Sunday, 27 November 2022

Top 30 in 1992 Reviewed: Week 48

Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1992 with my verdict on each record:


I recall a few years ago watching a "Forgotten Gems of the 90s" show on one of the music channels. It was a welcome change to the usual anthem bashing you get on retro channels. If memory serves me correctly this was number one. My initial thought was is this really forgotten, but then I guess I've not heard it much since the 90s. That may be a reason why I still like it.

Verdict - Good


I find this record a bit frustrating. It sounds promising but doesn't really go anywhere. I quite enjoy the verses so on that basis I'll give it half marks

Verdict - OK


This record has a bit of everything in it and I suppose it proves that it's the same person singing on all the Faith No More hits. It's difficult to pick a favourite Faith No More record but this one is definitely up there. I particularly like the 2nd half of the chorus, but the rest of it is a great build up to it.

Verdict - Good


This was already 4 years old by the time it came out having featured in the film "The Land Before Time". I do find that fact a little off putting as songs from animated films tend to be a bit crap. Oddly I think I took a liking to this before I realised it was from an animated film. The fact it's not a male/female duet probably helps too.

Verdict - Good


We've finally reached the end of Jason Donovan's Top 40 career with this forgettable cover being his last Top 40 hit to date. The next thing I heard about his music career following this was that he was doing a gig at a pub in Luton.

Verdict - Rubbish


This is a tune which reminds me of the beginning of a school year. I loved this tune at the time and still do. It was the 3rd Top 40 hit for Bizarre Inc but it was a change in direction compared to it's predecessors. The story is that the record label wanted them to make more of a pop record and this was the result. 

Verdict - Good


Cathy Dennis has some great pop songs early on in her career and wrote some crap ones for other people later on. By the time of this record her best days as a pop singer were behind her and I find this effort pretty poor. It almost sounds like she's trying to do her own version of "Baby Baby" by Amy Grant and it doesn't really work.

Verdict - Rubbish


The way he sings the chorus here is like he's sneezing. I'm sure that was intentional. It doesn't really have enough about it for me to truly like it though. 

Verdict - OK


This is the final Top 40 hit to date for The Pasadenas. 1992 was the year they basically became a covers group. I loved "I'm Doing Fine Now" because that was the first version I'd heard. I don't recall hearing this one at the time though and I'm familiar with the Al Green record and I'm afraid this just sounds like a karaoke version.

Verdict - Rubbish


Carter The Unstoppable Sex Machine were at the peak of their popularity in 1992 and this was their attempt at a Christmas number one. It was never really a contender though and it was said to be the record that killed their career. They weren't finished with the Top 40 yet though. This is a pretty poor effort.

Verdict - Rubbish


We've now reached the end of the Stock Aitken & Waterman era of Kylie Minogue's career, though this particular record wasn't produced by them and it was a cover but was on PWL records. It's just as poor as your typical Stock Aitken & Waterman output though.

Verdict - Rubbish


I owned the album of the same name at the time. At the same time my music tastes quickly moved on so I never really got into it. As it's long forgotten I've not heard this for 30 years but do remember how it goes. I'm finding it a bit cringeworthy to be honest, it's a bit like those American 80s soft rock songs that only really work in America.

Verdict - Rubbish


Simon Harris was one of the first DJs to bring Hip House to the charts in the late 80s. It was more or less dead as a genre in the charts by 1992 and instead Simon Harris was doing this. Why you would turns computer game music into an actual tune I don't know, in the days when I played computer games I'd often turn the sound off because the music irritated me so much.

Verdict - Rubbish


I remember Shabba Ranks being around and having more hits than "Mr. Loverman" without remembering specifically what they were. This must have been one of those records but it's not ringing any bells. It could grow on me, but hasn't had an instant impact.

Verdict - OK


I'm surprised this record only got to number 16. It's hard to pin point one record as being the one En Vogue are best know for but "Free Your Mind" is definitely a candidate. Both tunes are from the "Funky Divas" album and influenced my decision to buy that album.

