Friday, 15 August 2025

Dutch Top 40 1995: Week 33

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Marco Borsato - Je Hoeft Niet Naar Huis Vannacht

Marco Borsato was one of the most prolific artists in the Dutch Top 40 in the 90s and into the 21st century. He had 2 records in the Top 40 at the start of the year so I'm surprised it's taken till August until we see him again. This ones not as catchy as the other 2 records mentioned and the record buying public probably agreed as this failed to top the charts. He'll be back later in the year though.

Playahitty - The Summer Is Magic

I'm inclined to agree with this record given the era because 1995 is possibly the best summer there has ever been. There's a very 90s video to remind us how much better the world was back then and I can almost guarantee we'll never have a summer as good again. Playahitty were an Italian Eurodance act and their only other Dutch Top 40 effort was a 2008 version of this. I can almost guarantee that version will be shit so I'm not going to listen to it.

Michele - I Can Feel

Michele is a Dutch singer and this was her 2nd and final Dutch Top 40 hit. I guess this record is best described as a Eurodance ballad, similar in style to "Nothing Like The Rain" by 2 Unlimited which charted in Holland earlier on in the year but not the UK. These days Michele is the female vocalist for 2 Unlimited.

Thursday, 14 August 2025

2000: The Good Old Days? - October

I can almost pin point this as being the time when I first properly got into rap music. It began with my purchase of "The Marshall Mathers LP" by Eminem and I already knew "The Way I Am" prior to purchasing which was a new entry this month. The only other rap new entry was "Nursery Rhymes" by British rapper Iceburg Slimm which wasn't so good.

The beginning of me properly getting in R&B was the Honeyz who had a new entry this month with "Not Even Gonna Trip". It would be a few more months until that time came though. The only other R&B new entry this month came from R Kelly with "I Wish" which is amongst his best hits.

Another contributing factor for me getting in R&B was my love of UK garage. This month we had R&B group Damage jump on the bandwagon with "Rumours" which is OK but is also my least favourite UK garage new entry this month.

The best is also the best record overall this month which is "Body Groove" by Architechs & Nana. I was annoyed at this getting into the charts, I wanted it to stay underground. Another big garage record this month was "Dooms Night" by Azzido Da Bass. So big that when it came on a garage tape I was listening to in my car, my mate said that was the first time he'd heard a tune in my car that he actually knows.

The other garage records this month were "Ain't No Stoppin Us" by DJ Luck & MC Neat & JJ, "Sorry (I Didn't Know)" by Monsta Boy featuring Denzie and "Something In Your Eyes" by Ed Case. I feel like we're in a golden period of garage with these records.

Plenty of other dance music in the charts this month but not much of it was any good. We had "Pasilda" by Afro Medusa which is good and "The Lonely One" by Alice Deejay which I like despite it being of the vocal trance/eurodance variety which is the main reason a few of the other records were crap.

On the chill out side of things we have "Why Does My Heart Feel So Bad" by Moby which I remember being on the advert for the TV show "Hearts & Bones" which I never watched but it still makes me feel nostalgic. We also had "Eternity" by Orion which was also on an advert at the time, I can't remember what it was for but like the tune.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 38%

Here's a look at the chart:

Now we have the best October so far but not quite the best month overall.

January Charts: 1971

Here are the new entries ranked from best to worst:


The first question I have to ask when looking at the list and listening to the records is have we gone back to the 50s?

Elvis Presley, Cliff Richard, Perry Como and Petula Clark all have records here and all were charting in the 50s. The worst of these was "Song Of My Life" by Petula Clark. She'd enjoyed a revival in the 60s by adapting to a Motown type sound but here for her final original Top 40 hit she's very much gone back to the 60s.

Add Dawn to the mix who at this stage was basically Tony Orlando under a false name we are saying a quarter of the acts here were charting pre-Beatles. Speaking of The Beatles, George Harrison became the first band member to top the charts with a solo record with "My Sweet Lord". A decent record but has to settle for 4th place in this list.

The top record comes from Ashton, Gardner & Dyke with "Resurrection Shuffle", their only Top 40 hit. Ashton and Dyke had their routes in the mersey beat scene as part of The Remo Four and were part of George Harrisons backing band on his debut solo album in 1968.

Badfinger had their 2nd single in as many years with "No Matter What". This was written by band member Pete Ham as opposed to Paul McCartney who wrote their debut. 

Also up near the top are a couple of Motown records. We have "(Come Round Here) I'm The One You Need" by Smokey Robinson & the Miracles which was a 1966 record revived by the Northern Soul movement. Then we have The Supremes who were now without Diana Ross in the group but could still make a good record. Down near the bottom we have a Motown cover by Jonathan King under the alias Weathermen which just sounds like a poor karaoke version.

In terms of new artists we have the debut of Tony Christie with "Las Vegas". Not a bad record but a bit old fashioned for the time. We also have the debut of Elton John with "Your Song", a song I do like but would put it in the easy listening category. I'd say the same for The Carpenters with their 2nd hit "We've Only Just Begun".

I could be said that the presence of The Beatles improved the overall quality of the music in the charts therefore the lack of The Beatles brought down the overall quality. Either way this is the worst score since The Beatles first came about.

Score: 37

Tuesday, 12 August 2025

UK Number 40s: Russ Chimes - Turn Me Out (2013)

 


In 1994 Praxis made the dance record "Turn Me Out" with Kathy Brown on vocals. Despite being quite a well known record it never made the Top 40 when first released. It finally made the Top 40 when it was rereleased in 1997 making number 35.

This record is a cover of the Praxis record done in a more modern EDM sort of way. It was the only Top 40 hit for Russ Chimes. According to his discogs page this was the 4th and final single he released.

