Sunday, 14 July 2019

UK Singles Chart: 2017

Joining the 30+ Top 40 hits club in 2017 were Drake, Ed Sheeran, Chris Brown and Calvin Harris:

  Artist No of Hits New Hits Year of Last Hit
1 Elvis Presley 124   2007
= Cliff Richard 124   2009
3 Elton John 69   2009
4 Madonna 68   2015
5 David Bowie 58   2013
= Status Quo 57   2010
7 Queen 53   2009
8 Michael Jackson 51   2014
9 Kylie Minogue 50 Santa Baby 2017
10 Paul McCartney 49   2015
11 Rihanna 48 Loyalty, Wild Thoughts, Lemon 2017
12 Rod Stewart 45   2001
13 Pet Shop Boys 44   2009
14 Diana Ross 43   2005
= Rolling Stones 43   2005
= Depeche Mode 43   2009
17 Stevie Wonder 41   2005
= U2 41   2009
19 UB40 40   2005
= Justin Bieber 40 Despacito, I'm the One, 2U, Friends 2017
21 Mariah Carey 39   2013
= Jay-Z 39   2013
23 Prince 38   1997
= R Kelly 38   2014
25 Janet Jackson 37   2006
= Bon Jovi 37   2013
27 Tom Jones 36   2009
= George Michael 36   2012
= Ed Sheeran 36 Shape of You, Castle on the Hill, How Would You Feel (Paean), Galway Girl, Perfect, New Man, Happier, Dive, Supermarket Flowers, What Do I Know, Barcelona, Nancy Mulligan, Eraser, Hearts Don't Break Round Here, Bibia Be Ye Ye, Save Myself, River 2017
= Eminem 36 Revenge,Walk on Water, River, In Your Head 2017
30 Robbie Williams 35   2016
= Kanye West 35   2016
= Beyonce 35 Walk on Water 2017
33 Erasure 34   2007
= Manic Street Preachers 34   2010
35 Frank Sinatra 33   1993
= Shakin Stevens 33   2005
= Morrissey 33   2009
= David Guetta 33 Shed a Light, 2U, Dirty Sexy Money 2017
= Drake 33 Passionfruit, KMT, Blem, No Long Talk, Get It Together, Portland, Madiba Riddim, Gyalchester, Skepta Interlude, Teenage Fever, Free Smoke, 4422, Signs 2017
40 Iron Maiden 32   2007
= Simply Red 32   2007
= Whitney Houston 32   2009
43 Roy Orbison 31   1992
= Bee Gees 31   2001
= REM 31   2005
= Chris Brown 31 Questions 2017
= Pink 31 What About Us, Revenge, Beautiful Trauma 2017
48 Lonnie Donegan 30   1962
= Beatles 30   1996
= Tina Turner 30   2004
= Duran Duran 30   2005
= Paul Weller 30   2010
= Mary J Blige 30   2010
= Glee Cast 30   2011
= Britney Spears 30   2015
= Calvin Harris 30 Slide, Heatstroke, Feels 2017

Rihanna joins Abba and the Spice Girls on 9 number ones, Calvin Harris scores his 8th and Justin Bieber and Sam Smith score their 6th number ones:

  Artist No of #1s New #1s
1 Elvis Presley 21  
2 Beatles 17  
3 Cliff Richard 14  
= Westlife 14  
5 Madonna 13  
6 Take That 12  
7 Abba 9  
= Spice Girls 9  
= Rihanna 9 Wild Thoughts
10 Rolling Stones 8  
= Oasis 8  
= Eminem 8  
= Calvin Harris 8 Feels
14 George Michael 7  
= Michael Jackson 7  
= Kylie Minogue 7  
= U2 7  
= Elton John 7  
= McFly 7  
= Robbie Williams 7  
= Tinie Tempah 7  
22 Slade 6  
= Rod Stewart 6  
= Boyzone 6  
= Blondie 6  
= Queen 6  
= Sugababes 6  
= Britney Spears 6  
= David Guetta 6  
= Justin Bieber 6 I'm the One, Despacito
= Sam Smith 6 Too Good At Goodbyes

