Friday, 30 May 2025

Dutch Top 40 1995: Week 22

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

DJ Paul Elstak - Luv U More

This was the tune that made me familiar with the name Paul Elstak. It was played a lot at the raves in 1995, particularly by DJ Sy. Later on in the year you started to hear a different mix being played more, or so I thought. The vocals from this tune come from the record of the same name by British electronic act Sunscreem who had a UK Top 40 hit with it in 1992. With Paul Elstak having huge success in Holland with this record, the British DJs did what they'd always do: make their own version. So the tune I was hearing in late 1995 was in fact Juicy Cuts Vol 1.

Normaal - Now En

Normaal were in the Dutch Top 40 at the beginning of 1995 but this was their only record to enter the Dutch Top 40 in 1995. To recap Normaal were a Dutch rock band who had been around since the 70s and were in the latter stages of their Dutch Top 40 career. 

Little River Band - Forever Blue

Speaking of 70s rock bands, here's another one. Not a Dutch one though, Little River Band were from Australia. They had several hits in Australia and New Zealand as you might expect. They also managed to crack America, but not the UK. It would seem the only other country they had chart success was Holland. In fact by the time of this record their chart career was over in every country except Holland where this was their final hit.

Mark Oh - Randy (Never Stop That Feeling)

It was in May 1995 when German DJ/producer Mark Oh was having his only UK Top 40 hit with "Tears Don't Lie", a sort of happy hardcore take on "When A Child Is Born". In Holland though that record had been and gone and he was having his 3rd hit with this. He did go onto have a 4th Dutch Top 40 hit but that came in 1996 so sadly this is where we say goodbye to Mark Oh.

Rednex - Wish You Were Here

Rednex topped the UK charts with "Cotton Eye Joe" and followed up with the almost identical "Old Pop In An Oak" and that was the last we heard of them. In Holland though, and indeed several other countries they had a 3rd hit. As is the trend with a lot of pop acts, their 3rd hit was a ballad. When I first heard this I thought how the fuck is this the same band. It topped the charts in some countries, and being Swedish it probably comes as no surprise to hear this was produced by Denniz Pop and Max Martin.

Thursday, 29 May 2025

January Charts: 1960

Here are the new entries ranked from best to worst:


I guess in theory my number one record in this batch wouldn't sound out of place in 1953 because that's the year The Drifters formed. However this was their UK chart debut and already they had no original members remaining. The singer was Ben E King, but he'd be gone himself by May. If I had to pick a genre from around this period to listen to then doo-wop would probably be it. The 2 doo-wop records from this batch are this and "Harbour Lights" by The Platters which I like but they've done much better.

2nd placed Marty Robbins was also making his UK chart debut but he first hit the USA Country Charts in 1952. Again this record wouldn't sound out of place a few years prior but I do like the story telling.

The genre name that best sums up many of these records though is pop. Not in a traditional sense like the earlier charts but pop music for a younger audience that one may consider to be too light and fluffy to be rock n roll.

The "pop" records vary from the uplifting and fun records such as "Pretty Blue Eyes" by Craig Douglas and "Too Good" by Little Tony to the rather dreary "Why" in 2 different versions by Anthony Newley and Frankie Avalon and "Too Young" by Bill Forbes. Incidentally the latter 2 were covered in the 70s by Donny Osmond.

As for the actual rock n roll records, they tend to hover around the mid-table with "Hallelujah I Love Her So" by Eddie Cochran being the best of them. 

Sitting above the rock n roll records is "La Mer (Beyond The Sea)" by Bobby Darin which I'm surprised came out as late as 1960 as it has 50s written all over it to me. It was however recorded in 1958. It's one of those songs I like because I've always known it.

There's no instrumental rock in this batch with January being the only month of the year where there weren't any new entries from that genre. The only instrumental record is the jazz record "Summer Set" by Mr Acker Bilk And His Paramount Jazz Band which I can appreciate but just find boring.

We have a double dose of Cliff Richard this month and I can't be doing with either record.

Although the 60s we know and love hasn't truly began yet it does feel like the music is still evolving in some respects. As as result we have the best score so far, just.

Score: 38

2001: The Good Old Days? - September

In September 2001 I was given a pass that got me free entry into a club in Newcastle where I was living at the time on it's rap and R&B night. Unfortunately I didn't get to use it because most of my friends in Newcastle were into indie music so being in the minority meant I was joining them at the indie club rather than them joining me at a rap & R&B one.

We have a similar number of indie records entering the Top 40 in September as we do rap and R&B but the latter is only slightly better in terms of quality. 

Indie wise I like "Bliss" by Muse which I wasn't expecting and also like "Let Robeson Sing" by the Manic Street Preachers. I also thought that "FEAR" by Ian Brown was alright. I can't remember if I heard any of these at the indie club or not.

Onto the rap, we have drum & bass DJ Adam F entering the rap world with Redman with "Smash Sumthin'" which is good. We have Ludacris and Nate Dogg with "Area Codes" which was very much one I was enjoying at the time. 

The best record though is a rapper with a non-rap single which was his only UK Top 40 hit. That was "Follow Me" by Uncle Kracker, the DJ for Kid Rock going solo. If you listen to his "Double Wide" album pretty much all the other tracks are rap and I'm sure some people were taken by surprise about that.

Nelly Furtado had her 2nd Top 40 hit with "Turn Out The Light" which is good. Artful Dodger were known for doing garage but their album had an R&B track called "Twenty Four Seven" which they released as a single with a different vocalist. Again it's full marks.

Speaking of garage we have a decent record from DJ Luck & MC Neat with "I'm All About You". The other ones come from Ed Case & Sweetie Irie with "Who" and Maxwell D with "Serious" which both fall into the contributed to the demise of garage category.

Dance music is the most prolific genre this month and the quality once again is a mixed bag. For trance we are saying instrumental trance is good and vocal trance is crap. There is a really good vocal house record though in "Finally" by Kings of Tomorrow.

Onto the worst record then which goes to Little Trees with "Help I'm A Fish". Normally I have a bit of lenience when a record is clearly intended to be crap, but this is so bad it just has to be the worst record.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 29%

Here's a look at the chart:


What we can say is that 2001 has a better September. October, November and December than those months in the years that followed. 

Tuesday, 27 May 2025

UK Number 40s: Cliff Richard & The Shadows - Singing The Blues (2009)

 


Cliff Richard became the fourth artists to have 2 number 40s with this record after Queensryche, Saint Etienne and Primal Scream. He was also the first to have 2 number 40s plus number 1 hits.

He was considered old hat by the 60s but the hits kept coming for him. This was where his run of Top 40 hits finally came to an end with this being number 124. 

Monday, 26 May 2025

UK Number 40s: Livvi Franc featuring Pitbull - Now I'm That Chick (2009)

 


Although this record only made number 40, it was a big moment for the charts and a sign of things to come. Not Livvi Franc though, this was her only Top 40 hit to date.

It was however a sign the the dominance that electropop music would have in the Top 40 and that every other electropop record would feature Pitbull. This was the 2nd Top 40 hit for Pitbull but the first he did in collaboration with others like the majority of his Top 40 hits.

The actual title was "Now I'm That Bitch" but had been changed to be more radio friendly. After it only made number 40 it seemed they stopped bothering as a search for "Now I'm That Chick" into YouTube brings back "Now I'm That Bitch".

How do I know these chart acts: Part 4

I've now identified the 13 biggest chart acts who debuted prior to 1987 in terms of number of Top 40 hits whose music I never heard pre-internet. All of them have had 17 or more Top 40 hits but I came across the other 107 via other means. I'm going to keep on going with this, the ones I relied on the internet to hear are in red:

Max Bygraves: I tried to name a Max Bygraves record without looking but couldn't. All I know is he was a comedian who made novelty record mostly in the 50s. I can however establish a time when I first heard his music. Around 15 years ago I discovered a now defunct website called Chart Stats which had every weekly chart since it began in 1952. I thought I'd listen to every Top 40 hit ever starting at the beginning but I don't think I made it beyond 1953. Max Bygraves was in that first ever chart.

Fats Domino: I remember a friend playing me his music and calling it proper R&B.

Little Richard: I feel like I've always known "Tutti Frutti" and have a memory of hearing it when I was very young at a village fete but I already knew what it was and who it was by then.

Ricky Nelson: Remember "Hello Mary Lou" on an advert and learned some years later that it was written by Gene Pitney.

Bobby Darin: Have known "La Mer (Across The Sea)" for as long as I can remember.

Neil Sedaka: Remember "Oh Carol" from a young age, not sure when I learned it was Neil Sedaka but pretty sure it was before the internet.

Sandie Shaw: Countless BBC shows throughout my life have pointed out that "Puppet On A String" won Eurovision.

Barbra Streisand: Always known her as the one who sings the dreary songs from musicals.

Marvin Gaye: On his collaborations with Diana Ross which my mother used to play.

Aretha Franklin: My memory doesn't stretch as far back as "I Knew You Were Waiting" topping the charts but it was still being played regularly on the radio once my memories do begin.

Fleetwood Mac: In 1988 when "Everywhere" was in the Top 40.

John Lennon: He was on the Now Christmas Album and I learned to play "Imagine" on the piano when I had lessons.

Carpenters: First properly appeared on my radar when I heard the guitar solo on "Goodbye To Love".

Stylistics: My mother was a fan and played them at home.

Roxy Music: I definitely was still at school when I saw the video to "Jealous Guy" and remember thinking Bryan Ferry looked like a school headmaster in it.

Leo Sayer: I heard "You Make Me Feel Like Dancing" in the 90s thinking it was the Bee Gees but later discovered it was Leo Sayer.

Bob Marley: Heard the name before the music and when "Iron Lion Zion" charted in 1992 I finally heard one of his songs.

The Clash: When "Should I Stay Or Should I Go" topped the charts in 1991.

Elvis Costello: The first Elvis I'd heard of, "Oliver's Army" was played on the radio all the time.

Ultravox: Would have definitely heard "Vienna" pre-internet and the story of how it was denied number one by a novelty record.

Human League: Very difficult to not know "Don't You Want Me".

The Smiths: First heard the name when my guitar teacher told me they were his favourite band. Seen footage of "This Charming Man" on Top of the Pops many times.

Guy Mitchell: A bit like Max Bygraves he mostly did novelty records in the 50s and was in the first ever chart. Unlike Max Bygraves though he wasn't a comedian and had a couple of chart toppers that I would have listened to in the early days of YouTube.

Doris Day: Have known "Whatever Will Be" for as long as I can remember.

Winifred Atwell: Heard the name long before the internet but didn't hear any of her music until the early days of YouTube when I listened to her 2 chart toppers.

Frank Ifield: Don't think I even knew the name until I listened to his 4 chart toppers in the early days of the internet.

Bob Dylan: The first actual song I learned to play on the guitar was "Mr Tambourine Man".

The Sweet: "Ballroom Blitz" was played on the radio all the time.

Thin Lizzy: "The Boys Are Back In Town" appeared on the Gladiators in the early 90s but I already knew the song by that point but didn't know who it was by until later, though can't remember when.

Mud: "Lonely This Christmas" is on the Now Christmas Album and I've always known "Tiger Feet".

Bryan Ferry: "Let's Stick Together" was on Now 13.

Boney M: There was renewed interest in them in 1992 and a megamix made the Top 40.

Billy Joel: In 1989 when "We Didn't Start The Fire" charted.

Big Country: When "Republican Party Reptile" appeared on Pebble Mill in 1991, the song title stood out.

Style Council: "Groovin" used to get played a lot and I discovered it was the Style Council when I bought a compilation in 2001.

Paul Young: In 1991 when he charted with "Senza Una Donna".

Five Star: Caught the tail end of their Top 40 career though can't pinpoint any song, they still all merge into one today.

How do I know these chart acts: Part 3

I've now established there's 6 music acts who made their Top 40 debut before 1987 and went on to have more than 20 Top 40 hits whose music I'd never heard before the internet. I'm going to continue looking at the next biggest chart acts according to number of hits with those who I relied on the internet to hear in red:

Alma Cogan: Straight away we have another. Alma Cogan clocked up 20 Top 40 hits between 1954 and 1961 and passed away in 1966. Amongst those was the chart topper "Dreambeat" which I would have listened to in the early days of YouTube.

Petula Clark: "Downtown" is a record I feel I've known all my life and I have a vague memory of it being referred to as a Petula Clark song on the TV.

Andy Williams: When "Music To Watch Girls By" was rereleased in 1999 after it appeared on an advert I believe.

Dusty Springfield: In 1987 when she collaborated with the Pet Shop Boys on "What Have I Done To Deserve This".

Herman's Hermits: Feel like I've always known the band name and the songs "I'm Into Something Good" and "No Milk Today" and think it all came together on the TV some time.

Gladys Knight & the Pips: In 1989 when she did "Licence To Kill", I remember listening to the Top 40 countdown when it entered the Top 40 at number 40.

T Rex: In 1991 when "20th Century Boy" re-entered the charts under the name Marc Bolan & T Rex.

Level 42: In 1988 when they charted with "Heaven In My Hands" which is also on Now 13.

Lionel Richie: Certainly by the time he charted with "My Destiny" in 1992 but sure I'd heard of him before that.

Buddy Holly: Feel like I've always known about the young guy with glasses who died in a plane crash in 1959 and can trace memories of "Peggy Sue" back to early childhood.