Very little can be found about him on the internet. He has a Facebook page that hasn't been updated since 2020 where he posted an email address for people who want to enquire about remix, production or bookings which came a year after he'd previously posted about anything. I can only assume he's now given up on the music and gone back to the day job.

Monday, 11 August 2025

UK Number 40s: Amelia Lily - Party Over (2013)

 


Amelia Lily was a contestant on The X Factor in 2011 and ended up finishing in 3rd place. Her chart career went exactly the sort of way you'd expect an X Factor contestants career to go.

She made her Top 40 debut in September 2012 with "You Bring Me Joy" which reached number 2. Then in February 2013 she just missed out on the Top 10 with her follow up single "Shut Up (and Give Me Whatever You Got)" which made number 11. Then came this, her 3rd and final Top 40 hit in May 2013.She did release one further single, but it failed to make the Top 40.

This was a time when drum & bass was enjoying chart success, the week prior to this charting Rudimental were at number one with "Waiting All Night". This record was a drum & bass record, her first two singles weren't. What it had in common with her first two singles though is they were all written by the Xenomania songwriting team who have written for the likes of Girls Aloud and Sugababes. Additional songwriting on this record comes from Wayne Hector who wrote many Westlife hits.

Whilst Wayne Hector has still been charting as a songwriter in recent years, Xenomania were approaching the end of their Top 40 hits as songwriters.

Sunday, 10 August 2025

80s in the 90s: 1980

In a Bee Gees documentary I once watched one of the members made a point that once a decade ends it's out with the old and in with the new in music terms i.e. if you were a successful music act in that decade you're old hat in the new one. He was referring to the Bee Gees dwindling popularly as the 70s began but in the end they had a pretty successful 70s.

It got me thinking about how 80s chart acts fared in the 90s. The 80s became uncool very early on in the 90s though there were certainly music acts who still had their credibility and chart success in the 90s and beyond.

To determine who was a hit or miss in the 90s I've come up with some rules. As this is based on the Top 40 it goes without saying each act I look at has to have Top 40 hits in both the 80s and 90s. Another rule is they need to have made their Top 40 debut in the 80s. Finally to qualify as an authentic 80s chart act you need to have at least 4 Top 40 hits in the 80s. If you made your Top 40 debut in December 1989 and then had a string of hits in the 90s then the 90s was your time really.

Determining whether they were a hit or miss in the 90s is based on the facts and not my opinions. 

I'm going to do these posts year by year beginning with 1980 so here goes:

Shakin Stevens: It could be argued that Shakin Stevens was already old hat when he made his Top 40 debut in 1980 given the 50s style music he was making. Chart wise though he managed to have a Top 40 hit every year in the 80s which included 4 number ones. However after he topped the charts in 1985 with "Merry Christmas Everyone" his Top 40 career was in decline with just 1 more Top 10 to his name. In the 90s he had 4 Top 40 hits. His biggest was "I Might" which reached 18 in 1990 followed by a long forgotten Christmas record the same year, another in 1991 and his final one of the decade was a collaboration with Roger Taylor in 1992 with "Radio" which just creeped into the Top 40 at 37. 

Verdict: Miss

Whitesnake: Although they debuted in 1980 their glory days from a chart perspective came in 1987 when they reach number 9 with both "Is This Love" and "Here I Go Again 87" which were their only Top 10s. Their 2 Top 40 hits in 1990, "The Deeper The Love" and "Now You're Gone" didn't reach the Top 30. All that remained for them in the 90s was a re-issue of "Is This Love" as a double a-side with "Sweet Lady Luck" in 1994 which made number 25.

Verdict: Miss

UB40: Like Shakin Stevens they had a Top 40 hit every year in the 80s and their music didn't exactly have that 80s sound. Whilst Shakin Stevens sound was very much 50s, UB40s sound could be any decade really and that perhaps helped them succeed in the 90s. They topped the charts in 1993 with "(I Can't Help) Falling In Love With You" and had a further 4 Top 10 hits. Several more made the lower reaches but that happened in the 80s too,

Verdict: Hit

The Cure: They're one of those bands whose chart positions don't exactly reflect the popularity of them. For example "Boys Don't Cry" only made number 22 in 1985. They finished the 80s with 13 Top 40 hits to their name with just 2 making the Top 10. They doubled their number of Top 10s in 1992 alone with "High" and "Friday I'm In Love" and that alone is a reason to say they did fare well in the 90s.

Verdict: Hit

Iron Maiden: Ask someone to name an Iron Maiden song and there is a good chance they'll say "Bring Your Daughter... To The Slaughter". That charted in 1991 and became their only chart topper thanks in part to them playing the system. They also reached number 2 with follow up "Be Quick Or Be Dead" and number 3 with prior hit "Holy Smoke" in 1990. Even the not so fondly remembered Blaze Bayley era gave them a Top 10 with "Man On The Edge".

Verdict: Hit

Robert Palmer: Although he debuted in 1980 his 3rd hit and first Top 10 didn't come until 1986 with his biggest hit "Addicted To Love". He finished the decade with 6 Top 40s of which 3 were Top 10s. In the 90s he had 4 Top 40 hits with 2 Top 10s, "I'll Be Your Baby Tonight" with UB40 and "Mercy Mercy Me - I Want You" which peaked at 6 and 9 respectively, the same numbers his other Top 40s of the 80s made. 

Verdict: Hit

Orchestral Manoeuvres In The Dark: They had a Top 40 hit every year between 1980 and 1986 and then nothing for the rest of the decade. However in 1991 they were back with the number 3 hit "Sailing On The Seven Seas" which became their joint highest charting single along with "Souvenir". Another Top 10 followed with "Pandora's Box". Their final 3 hits failed to make the Top 10 and they were finished Top 40 wise after 1996. This presents me with a dilemma, should a brief but successful comeback count as success in the 90s? Not always but in this instance as they managed their joint biggest hit and 2 Top 10s I'll give them a pass.

Verdict: Hit

Top 30 in 1999 Reviewed: Week 32

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


Cast had a pretty remarkable chart record in 1996/1997 after they scored 6 Top 10 hits in a row. One of the big successes of Britpop. By 1999 though the Britpop era was over and the wheels had fallen off the Top 40 career of Cast with this being their final Top 40 hit to date. I never really thought much of them to be honest.

Verdict - Rubbish


This was the final Top 40 hit to date for Culture Club. They'd left a bit of a gap between their comeback single "I Just Wanna Be Loved" and this which would have meant the hype around their comeback would have died down. Personally speaking I wanted to be hearing Boy George DJing in 1999 rather than reuniting with Culture Club.

Verdict - Rubbish


The penultimate Top 40 hit of the 90s which came before his final chart topper to date at the end of the year. Have no recollection of this and will hopefully never hear it again.

Verdict - Rubbish


Missy Elliott wrote this record for TLC for their "Fanmail" album but TLC rejected it. Instead it was passed on to fellow female R&B group 702 which was their Top 40 debut. I don't blame TLC for rejected it, very cringeworthy. 

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 12/30, or 40%. Think we're going to hover round here for some time.

Friday, 8 August 2025

Dutch Top 40 1995: Week 32

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Nance - Love Is

Generally speaking the faces of Eurodance acts in the 90s were a male rapper and a female singer. In Dutch Eurodance act Twenty4Seven you famously had Captain Hollywood as the male rapper in the beginning. What wasn't so well known was who the female singer was. As you may have now guessed, that singer was Nance and she had been in the Dutch Top 40 a few months prior as part of Twenty4Seven with "Keep On Tryin". This was the beginning of her solo career which was more of the same minus the male rapper.

Marcel De Groot - Mag Ik Naar Je Kijken

Before I looked up Marcel De Groot I assumed he was Dutch and had been charting since the 80s. I was half right, he is Dutch but this was his only Dutch Top 40 hit. It's a guitar record that wouldn't of sounded out of place in the 80s.

Rowwen Heze - Zondag In 'T Zuiden

It's the band from America who seemed to only chart in Holland again. That's because it's a village in Holland called America they are from rather than the country America. It's their usual folky style but the speed of this particular record could give happy hardcore a run for it's money. Perhaps that was intentional.

Thursday, 7 August 2025

January Charts: 1970

Here are the new entries ranked from best to worst:


It would seem that 1969 was a good year all round but the first week of January 1970 is only a week after 1969 so are we going to see the same standards or an almighty drop.

Well we have something in 1970 that we didn't have in 1969, a record that scores 5. This is "Wedding Bell Blues" by Fifth Dimension that I picked as my record of the year for 1970. Easily the best record I've listened to so far in this series.

Almost getting a 5 was "I Can't Get Next To You" by The Temptations. This was a record where we get to hear all the members sing their own lines including Otis Williams. What stops it from getting a 5 is that it's not quite as good as "Since I Lost My Baby".

It's another Motown record in 3rd place with "Just a Little Misunderstanding by The Contours. This was originally from 1966 and the group had split up by this point but it got a new lease of life from being part of the Northern soul scene.

Another Motown record we have is The Jackson 5 debut hit "I Want You Back" which may have come higher had I not heard it so many times in my life.

The Beatles were on their way out but we have a couple of records from their Apple label. There's "Temma Harbour" by Mary Hopkin which I found myself enjoying more than I expected to. Then we have the debut of Badfinger with "Come and Get It" which despite it's low placing is a record I like.

The only truly awful record in this batch is "Both Sides Now" by Judy Collins which I find really dreary and irritating. We have 1 of 3 versions of "Raindrops Keep Fallin On My Head" to chart, the Sacha Distel version. It sounds a bit of a piss take version but not bad enough to score zero.

Jethro Tull are now into their progressive rock phase with the double a-side "The Witches Promise/Teacher". Neither are bad but I'd probably need to give them 100 listens to get it.

We have 2 records that Bananarama covered in the 80s by groups who had no other Top 40 hits. As a result I've got them mixed up before. They are "Venus" by Shocking Blue and "Na Na Hey Hey Kiss Him Goodbye" by Steam. "Venus" just about scrapes a 3 whereas "Na Na Hey Hey Kiss Him Goodbye" scores a 2.

Although 1969 remains top of the table 1970 is comfortably 2nd so far.

Score: 60

2000: The Good Old Days? - November

One of the notable things about dance music by the year 2000 was the sheer quantity of sub genres there were within it. We had many different variants of house music e.g. deep house, funky house etc. Garage was going the same way too, the most notable sub-genre of UK garage around this time was 2-step.

My favourite record for this month brings another sub-genre of garage to the table, break step. It's "138 Trek" by DJ Zinc who at the time was best known for being a drum & bass DJ. I do notice how this differs from your average 2-step record but I cannot think of another record that fits under the break step genre so I guess you can say this record is so good it has it's own genre.

The other UK garage record this month was "Please Don't Turn Me On" by Artful Dodger. This ones also a little different being a bit more mellow and more for listening to at home than in the club. A decent record nonetheless.

Narrowly missing out on best record is Laurent Garnier with the double a-side "Greed/The Man With The Red Face". It's very much a record for the underground that made it's way into the Top 40.

We have a hard house record from 666 with "Devil" and a French house record from Alan Braxe & Fred Falke with "Intro" which both get full marks. One that I still like despite hearing too many more times is one of the best known French house records "One More Time" by Daft Punk. 