Verdict - Good / Good


A record from 1967 which was given a new lease of life in 1992 when it featured on the Levi's advert. Erma Franklin was the sister of Aretha and had more or less retired from the music business long before this. It's the only record of hers I've ever heard so my impression of her as a singer is a positive one.

Verdict - Good


Although Deacon Blue are known as an 80s band they actually had more Top 40 hits in the 90s. This particular record has a 90s sound to it as well and has more of a rock sounds that their previous efforts. It's good though.

Verdict - Good


When I first heard people talking about Rage Against the Machine in 1993 I thought surely they can't be talking about the group who had a hit with "Run to You" not so long ago. They weren't as this group were simply called Rage. It's a eurodance cover of the Bryan Adams record which on paper should be dreadful. It's actually not bad though.

Verdict - OK


I'd pretty much forgot about this record until I watched a Classic Chart Show episode which this appeared on. I don't know if I ever know who did it at the time, but when I saw it was Vanessa Paradis I was quite surprised. I was also surprised to learn this was written by Lenny Kravitz. It certain has that 90s nostalgia to it.

Verdict - Good


The lead song on this EP is "Lady Godiva's Room". Given their "Stars" album was the biggest selling album of both 1991 and 1992 I guess it didn't make sense to release any more singles from it given how many people would have owned the album. I find this record quite soothing.

Verdict - Good


When this record was first released in 1986 it reached number 15. This live version 6 years later reached number 7. It was the penultimate Top 40 hit to date of the Phil Collins era of Genesis with their final one only making number 40. If you asked me to name one Genesis record then this one would probably be it. Quite appropriately for a record with Phil Collins on it, the best thing about this record is the drumming.

Verdict - Good


I mentioned in the "Ebeneezer Goode" review the the person who gave me a lift to school would always turn off the radio when that tune came on. When this one appeared on the radio that person said they actually liked this record. So did I.

Verdict - Good


This was the 6th single to be released from the "Use Your Illusion" albums which had been out for over a year by this point. I'm pretty sure Guns N' Roses were my favourite band by this point so I liked pretty much everything they did. 

Verdict - Good


In 1992 there were just 2 rap records which made the Top 10, "Jump" by Kris Kross and this record. It was the Top 40 debut for Arrested Development. It was the weird noises that I always liked about this record at the time.

Verdict - Good


I would say "Out Of Space" is the record The Prodigy are best remembered for from this particular era. The beats in this tune are really something, which is easy to forget when you hear it so much. "Ruff In The Jungle Bizness" is one of those tunes that just goes to another level once the piano kicks in. 

Verdict - Good / Good


When this came out I was yet to hear the original so this was the first version I heard. I loved this record at the time and I was was very pro modern music I probably would have still loved it had I heard the original. Because of these fond memories I still like it today.

Verdict - Good


This was the first time I'd heard Heaven 17 and I had no idea this was a remix of an 80s record. One stand out memory about this record is it being the first one they played at a school disco and everyone was singing along so loudly that I couldn't hear myself singing along. When I finally heard the original I found it a bit of a disappointed because I like this remix so much.

Verdict - Good


When it comes to Boyz II Men I can't look past the comparison that's often made between them and Jodeci which is basically Jodeci were the bad boys of R&B whereas Boyz II Men were the clean cut group. Behind the scenes though Babyface was one of the writers and he has also written for K-Ci & Jojo of Jodeci. That doesn't mean this song is good though.

Verdict - Rubbish


You couldn't escape this record at the time, it was everywhere. I recall "The Bodyguard" film which this was taken from being massive as well. Let's just say the film was much better than the song.

Verdict - Rubbish


Literally everyone I knew at the time loved this record. Some even went as far as saying Charles & Eddie were their favourite band based on this record alone. I was no exception, I loved this record too. 