No hits from Kanye West in 2017, so the act with the longest streak of consecutive years of hits is Rihanna which stretches back to 2005:

  Artist Hits Every Year Since
1 Rihanna 2005
2 Chris Brown 2006
3 Calvin Harris 2007
4 Jason Derulo 2009
= David Guetta 2009
6 Drake 2010
= Ellie Goulding 2010
= Nicki Minaj 2010
= Olly Murs 2010
= Tinie Tempah 2010
11 Little Mix 2011

The year began with "Rockabye" by Clean Bandit still at number one. After 9 weeks at the top though Ed Sheeran was back with two new singles, "Shape of You" and "Castle on the Hill". The inevitable happened and Ed Sheeran knocked Clean Bandit off the top with "Shape of You" reaching number one. He also made number two with "Castle on the Hill" making him the first act to go straight in at both number one and number two at the same time.

"Shape of You" remained at number one for 13 weeks until it was knocked off by the solo debut hit from One Directions Harry Styles, "Sign of the Times". A week later "Shape of You" was back at number one for another week before Clean Bandit got their revenge by knocking Ed Sheeran off the top with "Symphony".

During Ed Sheerans time at number one, he released his new album from which all 16 tracks made the Top 20 at the same time. One of these tracks, "Perfect", would go on to become the Christmas number one.

We also had multiple tracks in the Top 40 following album releases from Stormzy, Drake and Kendrick Lamar, but a new rule change in the middle of the year meant no more than 3 tracks from the same album were eligible to chart at the same time.

Another rule which came in at the same time was that streams would get down weighted after 9 weeks, a rule which made it unlikely for a record to be at number one for more than 9 weeks again.

The first victim of this new rule was the second longest running number one of the year, "Despacito" by Luis Fonsi ft Daddy Yankee and Justin Bieber. This knocked another hit to feature Justin Bieber off the top, "I'm the One" by DJ Khaled, and remained there for 6 weeks. Then it was knocked off by the Grenfell fundraising record "Bridge Over Troubled Water" by Artists for Grenfell, but was back at number one the following week for 3 weeks. Then DJ Khaled was back at the top for a week with "Wild Thoughts". Then "Despacito" was back at number one for a further 2 weeks before being knocked off by Calvin Harris with "Feels", but under the old rules it would have remained at number one. Ironically a week later the record which knocked Calvin Harris off number one was called "New Rules" by Dua Lipa.

For the first time since the first winners number one in 2005, we had a year without any X Factor number ones. The winners of 2017 were Rak Su who got to number two with their winners song "Dimelo". 2009 contestant Olly Murs collaborated with 2015 winner Louisa Johnson on "Unpredictable", previous years winner Matt Terry collaborated with Enrique Iglesias and Sean Paul on "Subeme la Radio" and we also had hits from Little Mix and James Arthur.

Former Fifth Harmony member Camila Cabello started her solo career on a collaboration with rapper Machine Gun Kelly with "Bad Things" and had a total of four hits in 2017, the final one being the number one "Havana" which featured Young Thug.

Tropical House had a quieter year in 2017, as did Deep House and Future House and there was no Drum & Bass in the charts at all.

The "tropical" sound had made it's way into Dancehall inspired Pop music which included the number ones "Shape of You", "Despacito" and "Feels". There was still plenty of EDM music in the charts though from people like Calvin Harris, David Guetta, Axwell Λ Ingrosso and Avicii amongst others.

The big music genre of the year though was Rap. It helped that both Drake and Kenrick Lamar had lots of hits alone, but it would have still been the biggest genre if you took them out of the equation. Amongst the big Rap records was the number one "Rockstar" by Post Malone ft 21 Savage, who were both chart debutants in 2017.

The new Eminem album produced the maximum 3 hits in the Top 40 at the end of the year which included the closest rival to Ed Sheeran for Christmas number one, "The River", which featured Ed Sheeran himself.

Although we had an R&B number one in "Wild Thoughts" by DJ Khaled ft Rihanna & Bryson Tiller, it was a pretty quiet year for R&B. It was the genre of choice for the solo debut of One Direction member with "Strip That Down" featuring Quavo. We also had the debut of Neneh Cherry's daughter Mabel with "Finders Keepers" featuring Kojo Funds. The only other R&B hits of the year were "That's What I Like" by Bruno Mars, "Young Dumb & Broke" by Khalid (different to DJ Khaled) and a couple from Craig David, including "I Know You" which featured Indie band Bastille.

The only Indie music of the year came from the Gallagher brothers. Liam Gallagher made his solo debut with "Wall of Glass" and followed up with "For What It's Worth" whilst Noel Gallagher's High Flying Birds had a hit with "Holy Mountain".

It was 2017 when I started paying attention to the charts again courtesy of my Top of the Pops features on this blog so I'm back to writing from memory. There are differences between the charts in 2017 and at the start of the decade when it all seemed to be Electropop which had died down a lot by this point.

Thanks to my Top of the Pops posts I've heard every Top 40 hit of 2017, but despite this I do still feel my knowledge of the 2017 charts is lacking somewhat. I have read many people say the modern charts is basically Drake and Ed Sheeran, given they had 30 hits between them in 2017 out of around 200 they certainly make up a good chunk of the charts for 2017.

The problem is that I looked at the list of all the Drake hits of the year and tried to recall how they all went, but I couldn't remember any of them. On the other hand "Shape of You" by Ed Sheeran is a song I don't think I'll ever forget given the number of times I've heard it. Most of the big hits of 2017 are ones you just don't hear though, particularly the Rap ones.

Another observation is that every week before Popmaster on Radio 2 a Record of the Week is played which is a brand new single. Throughout 2017 only 8 of those made the Top 40. That said, just because someone who works at Radio 2 thinks it's good doesn't mean the general buying public do.

We have just one year to go in this series before we've caught up with the present day, what will the charts have in store?



Sunday, 7 July 2019

Top 20 in 1999 Reviewed - Week 27

Here's my weekly look at the Top 20 from 20 years ago. On the basis we'd reach the Top 20 in the Top 40 countdown around 17:30 on a Sunday at the time the plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the top 20 from this week in 1999 with my verdict on each record:

20. Charlotte Nilsson - Take Me To Your Heaven (New)


With several pop songs written by Swedish people in the charts around this period, it's perhaps appropriate that the Eurovision Song Contest was also won by Sweden. This is the winning song by Charlotte Nilsson, the aunty of Swedish House Mafia member Sebastian Ingrosso. Like with most Eurovision songs it's very cheesy and not very good.

Verdict - Rubbish

19. Backstreet Boys - I Want It That Way


The only UK number one for American boy band Backstreet Boys, written by a couple of blokes from Sweden, one of whom was the writer of "Baby One More Time" by Britney Spears. I guess it's not too bad.

Verdict - OK

18. Sixpence None The Richer - Kiss Me


The other week I was in the pub and this song came on. Someone asked me what year it was from and I said 1999, but they weren't convinced. Well here's confirmation, although it does appear on their self titled 1997 album. It's alright, nothing special.

Verdict - OK

17. The Cartoons - Doodah!


Here's the Cartoons with their cheesy Eurodance cover of the American folk song "Campdown Races". Again like with their previous record it's obvious they're a piss take but I can't rate this as anything other than rubbish.

Verdict - Rubbish

16. The Chemical Brothers - Hey Boy Hey Girl


What came first, the phrase "Superstar DJs" or this tune? Well the Fatboy Slim vs Armand Van Helden event had already happened so maybe that phrase was already in use. However, the line is sampled from "The Roof Is On Fire" which came out in 1984. The Chemical Brothers are a mixed bag really, they have some great tunes but some tunes that are completely crap too. This is one of their great tunes.

Verdict - Good

15. Three Amigos - Louie, Louie (New)


A Big Beat version of a 50s record by Richard Berry. Tonight is the first time I've heard the original version, though I've heard the Kingsmen's cover from the 60s. I'm not sure I'd heard that in 1999 so think this was the first version I heard, I like it.