De La Soul had their final Top 40 hit with "All Good" which I like, but there is a UK garage version of it that I find better. Wu-Tang Clan had their only Top 40 hit in their own right with "Gravel Pit" which was very much one I was enjoying at the time.

Little known indie band JJ72 are one I've got into retrospectively and they had a new entry this month with "October Swimmer". That's all the decent indie music for this month though.

Onto the worst record and that goes to Martine McCutcheon with "I'm Over You". It was a reminder that her music career was still going just about and it got played a lot at the time. I've not heard it since and didn't bother listening today because I can still hear it perfectly in my head and still think it's crap.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 32%

Here's a look at the chart:


We're yet to reach the heights of 2001 but it's the best November.

Tuesday, 5 August 2025

UK Number 40s: Hot Natured & Ali Love - Benediction (2012)

 


Music genres can be a controversial topic and can often lead to a debate as to whether certain music should be categorised as a certain genre. During the EDM boom in the early 2010s one genre that started being widely used was deep house. However that genre was being used to describe different music as far back as the 80s.

This record was one those records that fell under the deep house genre by it's new definition. It's basically dance music that's more mellow than your typical EDM tune. These were the early days for this genre in the charts, had this been released a year later it may have got a higher chart placing as a few records in this genre topped the charts.

Hot Natured was a British-American group of producers and Ali Love is a singer who's also considered to be part of the group. They've been on hiatus since 2015 but the group members continue to be active in the EDM scene as individuals. This was their only Top 40 hit.

Monday, 4 August 2025

UK Number 40s: Frank Turner - I Still Believe (2012)

 


When punk first broke through to the mainstream in the 70s it was seen amongst other things as the voice of the working class. The aspect turned out to not be all as it seems when it came to light that there were members of The Clash and The Stranglers who were private school educated.

Punk as a genre in the charts died out in the early 80s but enjoyed a revival in the 90s up until we last saw Green Day in the Top 40 in 2009. Since then we've been in an era where acoustic guitars are seen more favourably in the mainstream than electric ones. As such, the nearest you get to punk in the charts in the modern era is someone like Frank Turner.

It's fair to say that Frank Turner is about as far away from working class as they come. He's the son of an investment banker and head teacher and the grandson of a bishop. To top all that though, he was a class mate of Prince William at Eton.

This was his sole Top 40 hit to date which is described as being folk punk. It was originally released in 2010 but didn't chart until 2 years later. It was perhaps helped into the Top 40 by it's appearance on the 2012 Olympics soundtrack.

Sunday, 3 August 2025

Top 30 in 1999 Reviewed: Week 31

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


Phats & Small had made quite and impact with their Top 40 debut "Turn Around". Now here they are remixing "September" by Earth, Wind And Fire. I can't help but think they missed a trick by not waiting another month until they released it. Another disco remake house style that's quite good.

Verdict - Good


I feel like I've said this a number of times before for other records, but this sounds like the ultimate American high school record and not in a good way. There's something about a lot of these American high school type records that if anything made me grateful that I never went to an American high school.

Verdict - Rubbish


When I was doing my yearly chart reviews I picked this as my record of the year for 1999. It's one of my all time favourites, a great bit of soulful house music that really can't be beaten. All I can say is give it a listen and get lost in the groove.

Verdict - Good


This record has quite a distinct intro to it and gives the sense that this is going to be a good record. Unfortunately the intro is as good as it gets, one the record properly kicks in it just sounds average at best. I'll reflect that in the score.

Verdict - OK

If we give the records which were good 1 point each and those which were OK half a point, the final score is 14.5/30, or 48%. Back to that ever familiar score.

Friday, 1 August 2025

Dutch Top 40 1995: Week 31

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Offspring - Gotta Get Away

Just the one record this week and quite a surprise one really. The Offspring were reasonably popular in the UK in 1995 but that didn't translate to the charts as the only UK Top 40 hit they had at the time was "Self Esteem" and even that only made number 37.

Thursday, 31 July 2025

25 Years Since....July 2000

In July 2000 I was probably more likely to be writing and playing music than listening to it, but still plenty of tunes I was enjoying listening to:

Lonyo - Summer Of Love


In the summer of 1999 Ibiza really looked like the place to be, but in the summer of 2000 it wasn't. One factor would have been that the dance music of the moment was UK garage and that was more likely to be found in Ayia Napa. Here's a record that was no doubt being played over there and one of many great garage records coming out around this time. 

Detroit Gand Pubahs - Sandwiches

It's obviously difficult to take a record about sandwiches seriously. Let's face it though, dance music has never been known for having decent lyrics and nor should it. The lyrics to this are a load of nonsense but draws attention and from there you can appreciate the actual music.

Artful Dodger ft Craig David & Robbie Craig - Woman Trouble

After the success of their chart debut and respective follow ups, Artful Dodger and Craig David are reunited on this record. This time though Craig David doesn't really do much on this record with the lions share of the vocals going to Robbie Craig. In my mind this is the best tune Craig David has been involved with, but not the best Artful Dodger record. That's more to do with how good other Artful Dodger tunes are and it is up there with the best. 

Alice Deejay - Will I Ever

In some ways I wished that Alice Deejay were a one hit wonder with "Better Off Alone". Whilst clearly commercial I like to think the minimal vocals give it a degree of credibility. The music that followed was cheesy as fuck, but a lot of fun to listen to at the same time. This is probably the best of those cheesy records, but I can't help but think it inspired some genuinely dreadful vocal trance such as Lasgo.

Zed Bias - Neighbourhood

Since we entered the 21st century these posts have been very garage heavy. The point is to reflect the music I was enjoying at the time though and its true to say I was listening to garage way more than any other genre of music around this time. 

2000: The Good Old Days? - December

One thing we can now do in the year 2000 is compare how much guitar music there was compared to the so called year of rock that was 2001. In December the answer was there wasn't a lot, just "Warning" by Green Day and "Thank You For Loving Me" by Bon Jovi and neither record is any good.

2000 was a year dance music was big and December may have given me an incline that 2001 would be the year of hard house because we have 3 of those records this month.

None of them are bad records, we have "Operation Blade (Bass In The Place)" by Public Domain which seemed to be to hard house what "Re-Rewind" was to garage a year earlier. There's "Storm Animal" by Storm and "Phatt Bass" by Warp Brothers vs Aquagen but this one is only good enough for half marks.

UK garage wasn't looking as good. MJ Cole could be relied on for a decent record in "Hold On To Me". However, we had Oxide & Neutrino with their garage take on "No Good" by The Prodigy which was rubbish and True Steppers continuing with the boy band/girl group vocalists with Brian Harvey on vocals to "True Step Tonight" which was just commercial nonsense.

The best record though is "My Feeling" by Junior Jack. I'm surprised it charted this late because it was definitely doing the rounds in 1999.

Rap wise we have "Stan" by Eminem and whilst there was no doubting how popular Eminem was, I did consider it to be odd how such a dark record could be so popular. Maybe it was the depression of the 21st century setting in. There was also a decent rap record from Mystikal with "Shake Ya Ass".

You could feel the pain of Wyclef Jean in "911" which is a great record. Craig David had completely moved away from garage into R&B with "Walking Away". Not a great move in the long run, but this record was decent at least.

The worst record was something me and my friends with differing music tastes could agree was the worst record at that moment which was "Independent Women Part 1" by Destiny's Child. We agreed that they made the worst music ever. Fortunately Apollo 440 were on hand to provide a decent record for the "Charlie's Angels" soundtrack which was appropriately titled "Charlie's Angels 2000".

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 27%

Here's a look at the chart:


A promising start given this is December, but it's now safe to say December 1999 was better than any December in the 21st century.

January Charts: 1969

Here are the new entries ranked from best to worst:


In my original search for the best year of the charts 1969 came first. It also had the best Christmas charts too. How about January charts then?

Well under the old scoring criteria this batch would score 100%. There isn't a bad record in there, not even an OK record, I like them all.

The best record is "White Room" by Cream who had already broken up by this point. It was their penultimate Top 40 hit and one of their better known despite only reaching number 28.

There's a couple of Motown records next. The Isley Brothers failed to reach the Top 40 when they first released "I Guess I'll Always Love You" in 1966. Marv Johnson was back in the Top 40 for the first time since 1960 with "I'll Pick A Rose For My Rose".

More soul music next with the Tymes back in the charts for the first time since 1963 with "People". Canned Heart were a band of the moment with their 2nd hit "Going Up The Country. Then we have "You Got Soul" by Johnny Nash which despite its title wasn't a soul record, it was a rocksteady record.

A decent cover of "Hey Jude" by Wilson Pickett which was his final Top 40 hit. Then more Motown from Marvin Gaye and Tammi Terrell with their 3rd duet to hit the Top 40. There's the debut of Jethro Tull with "Love Story" which was before they were considered a progressive rock band.

"Mrs Robinson" by Simon & Garfunkel had charted the previous year but was back as an EP hence its inclusion and a decent record despite being 3rd from bottom. "Ring Of Fire" was the final hit for The Animals, it was a cover of the Johnny Cash song and is better than you'd expect it to be.

Finally Nina Simone covers "To Love Somebody" by The Bee Gees. It's a decent cover and finds itself bottom due to the competition.

I get the feeling 1969 is going to win this again.

Score: 68

Tuesday, 29 July 2025

UK Number 40s: Kelly Clarkson - Darkside (2012)

 

With each series of the X Factor you would typically have contestants who will at least go on to have some sort of chart career in the UK. With American Idol it's the opposite, look at the list of winners and you'll struggle to find too many who have had a UK Top 40 hit. 

Bucking that trend is the first American Idol winner Kelly Clarkson. Some may understandably think she only had hit's in America. Indeed her winners song was never a UK hit. But she's had an unbelievable 18 Top 40 hits at the time of writing. That's even more than original UK Pop Idol winner Will Young achieved and he was one of the success stories from the TV competitions.

By the time this record came out it had been a decade since she won American Idol. Earlier that year she'd topped the American charts with "Stronger" and probably didn't even notice this only making number 40 over here.

Her next move was to do a Christmas album which in turn has led to her returning to the Christmas charts on an annual basis.

Monday, 28 July 2025

UK Number 40s: Nadia Ali - Rapture (2012)

 


This record came close to claiming both a number 1 and a number 40 for it's 2 different versions. Instead it just fell short of topping the charts when first released by iiO in 2001 making number 2.

Nadia Ali was the singer of iiO but left the duo in 2005. Fellow iiO member Markus Moser continued on his own up until 2011 when he retired the name. Nadia Ali meantime had become a solo artist but had no Top 40 hits until this.

It had been a decade since the original had been released. In that time the popularity of dance music had declined but then rose from the ashes to appeal to a younger crowd and alienate the older dance music fans. This was therefore given an EDM makeover by Avicii who was one of the big DJs of the modern era. He was however still in the infancy of his Top 40 career, so this was no doubt big in the clubs but not so big in the charts.

Sunday, 27 July 2025

Top 30 in 1999 Reviewed: Week 30

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


Now I've listened to this song I hope to never hear a Daniel O'Donnell record ever again. How he managed to have so many hits in the 90s is beyond me. He had one more but I've already covered that in my Top 20 from 1999 posts.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 12.5/30, or 42%. Drawn the short straw with the only record I've had to listen to this week.

Friday, 25 July 2025

Dutch Top 40 1995: Week 30

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Guus Meeuwis & Vagant - Het Is Een Nacht

We began with a Dutch act singing in Dutch. This was the Dutch Top 40 debut for Guue Meeuwis & Vagant and it was a chart topper. They also managed to top the Dutch Top 40 with their 2nd hit but that didn't come until 1996. Guus Meeuwis has had a Dutch Top 40 hit as recent as 2020. He's never had a UK Top 40 hit though he is popular enough in London at least to play the Royal Albert Hall.

Flair - Oh Middernacht

Flair are described on Discogs as a Dutch party group. It sounds like the sort of record you'd hear on Eurotrash. Despite the Dutch title they start singing in English but then start singing in Dutch part way through the song. As most Dutch people can speak English I guess that works.

Soeur Plus - Dominique

This was originally a hit in the 60s for the Singing Nun who was Belgian. This is a Dutch Eurodance cover with with some rapping added in. It's a cheesy as you'd expect it to be.

Sin with Sebastian - Shut Up (And Sleep With Me)

E Rotic weren't the only German Eurodance act making explicit record in 1995. Sin with Sebastian was one man who also did a bit of rapping on the record. This was his only Dutch Top 40 hit. 

Jordan Hill - Remember Me This Way

If you've seen Caspar then you'll probably be familiar with this record. I say probably because I've never seen the film myself but this is in it. That said the record does ring a vague bell. It was the only Dutch Top 40 hit for American singer Jordan Hill and she never had a UK Top 40 hit.

Lois Lane - Tonight

This record has nothing to do with Superman. Lois Lane were a Dutch duo consisting of sisters Monique and Suzanne Klemann. They had their first Dutch Top 40 hit in 1988 and this was their penultimate Dutch Top 40 hit. 

Thursday, 24 July 2025

2001: The Good Old Days? - January

One thing that was evident around the turn of the century was how big dance music was at the time. Just over a year later and this is still the case with almost half the new entries in January 2001 being dance records.

We'll start with the best one which is "Camels" by Santos. This one very much reminds me of an era when decent dance records were making the charts. Not only that, but also dance records that may not have been my cup of tea but were records for the dance music fans more than a mainstream audience.

A record I bought on vinyl at the time was "Komodo (Save A Soul)" by Mauro Picotto. At the time it seemed like this was the sort of direction hard dance music was heading in, slower than happy hardcore which had more or less died at this point, but faster than your average dance record.

There were 2 UK garage records this month and both were by groups jumping on the bandwagon. There was Mis-Teeq with "Why", an unknown R&B record given a garage remix and bringing them into the mainstream. The result was surprisingly good. What wasn't so good was "Falling" by Boom! who were a mixed gender pop group and a bit rubbish.

I'm a big fan of "Needin U" by David Morales but this month it's fallen victim to the trend at the time of ruining tunes with vocals so therefore gets no marks. I'm not too keen on "Demons" by Fatboy Slim & Macy Gray but can still appreciate it. No marks for it though.

Just the one rap record this month which comes from Spooks with "Things I've Seen" which I do like.

R&B wise we have 2 records, but both are really pop disguised as R&B. They are "Love Don't Cost A Thing" by Jennifer Lopez and "You Make Me Sick" by Pink. Neither records get any marks and I consider the latter to be bad enough to be crowned worst record of the month.

The Red Hot Chili Peppers had the last single from their "Californication" album "Road Trippin". I owned the album at the time but don't recall this being a single. I do like it though. 

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):

Score: 33%

Here's a look at the chart:


2001 is clearly better than any of the years that followed. We also have months that are better than December 1999 though the best of them fall just short of the December 1993 score. This series of posts has cover the start of 2001 to October 2007. A separate series of posts looks at every Top 30 from the start of 1990 to the end of 1999 and will conclude at the end of the year. This just leaves a gap of the year 2000 and it only seems right to fill this gap in. As you may have guessed, next week will be the start of 2000: The Good Old Days?

January Charts: 1968

Here are the new entries ranked from best to worst:


If you were to ask me what the best things musically about the 60s were I would say Motown and psychedelic rock. This is basically what the top part of the table is.

In first place we have the Motown record "Honey Chile" by Martha Reeves and the Vandellas which was their final original Top 40 hit of the 60s. Then in 2nd place we have the debut of Status Quo with "Pictures Of Matchstick Men" which sounds nothing like your typical Status Quo record.

In 3rd place we have "Everything I Am" by Plastic Penny which was their only Top 40 hit. Next we have "Mighty Quinn" by Manfred Mann who had kept themselves relevant throughout the 60s by adapting their sound to the times.

2 other bands who were part of the beat era and still going in 1968 were Herman's Hermits and The Tremeloes. Both records are alright but I feel like both bands are past their prime by this point.

We have 2 different versions of "Everlasting Love", the original by Robert Knight and the chart topping cover by Love Affair who are making their Top 40 debut. I like both versions though the record itself has been covered to death and both acts have made better records.

Down the bottom it's the usual boring ballads occupying these places. The irony that Engelbert Humperdinck has a record called "Am I That Easy To Forget" to which the answer is yes because I've already forgotten it.

Just above the boring ballads are the novelty records which include Radio 1 DJ Tony Blackburn having his only Top 40 hit with "So Much Love". To be fair it's not as bad as it ought to be, but it's not good either.

We're in a situation now where the best records are better than what's come before but this is getting countered by the rubbish in amongst it. This is a trend I expect to continue.

Score: 44

Tuesday, 22 July 2025

UK Number 40s: Kings of Pop - T.H.E (The Hardest Ever) (2012)

 


There was a time when a record would get played on the radio, music channels etc. to the point it was already old hate by the time it hit the charts. Nowadays a record generally isn't heard by the general public until the day it's released as a single.

This record is one of the reasons for that change. Gone were the days you needed a recording studio and a record deal to get your music out there, all you needed now was an internet.

"T.H.E (The Hardest Ever)" was a record from Will.I.Am, Jennifer Lopez and Mick Jagger. It was unleashed on the public before being released as a single and as a result anyone who heard it in theory could cover it.

This is what Kings of Pop did, they made a cover, recorded it and released it before the original version was released as a single. At that point in time the only way you could acquire the song was via an already released cover. Of course once the original came it, this cover no longer served a purpose. The 1.5k views on YouTube in over a decade more or less proves this.

As for who Kings of Pop are/were, no idea. I tried searching the internet but found nothing about them.

Monday, 21 July 2025

UK Number 40s: Snow Patrol - This Isn't Everything You Are (2011)

 


I was going to begin this post by saying it's now 10 years since the boom in indie music in the charts, but then I realised it's been 20 years. I was also going to say one of the big bands of that indie boom 20 years ago was Snow Patrol except they never had any Top 40 hits in 2005. If we go for a broader era of mid-00s then Snow Patrol were certainly one of the biggest indie bands in the charts.

They first formed in 1994 and became Snow Patrol in 1997. They made their Top 40 debut in 2004 with "Run" and were on their 3rd album by that point. By the end of the 00s they'd clocked up 11 Top 40 hits with 5 of them being Top 10s and included "Chasing Cars" which stayed in the charts for a long time.

By the time the 2010s came around indie music was going out of fashion. Instead artists from all genres were coming together to make electropop records which was the genre of the moment. When Snow Patrol were back in 2011 with a new album they reacted to this by putting out an electropop single with "Called Out In The Dark" which made a respectable number 11 in the charts.

Then came this record which was the indie sound we knew them for. Given that indie music was very much out of fashion by this point it was always going to struggle to make an impact on the charts and they've not had a Top 40 hit since.

It was following this single that Johnny McDaid became a full member of the band and he's since had great success as songwriter for other artists. There's been little in way of music output from Snow Patrol since, at the time of writing they have only released one further album and lead singer Gary Lightbody is the only original member that remains.

Sunday, 20 July 2025

Top 30 in 1999 Reviewed: Week 29

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


I'm surprised this record only made number 26 as this seemed massive at the time. It also re-entered the Top 40 in 2006 but only made number 39 at the time. I have mixed feelings on this one, on one hand you can feel the pain but on the other hand it's a bit namby pamby. Best give it half marks then.

Verdict - OK

If we give the records which were good 1 point each and those which were OK half a point, the final score is 10.5/30, or 35%. Just a slight drop this week.

Saturday, 19 July 2025

Popmaster TV: The End?

I'll start by saying I don't know whether it's been cancelled but my guess would be that it has. Series 4 was recently broadcast less than 6 months after Series 3 and shown across 9 consecutive weekdays.

I didn't know Series 4 was happening until it nearly finished and ended up watching all the episodes on catch up. Not only did this seem to be a low key affair this time I also hear that 12 Yard Productions who are behind the show are calling it a day.

For me this time I decided I couldn't be bothered to track my score which I normally do. What I do know is that if I made the grand final I wouldn't of won because the winning contestant got a full house and I didn't get a full house on the other set of questions.

I'm afraid the transition to TV hasn't really worked and I've heard several others say the same. I can think of a number of reasons why:

It's an hour long: I normally listen to the radio version on catch up and skip through the blurb. This means it takes around 10 minutes to listen to it. If I have a few days to catch up on I start to get sick of it after listening to 3 or 4 in a row. I get that it needs to be more than just the radio version with cameras but an hour does feel too long.

The modern questions: I get that music didn't end in 1999 but it's clear to see the contestants are generally clueless when it comes to music from the last 10-15 years. In 1999 many of us still had just 4 channels and would watch Top of the Pops each week. We knew what was number one in the charts. If you wrote a Popmaster style quiz that only featured music from the 2020s and the contestants were in the 18-25 age bracket I'm almost certain the scores would be really low.

Scoring distribution: If you're good at years there's 5 points up for grabs, if you're good at lyrics there's 48. In Links and Video Gaga there's a maximum of 12 and you have to rely on your competitors being wrong to score more than 12 on Mixtape. So in theory you could have a perfect score on Links, Video Gaga, Mixtape and Year and end up with 41 points, 7 less than you can score on the lyrics round alone.

How does one reach the final?: There were 8 heats but just 5 finalists. We know it's to do with the score in Original Popmaster but if say you are runner up in your heat but get a better score than the winners in all the other heats, do you reach the final or not? I know the 2 finalists in the grand final got 30+ scores in their heats but I'm pretty certain more than 3 contestants got 24. How do you determine which ones went through? is 3 in 10 a factor? None of this is made clear.

Mistakes in questions: There was the question "What was Amy Winehouse's Top 40 debut in 2003?" the answer was "Rehab" but this came out in 2006. Small error maybe but when you consider her debut single that didn't make the Top 40 came out in 2003 it can be confusing. Likewise the question "Who had a hit with Fake Plastic Trees in 2005?", answer was Radiohead but it was 1995 and someone could of done a cover in 2005. 

Difficult to play along: Part of what makes the radio version so successful is that you can play along at home. The question is always asked in full before the contestant answers. On Intros, Middles & Ends there's often a contestant who buzzes in after hearing the first note meaning you're not likely to get it without being as quick as them. In the year round if the contestant guesses after 1 clue it's hard to come up with your own answer if you need 1 or 2 more clues. On the final 2 mixtape questions when a place in the next round is at stake a contestant can take the gamble by buzzing in before the question is properly asked.

Low scores in final round: I will concede Original Popmaster is more difficult than the radio version but it's not Champions League level. When you get that contestant who's good at lyrics or identifying a song after 1 note and clocks up enough points to get to the final only to find their general music knowledge isn't that great and they score 9 it doesn't really seem fair. 

If it does return I'll probably still watch it. I've probably blown any chance I had of being selected to go on with this post but on reflection I'm not sure I would of wanted to go on and am unlikely to apply again.


Friday, 18 July 2025

Dutch Top 40 1995: Week 29

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Secret Garden - Nocturne

This is a record I would of heard in 1995 though I have no recollection of it. The reason is because 1995 was one of the rare occasions when I watched the Eurovision Song Contest and this was the winner. It represented Norway, though of half of the duo is Irish. We had Love City Groove representing the UK that year and I remember it sounding much more modern than anything else in the contest. It still does sound much more modern than this.

Van Dik Hout - S Nachts In Mijn Dromen

Another Dutch act singing in Dutch. Van Dik Hout were a guitar band whose Dutch Top 40 career spanned 15 years from 1994 to 2009. It however only produced 8 hits and they never got higher than 21. This was hit number 3 and their sole Dutch Top 40 hit of 1995. I quite like it.

Dana Winner - Westenwind

It wasn't just Dutch acts with Dutch Top 40 hits that were sung in Dutch, there were Belgians too. Dana Winner was one of these Belgian and this was her only Dutch Top 40 hit. It's a slow number though not quite a ballad.

Thursday, 17 July 2025

January Charts: 1967

Here are the new entries ranked from best to worst:


It would seem that Beatlemania is over and Monkeemania has began. The Monkees made their Top 40 debut with "I'm A Believer" and just 2 weeks later they followed up with "Last Train To Clarksville". They're proof that you can still make decent music if you're a manufactured band.

Although The Beatles did release "Sgt Peppers" in 1967 their remarkable singles chart record did take a dip in 1967 when they failed to top the charts for the first time with the singles they released since their 2nd hit in 1963. The record keeping The Beatles off was "Release Me" by Engelbert Humperdinck. Quite why that single was so successful I don't know, it sounded rather old fashioned for it's time.

The only act from Liverpool in this batch is Ken Dodd who was charting before The Beatles and was never part of that scene. It's the only record worst than the Engelbert Humperdinck one.

Blue-eyed soul was popular in January 1966 but nowhere to be seen in January 1967. We do have 3 Motown records though with the best one being "Standing In The Shadows Of Love" by The Four Tops. We have the Top 40 debut of Marvin Gaye who became the 9th Motown act to make the UK Top 40 along with Kim Weston who we wouldn't see in the charts again. Then there's a solid effort from Stevie Wonder with "A Place In The Sun".

This was the only January The Rolling Stones had a new entry and it's one of their better efforts with "Lets Spend The Night Together". Another blues rock record in there is "I'm A Man" by the Spencer Davies Group which was their final Top 40 hit with the Winwood brothers as members.

We had the chart debut of fellow Birmingham band The Move with "Night Of Fear". This music was known as Freakbeat which is described as bridging British Invasion R&B, beat and Psychedelia. 

Once again I find most of the records at least listenable and we do have some outstanding records near the top countered by a couple of dreary ballads down the bottom.

Score: 52

2001: The Good Old Days? - February

It was February 2001 when Ash came back with "Shining Light" and predicted that 2001 would be the year of rock music. Taking that statement to mean guitar music it certainly didn't become the prominent genre like it would in the mid-00s but then we're yet to see how it compares to what came immediately before.

There was however a song from U2 which I considered to be good enough to buy the single which was "Stuck In A Moment You Can't Get Out Of". It was one that just flowed. At the time much was made about U2 being old, more complimentary about how a band so old could still be relevant. Now I'm older than any of the U2 members were at the time.

Sticking with the guitar music and bands from Ireland we have "Snow" by JJ72, not a household name and this was their highest charting single that made number 21 but they were pretty good.

I predicted it would be the year of hard house, but this was the last month we had more that one hard house new entry in a given month. There were 2, "Blood Is Pumpin'" by Voodoo & Serano which gets full marks and "We Will Survive" by Warp Brothers which gets half.

There were also 2 UK garage records this month, "Boom Selection" by Genius Cru which I like despite it being MC driven. It's on a Timmy Magic tape I used to listen to a lot at the end of side 1. At the end of side 2 on that tape is "My Desire" by Amira which is the other UK garage new entry this month and I like this one too.

Trance music wise we have "Played A Live (The Bongo Song)" by Safri Duo which is a good instrumental number. There's "Chasing the Sun" by Planet Funk which is better known for it's association with darts these days that has some vocals but not enough to ruin it. The remaining trance records are ruined by vocals including "Synaesthesia (Fly Away)" by Thrillseekers featuring Heather Deane which started life a a decent instrumental.

The best record though is "The Next Episode" by Dr Dre & Snoop Dogg. It's been played to death now but I remember how much I liked this record at the time. Nate Dogg is an uncredited vocalist on that record but he is credited on another record this month which is "Oh No" alongside Mos Def and Pharoahe Monch which I also like.

R&B singer Joe had perhaps his best known record of the 21st century "Stutter" and I own the album on which it appears. Mya had her first solo record "Case of the Ex" which has a great backing track. Not seen keen on efforts by Usher and Debelah Morgan which sound more pop.

Onto the worst record and that goes to Atomic Kitten. This was their last chance saloon, had this flopped they would have been finished and even though Kerry Katona left the group at the time of this single she may have not had the opportunity to become famous for the sake of being famous. Unfortunately it topped the charts.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):
 

Score: 41%

Here's a look at the chart:


This means at least half the months of 2001 score over 30%, only one month after Jan 2002 manages this. It's looking like we've found the good old days.