Verdict - Good

If we give the records which were good 1 point each and those which were OK half a point, the final score is 19/30, or 63%. Unusually it's the ones at the top end keeping the score up.

Thursday, 24 November 2022

Dance Paradise @ Great Yarmouth Seafront, Great Yarmouth 25/11/1995

 

Druid

One of the eye openers of 1995 which I'm sure I've mentioned before is how often we come to the end of an era, or the end of the era is in sight. In the case of this particular event it's the penultimate Dance Paradise event as we knew it.

There would be another Dance Paradise in early 1996 before it would disappear until the end of 1997. At the end of 1997 they would make a brief return which lasted into 1998, but had changed their music policy to club music with a dress code to match.

One thing I did read about this event was that police search a large number of people which in turn lead to a large number of arrests and was covered by BBC and ITV TV crews. This may have influenced their decision to change their direction, obviously people would be just as likely to do drugs at these future events but raves had bigger reputations for that sort of thing than clubs.

There were multiple arenas at this event, but just the hardcore sets that made it onto tape. Not the first time this had happened at an event but I understand there was more pressure to pay royalties to drum & bass producers who's tunes appeared on tapes so some promoters thought it wasn't worth the hassle.

I've gone with the Druid set for the simple fact it was the first tape I listened to and deemed it good enough to post plus the fact I don't think I've posted a Druid set yet.

The 2nd half of the set is very much geared towards Dutch and Scottish tunes, but interestingly around half way through the set he opts for "Juicy Cuts Vol.1" by Juicy Cuts rather than "Love U More" by Paul Elstak i.e. the English version which is more or less the same.

These are the new for 1995 tunes:

D.J. Mix It - Just Take Your Time

Uranus - Flowed On A Vibe

DJ Ham - Is Anybody Out There

Scott Brown with Bass-D & King Matthew - The People Love It

DJ Force & The Evolution - Simply Electric

Sonicdriver - Standing On Top

2 Left Feet - Reggy's Nightmare

Billy "Daniel" Bunter - Voyage

The Vampire - Clap 2 This

Juicy Cuts - Vol.2

I don't ever recall hearing "Flowed On A Vibe" by Uranus before. It's a Dutch record on the Druid set and I like it. Another record of note is "Simply Electric" by Force & the Evolution. To my knowledge it was the final Force & the Evolution record and there was a new mix in 1996 which was credited to Force & Styles.

Elsewhere we have HMS and Clarkee playing back to back which is as mad as it sounds. Also a Dougal and Vibes back to back set which would no doubt have been the first set I would have listened to back in the day. 

Also a Mastervibe set where he features a few drum & bass tunes. I would say proof the 2 genres could still mix together at the time, but I've read in an interview that Mastervibe always wanted to play drum & bass but resorted to hardcore sets because he struggled to get drum & bass bookings so this was clearly a statement of intent.

Tuesday, 22 November 2022

UK Number 40s: Ace Of Base - Happy Nation (1994)


In 1993 Ace of Base came from out of nowhere to top the charts with their debut hit "All That She Wants". Their less remembered follow up "Wheel Of Fortune" only managed to get to number 20. Then came this which didn't even make the Top 40. One may have thought that was them finished and largely remembered for one song.

Then in 1994 they reached number 2 with "The Sign" and followed this up with the number 5 "Don't Turn Around". They were back in business it seemed, so this record was re-released. It fared better than the original release, but only by 2 places.

Why this only made number 40 is a mystery. It certainly got its fair share of radio play. It also came from a chart topping album of the same name. Maybe that's why, people bought the album instead.

All of their hits to that point had come from the "Happy Nation" album and they had a further one in early 1995 with "Living In Danger".

They had several more hits with the last to date coming in 1999. The most successful of these was the number 5 "Life Is A Flower" in 1998.

Sunday, 20 November 2022

Top 30 in 1992 Reviewed: Week 47

Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 30 from this week in 1992 with my verdict on each record:


Prince Be of PM Dawn had both rapped and sung on their previous efforts, but there is no rapping on this one, just singing. It's and R&B ballad that perhaps takes a while to get into, but I've heard it enough times to have got into it.

Verdict - Good


I'm not sure I remember this one at the time, but I remember there being a happy hardcore version in the late 90s which I liked. As the main riff is the same and this one sounds more authentic I guess I like this one too.

Verdict - Good


This was the 2nd Top 40 hit for East 17. This was much more low key than their debut as it only reached 28. My own memory of East 17 was "Deep" being their 2nd hit, but once East 17 were a big name you'd hear all their other hits retrospectively which is possibly how I first got to know this. 

Verdict - Good



This is basically a rave version of "Blue Monday" and also has similarities with "Everybody In The Place" by The Prodigy. Electroset are the same people as Hyper Go Go. Good to hear at a time when the rave tunes were dying out in the Top 40.

Verdict - Good


Cathy Dennis has some great pop songs early on in her career and wrote some crap ones for other people later on. By the time of this record her best days as a pop singer were behind her and I find this effort pretty poor. It almost sounds like she's trying to do her own version of "Baby Baby" by Amy Grant and it doesn't really work.

Verdict - Rubbish


When Elton John rereleased "Sacrifice" and "Healing Hands" as a double a-side charity record he scored his first solo number one. He was unable to repeat that success with this record though which was for his AIDS foundation. It was a Freddie Mercury tribute song so it's quite surprising it wasn't more successful. It does take a few listens to get into though. I thought it was pretty non descript when I first heard it but now I've heard it a few times it's not bad.

Verdict - OK


This is the final Top 40 hit to date for The Pasadenas. 1992 was the year they basically became a covers group. I loved "I'm Doing Fine Now" because that was the first version I'd heard. I don't recall hearing this one at the time though and I'm familiar with the Al Green record and I'm afraid this just sounds like a karaoke version.

Verdict - Rubbish


This was the 3rd version of this record to reach the Top 40. The original by the Bee Gees wasn't one of them though. It came 2 years after Jimmy Somerville's cover. It's done in a typical Michael Bolton ballad type way therefore it's shit.

Verdict - Rubbish


I think we're reaching the point here where the rules were getting established in that if you were female you liked Take That and if you were male you didn't. I should point out I no longer subscribe to that way of thinking, I like what I like. What I will say about this song is that it showcases Gary Barlow's credentials as a songwriter. It's a proper song, nothing particularly cheesy about it unlike their previous efforts. That doesn't mean I like it though.

Verdict - Rubbish


My memory of what happened when is a bit hazy but I know INXS were my 2nd favourite band by 1993. No doubt this record contributed to that though I do prefer "Baby Don't Cry" which came before and "Beautiful Girl" which came after.

Verdict - Good


I recall a few years ago watching a "Forgotten Gems of the 90s" show on one of the music channels. It was a welcome change to the usual anthem bashing you get on retro channels. If memory serves me correctly this was number one. My initial thought was is this really forgotten, but then I guess I've not heard it much since the 90s. That may be a reason why I still like it.

Verdict - Good


After doing their Abba covers, here is Erasure going back to their roots literally. This failed to make the Top 40 when first released in 1985 but succeeded when released in 1992. I remember hearing it at the time and thinking that's more like it. 

Verdict - Good


This is the last Top 40 hit to date for Shakespear's Sister as a duo, with Marcella Detroit leaving the following year. She sings so little in this record though that it may as well have been Siobhan Fahey on her own. The thing is though, Marcella Detroit can sing and Siobhan Fahey can't.

Verdict - Rubbish


I'm surprised this record only got to number 16. It's hard to pin point one record as being the one En Vogue are best know for but "Free Your Mind" is definitely a candidate. Both tunes are from the "Funky Divas" album and influenced my decision to buy that album.

Verdict - Good / Good


This is a tune which reminds me of the beginning of a school year. I loved this tune at the time and still do. It was the 3rd Top 40 hit for Bizarre Inc but it was a change in direction compared to it's predecessors. The story is that the record label wanted them to make more of a pop record and this was the result. 

Verdict - Good


A record from 1967 which was given a new lease of life in 1992 when it featured on the Levi's advert. Erma Franklin was the sister of Aretha and had more or less retired from the music business long before this. It's the only record of hers I've ever heard so my impression of her as a singer is a positive one.

Verdict - Good


I would say "Out Of Space" is the record The Prodigy are best remembered for from this particular era. The beats in this tune are really something, which is easy to forget when you hear it so much. "Ruff In The Jungle Bizness" is one of those tunes that just goes to another level once the piano kicks in. 

Verdict - Good / Good


Simon Harris was one of the first DJs to bring Hip House to the charts in the late 80s. It was more or less dead as a genre in the charts by 1992 and instead Simon Harris was doing this. Why you would turns computer game music into an actual tune I don't know, in the days when I played computer games I'd often turn the sound off because the music irritated me so much.

Verdict - Rubbish


This was the 6th single to be released from the "Use Your Illusion" albums which had been out for over a year by this point. I'm pretty sure Guns N' Roses were my favourite band by this point so I liked pretty much everything they did. 

Verdict - Good


The lead song on this EP is "Lady Godiva's Room". Given their "Stars" album was the biggest selling album of both 1991 and 1992 I guess it didn't make sense to release any more singles from it given how many people would have owned the album. I find this record quite soothing.

Verdict - Good


When I first heard people talking about Rage Against the Machine in 1993 I thought surely they can't be talking about the group who had a hit with "Run to You" not so long ago. They weren't as this group were simply called Rage. It's a eurodance cover of the Bryan Adams record which on paper should be dreadful. It's actually not bad though.

Verdict - OK


This was the first time I'd heard Heaven 17 and I had no idea this was a remix of an 80s record. One stand out memory about this record is it being the first one they played at a school disco and everyone was singing along so loudly that I couldn't hear myself singing along. When I finally heard the original I found it a bit of a disappointed because I like this remix so much.

Verdict - Good


I'd pretty much forgot about this record until I watched a Classic Chart Show episode which this appeared on. I don't know if I ever know who did it at the time, but when I saw it was Vanessa Paradis I was quite surprised. I was also surprised to learn this was written by Lenny Kravitz. It certain has that 90s nostalgia to it.

Verdict - Good


When this record was first released in 1986 it reached number 15. This live version 6 years later reached number 7. It was the penultimate Top 40 hit to date of the Phil Collins era of Genesis with their final one only making number 40. If you asked me to name one Genesis record then this one would probably be it. Quite appropriately for a record with Phil Collins on it, the best thing about this record is the drumming.

Verdict - Good


I mentioned in the "Ebeneezer Goode" review the the person who gave me a lift to school would always turn off the radio when that tune came on. When this one appeared on the radio that person said they actually liked this record. So did I.

Verdict - Good


When this came out I was yet to hear the original so this was the first version I heard. I loved this record at the time and I was was very pro modern music I probably would have still loved it had I heard the original. Because of these fond memories I still like it today.

Verdict - Good


You couldn't escape this record at the time, it was everywhere. I recall "The Bodyguard" film which this was taken from being massive as well. Let's just say the film was much better than the song.

Verdict - Rubbish


In 1992 there were just 2 rap records which made the Top 10, "Jump" by Kris Kross and this record. It was the Top 40 debut for Arrested Development. It was the weird noises that I always liked about this record at the time.

Verdict - Good


When it comes to Boyz II Men I can't look past the comparison that's often made between them and Jodeci which is basically Jodeci were the bad boys of R&B whereas Boyz II Men were the clean cut group. Behind the scenes though Babyface was one of the writers and he has also written for K-Ci & Jojo of Jodeci. That doesn't mean this song is good though.

