
It was then another video which this time had Pharrell Williams telling us to sing "Minnie the Moocher" but change the lyrics to "Snoop Doggy Doggy Dogg". Snoop Dogg then came out one last time to do "Drop it Like it's Hot" and "Who Am I (What's My Name)" followed by a couple of more modern records.
It's quite odd really that a man with so many albums performed so many covers or tracks that don't even appear on his albums. At the same time though that's what I'd want from a Snoop Dogg gig if I'm honest. It was the "I Wanna Thank Me" tour but he did nothing from that album. I recall it being one of his better modern albums, but had he mostly done tunes from that album it wouldn't have been as good.
Overall it was a great night and worth the wait.
Here's my weekly look at the Top 30 from 27 years ago. The plan is for these posts to go out at 17:30 on a Friday.
Here is the Top 40 in full.
Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1996 with my verdict on each record: