By May 2000 UK garage was massive and a lot of it good. Here's some of the tunes I was enjoying:
Craig David - Fill Me In
By May 2000 UK garage was massive and a lot of it good. Here's some of the tunes I was enjoying:
Craig David - Fill Me In
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
This was the tune that made me familiar with the name Paul Elstak. It was played a lot at the raves in 1995, particularly by DJ Sy. Later on in the year you started to hear a different mix being played more, or so I thought. The vocals from this tune come from the record of the same name by British electronic act Sunscreem who had a UK Top 40 hit with it in 1992. With Paul Elstak having huge success in Holland with this record, the British DJs did what they'd always do: make their own version. So the tune I was hearing in late 1995 was in fact Juicy Cuts Vol 1.
Normaal were in the Dutch Top 40 at the beginning of 1995 but this was their only record to enter the Dutch Top 40 in 1995. To recap Normaal were a Dutch rock band who had been around since the 70s and were in the latter stages of their Dutch Top 40 career.
Little River Band - Forever Blue
Speaking of 70s rock bands, here's another one. Not a Dutch one though, Little River Band were from Australia. They had several hits in Australia and New Zealand as you might expect. They also managed to crack America, but not the UK. It would seem the only other country they had chart success was Holland. In fact by the time of this record their chart career was over in every country except Holland where this was their final hit.
Mark Oh - Randy (Never Stop That Feeling)
It was in May 1995 when German DJ/producer Mark Oh was having his only UK Top 40 hit with "Tears Don't Lie", a sort of happy hardcore take on "When A Child Is Born". In Holland though that record had been and gone and he was having his 3rd hit with this. He did go onto have a 4th Dutch Top 40 hit but that came in 1996 so sadly this is where we say goodbye to Mark Oh.
Rednex topped the UK charts with "Cotton Eye Joe" and followed up with the almost identical "Old Pop In An Oak" and that was the last we heard of them. In Holland though, and indeed several other countries they had a 3rd hit. As is the trend with a lot of pop acts, their 3rd hit was a ballad. When I first heard this I thought how the fuck is this the same band. It topped the charts in some countries, and being Swedish it probably comes as no surprise to hear this was produced by Denniz Pop and Max Martin.
In September 2001 I was given a pass that got me free entry into a club in Newcastle where I was living at the time on it's rap and R&B night. Unfortunately I didn't get to use it because most of my friends in Newcastle were into indie music so being in the minority meant I was joining them at the indie club rather than them joining me at a rap & R&B one.
We have a similar number of indie records entering the Top 40 in September as we do rap and R&B but the latter is only slightly better in terms of quality.
Indie wise I like "Bliss" by Muse which I wasn't expecting and also like "Let Robeson Sing" by the Manic Street Preachers. I also thought that "FEAR" by Ian Brown was alright. I can't remember if I heard any of these at the indie club or not.
Onto the rap, we have drum & bass DJ Adam F entering the rap world with Redman with "Smash Sumthin'" which is good. We have Ludacris and Nate Dogg with "Area Codes" which was very much one I was enjoying at the time.
The best record though is a rapper with a non-rap single which was his only UK Top 40 hit. That was "Follow Me" by Uncle Kracker, the DJ for Kid Rock going solo. If you listen to his "Double Wide" album pretty much all the other tracks are rap and I'm sure some people were taken by surprise about that.
Nelly Furtado had her 2nd Top 40 hit with "Turn Out The Light" which is good. Artful Dodger were known for doing garage but their album had an R&B track called "Twenty Four Seven" which they released as a single with a different vocalist. Again it's full marks.
Speaking of garage we have a decent record from DJ Luck & MC Neat with "I'm All About You". The other ones come from Ed Case & Sweetie Irie with "Who" and Maxwell D with "Serious" which both fall into the contributed to the demise of garage category.
Dance music is the most prolific genre this month and the quality once again is a mixed bag. For trance we are saying instrumental trance is good and vocal trance is crap. There is a really good vocal house record though in "Finally" by Kings of Tomorrow.