Verdict - Good

14. 'N Sync - Tearin' Up My Heart


This was originally released in 1997 but only made number 40. The follow up "I Want You Back" didn't even make the Top 40. Then "I Want You Back" was re-issued in 1999 and made the Top 10, and then this was re-issued and also made the Top 10. On hearing both of these songs, I thought they were both by the Backstreet Boys. One day one of these songs came on and someone told me they're trying to sound like the Backstreet Boys, I asked who they were and that's how I first heard of N Sync. Perhaps the reason I thought it was the Backstreet Boys was because both songs were written by Max Martin, who also wrote "I Want I That Way" amongst other Backstreet Boys songs. It basically follows that American boy band formula, made in Sweden.

Verdict - OK

13. Suede - She's In Fashion (New)


She's in fashion, but Suede aren't anymore. This ended a run of 6 Top 10 hits in a row and they'd never hit the Top 10 again. Like it's predecessor "Electricity", it's more of an electronic record but it's still not to my liking.

Verdict - Rubbish

12. Baz Luhrmann - Everybody's Free (To Wear Sunscreen)


What the fuck is this? Maybe it has meaningful lyrics but as a tune it's just ridiculous.

Verdict - Rubbish

11. Shanks And Bigfoot - Sweet Like Chocolate


During the mid to late 90s it was all about House and Garage, but then in 1999 it was all about House and Trance. The "Kiss in Ibiza 99" compilation had a House CD and a Trance CD, the House CD contained the Garage tune "Straight From the Heart" by Doolally. That's despite the fact Doolally, who were now known as Shanks & Bigfoot, had a number one Garage record with "Sweet Like Chocolate". I like UK Garage and a like a lot of the commercial stuff, but this ones a bit too cheesy for my liking, but I guess it's not bad.

Verdict - OK

10. Adam Rickitt - I Breathe Again


When a soap actor starts a music career you can pretty much guarantee the music will be dreadful. When Coronation Street actor Adam Rickitt released this his debut single it was as expected.

Verdict - Rubbish

9. Shania Twain - That Don't Impress Me Much


The song title pretty much sums up how I feel about this song. This was the fourth Top 40 hit from her Country/Pop crossover album "Come On Over". The first three singles didn't really sound Country at all to me, but this sums up everything bad about Country Pop.

Verdict - Rubbish

8. Madonna - Beautiful Stranger


As mentioned previously, I went through a period of my life where I wouldn't listen to anything that wasn't Rave but by this period I'd opened myself up to all sorts of different styles of music. Despite this there were still certain artists I'd be reluctant to like songs of, and  Madonna was one of those. But even at the time I had to admit this tune is brilliant. I guess the involvement of William Orbit helped a bit. The intro sounds vaguely similar to "Light My Fire" by the Doors, a band I really got into later on that year. Maybe this tune helped with that.

Verdict - Good

7. Britney Spears - Sometimes


A teenage love ballad sung from a teenage girls perspective, written by a 36 year old bloke from Sweden.

Verdict - OK

6. A1 - Be The First To Believe (New)


Here we have the debut hit from boy band A1. There seemed to be a lot of boy bands establishing themselves at the time it was difficult to remember who was who. This was memorable though as the chorus seemed to rip off "Cuddly Toy" by Roachford.

Verdict - Rubbish

5. S Club 7 - Bring It All Back


The debut hit for S Club 7 and the number one question I had was does there really need to be 7 people singing it? I thought that 4 or 5 "singers" in a pop group was a bit excessive, but 7? Predictably for a manufactured pop group who had their own kids TV show it was shit.

Verdict - Rubbish

4. Jennifer Lopez - If You Had My Love (New)


The debut hit for Jennifer Lopez. There was a lot of talk at the time about whether she should be doing music having made her name as an actress. Given the general quality of music coming from those in the acting profession that's understandable, but this actually isn't bad. When a radio show was asking for listeners opinions on Jennifer Lopez doing music, one quoted the Whitney Houston song "It's Not Right But It's Okay". Ironically both the Whitney Houston song and this song were written by Rodney Jerkins and LaShawn Daniels.