Verdict - Rubbish


Literally everyone I knew at the time loved this record. Some even went as far as saying Charles & Eddie were their favourite band based on this record alone. I was no exception, I loved this record too. 

Verdict - Good

If we give the records which were good 1 point each and those which were OK half a point, the final score is 21/30, or 70%. Quite a jump from last week and possibly ensures every week in 1992 will get a score of over 50%.

Thursday, 17 November 2022

Doncaster Warehouse @ Doncaster Warehouse, Doncaster 18/11/1995

  

DJ Demand

Early this year we saw Carl Cox bid farewell to the rave scene at Doncaster Warehouse. Now we're close to bidding farewell to 1995 I thought it was time to return to Doncaster Warehouse.

Just the one tape from this event which comes from DJ Demand, a DJ who appeared to play much more up north than he did down south.

The tape is just 45 minutes, but still time for 5 new for 1995 tunes which are:

Billy “Daniel” Bunter, Rob Vanden, D’Zyne - Movement

DJ Technotrance - The Y.R.S. Stomp II

Powerphase - Hi Time

DJ Demand - Party People

Clock - Everybody (The Visa Treatment)

The last one on the list is a hardcore version of a commercial dance record, with Clock and Visa both being names used by Stu Allan. In the week of Blur vs Oasis in the charts, the Clock record was the 3rd highest new entry that week.

I don't think we will venture this far north for the remainder of the year, but I haven't fully decided the remaining raves of the year yet so you never know.


Tuesday, 15 November 2022

UK Number 40s: Naomi Campbell - Love And Tears (1994)

 


In 1995 I received a music quiz which included a question asking which supermodel had made a record the previous year. Despite the fact it happened what was quite recently at the time, I had no recollection of Naomi Campbell making a record, but have remembered that fact since.

Perhaps the reason I didn't remember it is because it only reached number 40 and is the only Top 40 hit to date for Naomi Campbell.

She was hugely popular as a supermodel at the time but in some ways that can make the transition into music more difficult. When someone famous for something other than music makes a record it's often something terrible.

This was no novelty record though. I was a cover of a record by rock band Maggies Dream and was produced by Tim Simenon aka Bomb the Bass. Again though, that was likely the problem. Those who wanted the novelty of a Naomi Campbell record would have been disappointed it wasn't catchy pop whereas the purists wouldn't entertain it because it was Naomi Campbell.  

Monday, 14 November 2022

UK Singles Chart is 70

 


Today is the 70th birthday of the UK Singles Chart. The first ever chart was a Top 12 with 15 songs due to some records jointly holding positions. The number one single was "Here In My Heart" by Al Martino.

The standard chart for most of it's existence has been the Top 40, but it was never a Top 40 in its entirity. It went from a Top 30 to a Top 50 in 1960.

On a personal level I don't really remember learning about the Top 40 as such, it was just always there. As a kid I remember listening to the countdown on a Sunday night, reading it in the local newspaper the following day and of course Top of the Pops.

My interest notched up a gear when I got the 8th edition of the British Hit Singles book. It was a great history lesson in music I'd largely never heard before and much of it remained unheard until the internet made it easier to access.

Even in the days when I would regularly watch the music channels and still listen to Radio 1, the Top 40 would still produce new entries I'd never heard of and had no way of hearing.

Once YouTube became an established source for music it made it possible to listen to the entire Top 40 at your own leisure. Unfortunately this coincided with the time I started to lose interest to the point that for the first time in living memory I had no idea who was number one.

In recent years for me it's come full circle. I check the charts every week but generally have no idea what the music itself is and don't really have the desire to listen to it because I'm certain it will be dreadful.

Historically though it's a great tool for discovering older music. Around 23,000 records have charted in the Top 40 at the time of writing. That's a lot of music to explore and I've found a number of hidden gems that way. 

I'll leave you with the first ever number one, "Here In My Heart" by Al Martino.