Onto the worst record then which goes to Little Trees with "Help I'm A Fish". Normally I have a bit of lenience when a record is clearly intended to be crap, but this is so bad it just has to be the worst record.
Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):
Cliff Richard became the fourth artists to have 2 number 40s with this record after Queensryche, Saint Etienne and Primal Scream. He was also the first to have 2 number 40s plus number 1 hits.
He was considered old hat by the 60s but the hits kept coming for him. This was where his run of Top 40 hits finally came to an end with this being number 124.
Although this record only made number 40, it was a big moment for the charts and a sign of things to come. Not Livvi Franc though, this was her only Top 40 hit to date.
It was however a sign the the dominance that electropop music would have in the Top 40 and that every other electropop record would feature Pitbull. This was the 2nd Top 40 hit for Pitbull but the first he did in collaboration with others like the majority of his Top 40 hits.
The actual title was "Now I'm That Bitch" but had been changed to be more radio friendly. After it only made number 40 it seemed they stopped bothering as a search for "Now I'm That Chick" into YouTube brings back "Now I'm That Bitch".
I've now established there's 6 music acts who made their Top 40 debut before 1987 and went on to have more than 20 Top 40 hits whose music I'd never heard before the internet. I'm going to continue looking at the next biggest chart acts according to number of hits with those who I relied on the internet to hear in red:
Alma Cogan: Straight away we have another. Alma Cogan clocked up 20 Top 40 hits between 1954 and 1961 and passed away in 1966. Amongst those was the chart topper "Dreambeat" which I would have listened to in the early days of YouTube.
Petula Clark: "Downtown" is a record I feel I've known all my life and I have a vague memory of it being referred to as a Petula Clark song on the TV.
Andy Williams: When "Music To Watch Girls By" was rereleased in 1999 after it appeared on an advert I believe.
Dusty Springfield: In 1987 when she collaborated with the Pet Shop Boys on "What Have I Done To Deserve This".
Herman's Hermits: Feel like I've always known the band name and the songs "I'm Into Something Good" and "No Milk Today" and think it all came together on the TV some time.
Gladys Knight & the Pips: In 1989 when she did "Licence To Kill", I remember listening to the Top 40 countdown when it entered the Top 40 at number 40.
T Rex: In 1991 when "20th Century Boy" re-entered the charts under the name Marc Bolan & T Rex.
Level 42: In 1988 when they charted with "Heaven In My Hands" which is also on Now 13.
Lionel Richie: Certainly by the time he charted with "My Destiny" in 1992 but sure I'd heard of him before that.
Buddy Holly: Feel like I've always known about the young guy with glasses who died in a plane crash in 1959 and can trace memories of "Peggy Sue" back to early childhood.
Brenda Lee: Have heard "Rockin Around The Christmas Tree" every Christmas of my life.
Dave Clark Five: I'm trying to think of what music of theirs I'd heard pre-internet and can't think of any. Therefore it would have been their chart topper "Glad All Over" in the early days of YouTube.
Cilla Black: I used to watch her present Blind Date and Surprise Surprise and remember her singing on the latter.
David Essex: A name I knew for years before I knew his music, then I discovered it was him who did "A Winters Tale".
Gary Numan: In 1987 when did charted with "Cars (E-Reg Model)". I learned about the car reg at the same time.
Kim Wilde: In 1988 when she charted with "You Came".
Bruce Springsteen: Can't pinpoint a particular song but remember him being the man playing in front of what seemed like millions of people in all of his music videos.
David Whitfield: He's not had a Top 40 hit since 1958 and I would speculate his music even sounded old fashioned back then. He topped the charts with "Answer Me" and "Cara Mia" so I would have listened to these in the early days of YouTube.
Ronnie Hilton: I'd never heard of him until I listened to his only number one "No Other Love" in the early days of YouTube. Most of his hits came in the 50s but he had a brief comeback in the mid-60s with his final hit being "A Windmill In Old Amsterdam" which I've known since I was a kid, I just didn't know who it was by.
Russ Conway: Another act whose number ones I would have listened to in the early days of YouTube.