Verdict - OK

3. Vengaboys - Boom, Boom, Boom, Boom!!


The night before this charted at number one, I was in a bar where I heard this for the first time and someone informed me it was the new Vengaboys song. Given the history of cheesy euro acts releasing the record every knows them for, followed by a record that sounds the same, followed by fading into obscurity, I assumed the Vengaboys would do the same. Instead they had their first number one, I felt the same as I did when I realised the Spice Girls weren't going to be a one hit wonder.

Verdict - Rubbish

2. Whitney Houston - My Love Is Your Love (New)


This Wyclef Jean penned song is actually quite clever. It's impossible to listen to this without thinking about "No Woman No Cry" by Bob Marley. Yet when you try and sing "No Woman No Cry" along with this in your head you find these sudden changes that stop it from being a blatant rip off, even though it kind of is. It's hard to look past the fact it's not as good as the song that inspires it, but then if that song didn't exist I wouldn't hesitate to call it good.

Verdict - Good

1. ATB - 9PM (Till I Come) (New)


This was so overplayed at the time I couldn't stand it. Everywhere you'd go someone would be singing that riff. However once it stopped being played all the time and I'd listen to it on occasion as the opening track on the Trance CD on "Kiss in Ibiza 99" I realised that I actually like it.

Verdict - Good

If we give the records which were good 1 point each and those which were OK half a point, the final score is 8/20, or 40%. Not the worst week so far, but not much better.

Saturday, 6 July 2019

Groove Armada @ Greenwich Music Time

Last night I went to see Groove Armada at Greenwich Music Time. It was the third time I'd been to Greenwich Music Time but the first time I'd seen Groove Armada in concert.

I guess the first question is why has it taken me so long to see them in concert? Well I loved "At the River" when it first came out, but found there other tunes were quite hit or miss. Then over a decade later I heard "Paper Romance" which I thought was the best thing they'd done, so much so I bought the "Black Light" album which I thought was very good. As the years have gone by I've started to appreciate some of their older tunes that I perhaps didn't like on first hearing, which brings us to the present day.

To the gig itself then, being an outdoor gig where umbrellas are banned I was hoping it wouldn't rain and fortunately it didn't. As with most gigs I go to I feel I must have a rant about the beer, not only was it £6 a pint but the only beer they sold was Carlsberg which is horrible. I've said this before and I'll say it again, I'll happily arrive at a gig at the beginning of the night and watch the support acts if I could buy decent beer at a reasonable price.

On the stage when I arrived was Horse Meat Disco, a name I'd heard but knew nothing other than that. It was a DJ set playing some well known records such as "Big Love" by Fleetwood Mac and "Blue Monday" by New Order, which I thought was a decent warm up.

Then Groove Armada arrived on stage. They began with a short medley of their hits i.e. a few seconds of each, I wondered if that would be all we'd hear of the hits of whether we'd hear them in full later.

The first actual tune we heard was "The Girls Say". Then came "Look Me In the Eye Sister" and "I Won't Kneel" from the "Black Light" album. Singer St Saviour came onto the stage to mime them, it turns out she had lost her voice so fair play for turning up.

Despite being nearly a decade old, "Black Light" is still their most recent proper studio album so I was hopeful we'd hear plenty of material from this. The bulk of the earlier tunes in the set though were from the "Soundboy Rock" album including "Song 4 Mutya (Out of Control)", unsurprisingly Mutya herself didn't turn up to sing it.

The high point of the gig though, as expected, came when they did "Paper Romance". St Saviour was back on the stage to mime again and it sounded like they'd kept Ben Duffys vocals on it too. This was followed by "Easy", the only one from the "Lovebox" album they played that night. Then came "I See You Baby" and "Get Down" before they left the stage.

For the encore they came back and did "At the River" which I think they needed to do, if anything because we were by the River Thames. It was followed by "Cards to Your Heart" from the "Black Light" album and to finish off they did "Chicago" followed by "Superstylin".

Was it worth the wait then? Yes definitely, Groove Armada are one of a very small number of music acts where I prefer the newer material to the older stuff so in my mind the best time to see them is after the newer music was made.