Ken Dodd: I knew he was a comedian who had hits but I'd not heard any of them until I listened to the chart topper "Tears" in the early days of YouTube.
Lulu: I can't remember a time when I haven't known "Shout".
Temptations: When they rereleased "My Girl" in 1992 for the film of the same name.
Olivia Newton-John: When the "Grease Megamix" charted in 1990.
Gary Glitter: When I saw him do "I'm the Leader" on Sounds of the 70s TV show though I already knew "Another Rock n Roll Christmas" from the Now Christmas Album.
The Jam: Can't remember a time when I didn't know "Going Underground".
Siouxsie & the Banshees: When they charted with "Kiss Them For Me" in 1991.
Kool & the Gang: Most likely when I heard the original of "Celebration" having heard the Kylie Minogue cover first.
A-Ha: Not sure which song but very much remember them being around in the late 80s.
Dean Martin: A bit like Frank Sinatra he'd just always been there.
Tommy Steele: Interesting how most of these acts I'd never heard pre-internet had number ones. Tommy Steele was one of those who I would therefore listen to their number one in the early days of YouTube.
Drifters: Probably "Saturday Night At The Movies" which has always been around.
Four Seasons: Not to be confused with the Four Tops or the classical piece of the same name which is what I did at a young age. Hard to pinpoint the first song of theirs I heard as several have just always been around.
Bachelors: Their music appeared on an episode of Only Fools and Horses.
Manfred Mann: Probably "5-4-3-2-1" on the advert for the chocolate bar of the same name. Also remember them appearing a lot on Sounds of the 60s.
Eric Clapton: When "Wonderful Tonight" charted in 1991.
Barry White: When he had a brief chart comeback in 1995.
Blondie: I remember "Heart of Glass" from a very young age.
Meat Loaf: Before his 90s chart comeback I used to hear "Dead Ringer For Love" a lot.
Police: Used to hear "Every Breath You Take" a lot and remember learning that it was the band Sting used to be in.
OMD: When they charted with "Sailing on the Seven Seas" in 1991.
Spandau Ballet: Can't recall a time when I didn't know "True" or "Gold".
Tears For Fears: Remember "Shout" from a very young age.
Yesterday I established that Frankie Vaughan was the biggest chart act that I'd never heard of prior to the internet. The criteria was chart acts who made their Top 40 debut before my music memories begin in 1987 ranked by number of Top 40 hits they'd had. Frankie Vaughan was 38th on that list with 29 Top 40 hits to his name.
I quite enjoyed have a think about how I'd first come across each act so I thought why stop there. Here's the next batch with the ones I'd never heard the music of pre-internet in red:
Shirley Bassey: No specific memory of when I'd first head of her but sure it was to do with her singing James Bond songs
The Shadows: The first song of there's I'd heard was "Let Me Be The One" which was on a 70s compilation my mum had. Sounds nothing like a Shadows record really.
The Hollies: When they topped in the charts in 1988 with "He Ain't Heavy He's My Brother". Incidentally they also had a song on the 70s compilation mentioned above with "I Can't Tell The Bottom From The Top".
Perry Como: "Magic Moments" is one of those records I've always known. He was also on the above 70s compilation with "And I Love You So".
Four Tops: When "Loco In Acapulco" charted in 1988. I thought they were a modern group at the time.
Beach Boys: When they did "Wipeout" with the Fat Boys in 1987. They were also on the Now Christmas Album with "Little Saint Nick".
Cher: When she charted with "If I Could Turn Back Time" in 1989.
Electric Light Orchestra: I knew the name long before I knew any songs. I was aware they'd topped the charts collaborating with Olivia Newton-John but the first song I remember hearing was "Living Thing" in the late 90s when it was on a tape that got played at the shop I was working at.
Abba: My mum was a fan and played them all the time.
Madness: When "It Must Be Love" returned to the charts in 1992.
Bryan Adams: The summer of 1991 when it was impossible to avoid him.
Frankie Laine: Whilst Bryan Adams holds the record for most consecutive weeks at number one, Frankie Laine holds the record with most overall weeks with "I Believe". Knowing this fact made me intrigued by this record and I think it was pointed out to me when it appeared on the radio.
Pat Boone: We have the 2nd biggest chart act who I'd first heard via the internet. I think I already knew the name but even to this very day I'd struggle to tell you much about his music. He topped the charts in 1956 with "I'll Be Home" so I would have listened to this in the early days of YouTube when I listened to all the number ones I didn't know. His Top 40 career was over by 1962.
Billy Fury: Another chart act I first came across on the internet. He had no number ones though so would have come later than Frankie Vaughan and Pat Boone. He was at his chart peak in the early 60s before The Beatles came along. I've played a few of his songs but can't remember which was the first and when it was.
Donna Summer: In 1989 when she charted with "This Time I Know It's For Real"
Phil Collins: In 1988 when he topped the charts with "A Groovy Kind Of Love" which was also on Now 13.
Jackson 5: Pretty sure it was "Blame It On The Boogie". When Big Fun did their cover in 1989 I read in Smash Hits that it was written by Michael Jackson (turns out not that Michael Jackson) but was then told they originally did it in the 70s and heard it some point after that.
Hot Chocolate: They were on the 70s compilation I've already mentioned with "You'll Always Be A Friend".
Slade: On the Now Christmas Album.
Kate Bush: When she charted with "The Sensual World" in 1989.
New Order: When "True Faith" charted in 1987.
Bananarama: "I Can't Help It" was on Now 11 and I remember Siobhan leaving the group around the same time
Simple Minds: I was surprised to discover "Alive and Kicking" came out in 1985 so I wouldn't of remembered it charting but very much associate it with my early music memories.
Eurythmics: Their popularity was in decline by 1987 but I do remember the odd looking duo of a woman with short hair singing and a bearded bloke staying quiet in the background. I think "You Have Placed A Chill In My Heart" was the first song to register.
Adam Faith: A name I'd heard long before the internet but never heard any of his music until YouTube became a thing. His first 2 hits topped the charts so I listened to them in the early days of YouTube.
The Who: Heard about them smashing up their instruments first and then saw them do that very thing on "Sounds of the 60s" in the early 90s though I can't remember which song they played.
Showaddywaddy: They used to play "Hey Rock and Roll" on The Gladiators in the early 90s
Sting: We used to have a local radio station on at breakfast time and "Spread A Little Happiness" was played on it a lot.
Connie Francis: The 5th act I first heard on the internet. What all 5 acts have in common is that they were all around in the 50s. She had 2 number ones so would have heard them in the early days of YouTube.
Jim Reeves: My father was never really into music but one tape he did have was a Jim Reeves one.
Gene Pitney: When he did the remake of "Somethings Gotten Hold Of My Heart" with Marc Almond and topped the charts with it in 1989.
Stranglers: I remember "96 Tears" in 1990 without knowing who it was but first knowingly heard a song of there's when "Golden Brown" was on The Chart Show. Must have been one from the archives.
The Cure: I remember "Lullaby" coming out in 1989 and thinking that Robert Smith looked scary.
Marillion: Not until 2004 when they returned to the Top 40 after a long time away with "You're Gone". I remember much was being made of their comeback but I'd not heard of them before. That said I'm sure I'd heard "Kayleigh" prior to that.
Johnnie Ray: A name I'd heard before the internet but never heard his music until I listened to his 3 number ones in the early days of YouTube. He's another act who was around in the 50s but unlike the other 5 acts who I'd never heard pre-internet he have had a hit beyond the 50s.
Duane Eddy: I've known "Peter Gunn" for a long time but even now I'd struggle to name another of his records.
Kinks: Hard to pinpoint. I've known songs like "You Really Got Me" and "All Day And All Of The Night" for as long as I can remember and then some point realised they were by the Kinks.
Genesis: First aware that Phil Collins was also in a band and probably when I discovered "Invisible Touch" wasn't a Phil Collins record.
AC/DC: When I was into rock/metal in the early 90s and they were one of the legendary old bands we could appreciate. Would guess the first one I heard was "Highway To Hell".
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 13.5/30, or 45%. Now we're slipping.
Inspired by yesterdays post about being perceived as too young to know bands from before I was born it got me thinking: Who is the biggest chart act I only know because of the internet?
To quantify this I looked at the acts who with the most Top 40 hits who made their Top 40 debut prior to 1987 which is when my memories of the charts etc. begin. With each act I asked the question how did I first come across their music?
With some it's easy to pinpoint, others not so much though I clearly knew them way before the internet. Here we go:
Elvis Presley: I'd heard of Elvis Costello first but it wouldn't be long after that I was familiar with Elvis Presley. Songs like "Hound Dog", "All Shook Up" and "Blue Suede Shoes" were played a lot and it didn't take long to piece it all together.
Cliff Richard: I clearly remember "Mistletoe & Wine" being Christmas number one in 1988 but I remember "Summer Holiday" as far back as I can remember before knowing who it was.
Elton John: My first Now was Now 11 in early 1988 and "Candle In The Wind" was on it.
Madonna: I remember "Who's That Girl" topping the charts in 1987.
David Bowie: I knew "Under Pressure" by Queen and someone told me he was also singing on it.
Status Quo: Whilst my music memories don't properly begin until 1987 I have a vague memory of singing "In The Army Now" in the school playground in 1986.
Queen: First memory of band accompanied with song was "I Want It All" in 1989 but already knew "Thank God It's Christmas" from the Now Christmas Album and knew "A Kind Of Magic" with is still being relatively fresh in 1987.
Michael Jackson: Remember seeing the video to "The Way You Make Me Feel" and thinking Michael Jackson looked a bit like a woman.
Paul McCartney: Clear memory of "My Brave Face" coming out in 1989 but already knew "Wonderful Christmastime" from the Now Christmas Album and pretty sure I knew "The Frog Chorus" too.
Rod Stewart: I remember "Downtown Train" charting in 1990 but pretty sure I was already familiar with him by that point.
Rolling Stones: In 1989 when "Mixed Emotions" charted. I also remember The Stone Roses around the same time and thinking the bands had similar names.
Diana Ross: My mum was a fan and played her music quite extensively.
Depeche Mode: Remember "Personal Jesus" charting in 1989. It was around the same time I learned there was a band called Jesus & Mary Chain.
Pet Shop Boys: Easy to pinpoint, "It's A Sin" was the first song to have a real impact on me in 1987.
Stevie Wonder: I'm told that when I was too young to remember anything I used to get up in front of my family and sing "I Just Called To Say I Love You". It's a wonder I wasn't put off music for life.
U2: They had some big hits in 1987 that I may or may not remember at the time but I have a clear memory of "Desire" topping the charts in 1988.
Prince: In 1989 "Batdance" was the first song I taped off the radio without any assistance.
UB40: "Breakfast In Bed" was on Now 13.
Janet Jackson: Remember learning that Michael had a sister who also made music. Pretty sure "Lets Wait Awhile" was the first I know but the timeline would suggest this was after it charted, maybe in 1988.
Bon Jovi: Hard to pinpoint a particular song but clearly remember them as a long haired band with shouting songs in the late 80s.
Frank Sinatra: Even harder to pinpoint. By the time he died in 1998 I was yet to use the internet and I'd been familiar with him for a long time, when exactly I'm not sure.
Tom Jones: When "It's Not Unusual" got back into the Top 40 in 1987.
George Michael: Remember "Faith" being a hit in 1987.
Erasure: "A Little Respect" was on Now 13 but pretty sure that wasn't the first I'd heard of them.
Shakin Stevens: I don't find his music that memorable but very much remember him being around in the late 80s. "Love Attack" in 1989 stands out to me more than others.
Whitney Houston: When "I Wanna Dance With Somebody" topped the charts in 1987.
Nat 'King' Cole: I'd heard of Natalie Cole first and it was during her late 80s chart run that I'd learned of her father. I remember their duet "Unforgettable" in 1991.
Iron Maiden: "Can I Play With Madness" was on Now 12.
Simply Red: When "It's Only Love" charted in 1989.
Roy Orbison: My first memory of him was that he died and then "You Got It" came out shortly afterwards.
Beatles: Hard to pinpoint, they've just always been there. The first member I became aware of was John Lennon and that he was dead. Later I discovered the man who did "My Brave Face", the man who did "Got My Mind Set On You" and the man who narrated "Thomas the Tank Engine" were also members.
Bee Gees: Perhaps an obscure first memory here, it was when "One" appeared on The Chart Show in 1989. I remembered Metallica having a record called "One" at a similar time.
Tina Turner: Clear memory of "The Best" charting in 1989.
Lonnie Donegan: "My Old Mans A Dustman" is one of those records I've always known.
Duran Duran: First song I remember was "I Don't Want Your Love" in 1988 but pretty sure I'd heard records like "The Reflex" prior to that as it would be on the radio a lot.
Everly Brothers: Songs like "Bye Bye Love" and "Wake Up Little Susie" have been on the radio as far back as I can remember.
Supremes: "Baby Love" was on a Diana Ross compilation my mother used to play.
Frankie Vaughan: We've finally got there, someone I'd never heard of before the internet. 29 Top 40 hits in a career spanning well over a decade including 2 number ones yet he's not someone you really hear about when it comes to the history of music. The first time I came across him was in the early days of YouTube when I listened to every number one that I'd never heard before.
There you have it then, the biggest chart act I only know because of the internet is Frankie Vaughan.
I recently sang "My Way" by The Sex Pistols at karaoke. Afterwards a man who saw The Sex Pistols back in the 70s came up to me and asked me how do I know The Sex Pistols. One would assume he's in his later 60s/early 70s and I'm in my 40s, so a notable age gap. I can also confirm that on the day that Sid Vicious died I was yet to be born.
Now had I been singing a song by The Adverts for example he may have had a point. If it wasn't for the internet or the Top of the Pops reruns I may not have heard of them. But The Sex Pistols? Even if I had no interest in music whatsoever I'm pretty certain I would still have heard of them such was the impact they had on the music world.
This was one of many examples of people not being able to comprehend the fact it is possible to know music from before you were born. The internet makes it easier than ever to discover old music but there are still countless older artists whose music I was familiar with way before the internet.
It could be argued that my music tastes are older than my years but the more I think about it I'm not sure that's necessarily the case. Take rave for example, my teenage music of choice. Throughout much of it I was too young to go to an actual rave and it was before I'd used the internet.
My route into finding this rave music was via other kids having tapes. It wasn't like it was music for people 5 or 6 years older than us, it was the music of the moment.
Another example of a music act someone once suggested I was too young for was the Pet Shop Boys. My memory of them begins with "It's A Sin" so it wasn't the start of their career but was still early on and admittedly I was very young at the time. One would call them an 80s act but they still proved to be popular throughout the 90s. In fact by the end of the decade they were so popular amongst the dance music fans in my age group that they headlined Creamfields festival.
It would seem that some people think a window opens up between where you're 18 and 25 and you should only listen to, or even be familiar with music acts that establish themselves during this window.
Think about it logically though. Around 18 months ago The Beatles topped the charts with "Now and Then". If you were 18 when they first broke through in 1962 then you would be 81 now. If only people in their 80s or older bought your records then you're not getting to number one.
Elton John did his farewell tour that was attended by over 6 million people. If you were 18 when he broke through in 1971 then you'd be 70 by the end of that tour. Again you're not getting anywhere near that number if only people in their 70s or older attended.
The most profitable music act to this very day according to a TV show I watched recently is Elvis Presley. If you were 18 when he broke through in 1956 then you would now be 87. Given this age is some way above life expectancy that means most people who were born in 1937 are no longer with us. Who are these people making Elvis so profitable then? Well it's those people who are too young for Elvis.
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
Just the one record this week and it's hello again to T-Spoon who we previously saw in the 5th week. This is quite different to that record, or indeed his big UK hit "Sex on the Beach". This is a dance record and quite surprisingly it's not a particularly cheesy one. I would go as far as say it's credible as it does have pretty naff vocals.
In May 2002 we went back into the UK garage era and every month we've gone backwards since we've had at least one UK garage new entry. In October 2001 there were 5 of them so we're really in the thick of it now.
We have "Sambuca" by Wideboys & Dennis G which I'm certain I heard long before this but good record nonetheless. We do however have the MC driven garage in "Course Bruv" by Genius Cru and "Bouncing Flow" by K2 Family which aren't so good. The Streets debuted with the garage record "Has It Come To This" which again isn't to my liking. Then jumping on the UK garage bandwagon is Liberty X with their debut "Thinking It Over" which consisted of Popstars contestants who didn't make it into Hear'Say. Again no points.
Mis-Teeq had their first R&B single with "One Night Stand" though it does have a garage section in it which pretty much makes the tune. There's some great beats by Dr Dre on "Family Affair" by Mary J Bliuge which again makes the tune.
The best record of the month is also an R&B record which is "Where The Party At?" by Jagged Edge ft Nelly. It's the first proper tune on the "Jagged Little Thrill" album which is a great album.
One of the singles I bought this month was "It's Over" by Kurupt. Yes it does sound a bit childish but I do enjoy it. Lisa 'Left Eye' Lopes went in a similar direction with her solo hit "The Block Party" but I can't say I like that one.
We have "2 People" by Jean Jacques Smoothie, a record I bought on vinyl. It never really went with the other tunes I had on vinyl though which were more the harder side of dance music.
We had "Fat Lip" which was the debut Top 40 hit for Sum 41. It was a record which mixed punk with nu metal, not a concept I was keen on but I have to concede that I like it. Likewise we had "First Date" by Blink 182 which was very American high school but I do like it.
The worst record goes to Girls@Play with "Respectable". They were one of many short lived girl groups from around this time and it was a cover of the Mel & Kim record.
Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):
Two questions are probably springing to mind here, did this really only make number 40? and did this really not come out until 2009?
The record was originally from 1971, a time when Bill Withers was yet to have a Top 40 hit in the UK. There was however a version by Michael Jackson that made the Top 10 in 1972. Bill Withers had his first Top 40 hit that year with "Lean On Me" and then with "Lovely Day" in 1978.
By 2009 a record could get into charts purely on downloads. On the TV show Britain's Got Talent one of the contestants sang "Ain't No Sunshine". That performance had enough of an impact for the general public to go and download the Bill Withers original version and as a result it made the Top 40.
One could argue that The Killers are the most successful UK chart act of all time. At the time you're reading this there is a good chance that "Mr. Brightside" is currently in the charts.
They made their Top 40 debut in 2004 with "Somebody Told Me". It was the time when indie music was starting to take over the UK charts. No doubt many people thought The Killers were British as a result, but they hail from Las Vegas which is a place I don't imagine people to actually come from, just a place where people holiday.
This record was originally released in 2008 but finally climbed to number 40 in 2009. With "Mr. Brightside" seemingly ever present in the charts though it doesn't really matter how any other their other records are doing in the charts.
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 17/30, or 57%. The same as last week.
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
Frans Bauer - Waarom Heb Jij Mij Verlaten
We say hello again to Frans Bauer who we first saw in the 2nd week. Here we have a record that sound just like the hit he had in that 2nd week. We'll be seeing him again, the question is will his next hit sound the same too.
Lick ft Kentucky Martha - I'm The Girl Of Your Dreams
Lick is a Dutch act who never had a UK Top 40 hit, but it's 2 members had hits by other means. They were Peran Van Dijk who had a minor Top 40 hit with "Good Time" in 2002 under the name Peran. Then there was Wessel Van Diepen, one of the men behind Nakatomi, Vengaboys and Alice Deejay. Kentucky Martha is a Dutch drag queen. As you can imagine then, this is a cheesy Eurodance record. It was their 2nd and final Dutch Top 40 hit.
We've already established that we're now back in the era when dance music was big in the charts. There were no shortage of dance records in November 2001. However there were more rap and R&B records so this is where we'll start.
The only rap or R&B record to get full marks that I didn't buy the album of is "Ugly" by Bubba Sparxxx. The ones I do own as part of the albums are "Fight Music" by D12, "Livin It Up" by Ja Rule ft Case, "Letter 2 My Unborn" by 2Pac and "Fallin" by Alicia Keys.
That's all the rap records getting full marks but just the one R&B record. The rest of the R&B records all get zero even though these were the early days of me declaring myself as an R&B fan. With the likes of Destiny's Child having hits though it shouldn't be too much of a surprise.
I got into R&B off the back of being into UK garage. This month there were 2 UK garage records but neither were any good and part of the reason for the genres demise. We have "They Don't Know" by So Solid Crew which needs no further explanation. Then we have "Messin" by Ladies First, a girl group jumping on the garage bandwagon.
Trance music is a mixed bag. There's a zero for vocal records "Stay With Me" by Angelic and "Dreams" by Miss Shiva. The vocal record "Underwater" gets half a mark though. Instrumental trance record "The Legacy" by Push gets full marks.
There isn't a bad house record this month and that includes "Rapture" by IIO which I do like despite the fact it appeared to inspire a lot of vocal rubbish in later years. We also have "Harder Better Faster Stronger" by Daft Punk which I could almost tell would be a single when I first heard it on the album.
It's not Daft Punk who give us the best record though, it's a record from the punk world. I'd bought Green Days "Warning" album the day it was released a year or so prior to this. I found the album to be disappointing but one exception was the track "Waiting" which was different in a good way.
The worst record comes from Cher. After her late 90s revival with her autotune nonsense it seemed like that phase was over by 2001. But then came "The Music's No Good Without You". Fortunately that was the end.
Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):
It had been almost 51 years since Status Quo made their Top 40 debut with "Pictures Of Matchstick Men". This was single number 56 for them, at the time just Elvis Presley, Cliff Richard, Elton John, Madonna and David Bowie could have claimed to have more.
This was the only Christmas Top 40 hit they had and it followed that same Status Quo formula that we'd all become familiar with.
Status Quo had been considered old fashioned for quite some time by this point. They were famously banned on Radio 1 in the mid-90s for that very reason. Yet here they were outliving many of those new mid-90s acts whose Top 40 career had long been finished by this point.
They weren't finished with this either. One more Top 40 hit came in 2010 which made them the first band to have Top 40 hits in the 60s, 70s, 80s, 90s, 00s and 10s.
"We Have A Dream" was the official Scotland World Cup record back in 1982. This was then covered by a collective of collaborators in 2008 for Children In Need.
It was lead by BA Robertson who wrote the record and had a chart career of his own back in the early 80s. Not everyone on the record was Scottish but it's certainly the Scottish ones who stand out on the record.
The fact it was for Children In Need meant that people would have gone out and bought it regardless of what the music sounded like. At the same time though, it does seem a bit baffling using a Scottish football song for Children In Need. The reality is that most of the UK population is English and therefore won't buy a record that is pro-Scotland.
Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.
I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the records new to the top 30 from this week in 1999 with my verdict on each record:
If we give the records which were good 1 point each and those which were OK half a point, the final score is 17/30, or 57%. Slight drop over last week.
These were the new entries in the Dutch Top 40 that never made the UK Top 40:
Irene Moor & De Smurfen - K Heb Nieuwe Schoenen
We're now into 3rd hit of the year territory with this record. After topping the charts with their "No Limit" cover they never reached the same heights with the 2 follow ups and this will be the last we'll see of them. It's in Dutch, but it's a cover of "I Like To Move It" by Reel 2 Real.
Ronald & Peter Beense En Het Ajax Koor - Ay Ay Ay Ajax
Ajax would have been confirmed Dutch champions by this point so we have yet another cheesy football record. Ronald & Peter Beense are not brothers like you may think, Ronald is yet another 1 named singer. He was a school mate of fellow Dutch singer Rene Froger. This was his 3rd and final Dutch Top 40 hit. Peter Beense is also an actor and this was his only Dutch Top 40 hit.