Brenda Lee: Have heard "Rockin Around The Christmas Tree" every Christmas of my life.

Dave Clark Five: I'm trying to think of what music of theirs I'd heard pre-internet and can't think of any. Therefore it would have been their chart topper "Glad All Over" in the early days of YouTube.

Cilla Black: I used to watch her present Blind Date and Surprise Surprise and remember her singing on the latter.

David Essex: A name I knew for years before I knew his music, then I discovered it was him who did "A Winters Tale".

Gary Numan: In 1987 when did charted with "Cars (E-Reg Model)". I learned about the car reg at the same time.

Kim Wilde: In 1988 when she charted with "You Came".

Bruce Springsteen: Can't pinpoint a particular song but remember him being the man playing in front of what seemed like millions of people in all of his music videos.

David Whitfield: He's not had a Top 40 hit since 1958 and I would speculate his music even sounded old fashioned back then. He topped the charts with "Answer Me" and "Cara Mia" so I would have listened to these in the early days of YouTube.

Ronnie Hilton: I'd never heard of him until I listened to his only number one "No Other Love" in the early days of YouTube. Most of his hits came in the 50s but he had a brief comeback in the mid-60s with his final hit being "A Windmill In Old Amsterdam" which I've known since I was a kid, I just didn't know who it was by.

Russ Conway: Another act whose number ones I would have listened to in the early days of YouTube. 

Ken Dodd: I knew he was a comedian who had hits but I'd not heard any of them until I listened to the chart topper "Tears" in the early days of YouTube.

Lulu: I can't remember a time when I haven't known "Shout".

Temptations: When they rereleased "My Girl" in 1992 for the film of the same name.

Olivia Newton-John: When the "Grease Megamix" charted in 1990.

Gary Glitter: When I saw him do "I'm the Leader" on Sounds of the 70s TV show though I already knew "Another Rock n Roll Christmas" from the Now Christmas Album.

The Jam: Can't remember a time when I didn't know "Going Underground".

Siouxsie & the Banshees: When they charted with "Kiss Them For Me" in 1991.

Kool & the Gang: Most likely when I heard the original of "Celebration" having heard the Kylie Minogue cover first.

A-Ha: Not sure which song but very much remember them being around in the late 80s.

Dean Martin: A bit like Frank Sinatra he'd just always been there.

Tommy Steele: Interesting how most of these acts I'd never heard pre-internet had number ones. Tommy Steele was one of those who I would therefore listen to their number one in the early days of YouTube.

Drifters: Probably "Saturday Night At The Movies" which has always been around.

Four Seasons: Not to be confused with the Four Tops or the classical piece of the same name which is what I did at a young age. Hard to pinpoint the first song of theirs I heard as several have just always been around.

Bachelors: Their music appeared on an episode of Only Fools and Horses.

Manfred Mann: Probably "5-4-3-2-1" on the advert for the chocolate bar of the same name. Also remember them appearing a lot on Sounds of the 60s.

Eric Clapton: When "Wonderful Tonight" charted in 1991.

Barry White: When he had a brief chart comeback in 1995.

Blondie: I remember "Heart of Glass" from a very young age.

Meat Loaf: Before his 90s chart comeback I used to hear "Dead Ringer For Love" a lot.

Police: Used to hear "Every Breath You Take" a lot and remember learning that it was the band Sting used to be in.

OMD: When they charted with "Sailing on the Seven Seas" in 1991.

Spandau Ballet: Can't recall a time when I didn't know "True" or "Gold".

Tears For Fears: Remember "Shout" from a very young age.

Sunday, 25 May 2025

How do I know these chart acts: Part 2

Yesterday I established that Frankie Vaughan was the biggest chart act that I'd never heard of prior to the internet. The criteria was chart acts who made their Top 40 debut before my music memories begin in 1987 ranked by number of Top 40 hits they'd had. Frankie Vaughan was 38th on that list with 29 Top 40 hits to his name.

I quite enjoyed have a think about how I'd first come across each act so I thought why stop there. Here's the next batch with the ones I'd never heard the music of pre-internet in red:

Shirley Bassey: No specific memory of when I'd first head of her but sure it was to do with her singing James Bond songs

The Shadows: The first song of there's I'd heard was "Let Me Be The One" which was on a 70s compilation my mum had. Sounds nothing like a Shadows record really.

The Hollies: When they topped in the charts in 1988 with "He Ain't Heavy He's My Brother". Incidentally they also had a song on the 70s compilation mentioned above with "I Can't Tell The Bottom From The Top".

Perry Como: "Magic Moments" is one of those records I've always known. He was also on the above 70s compilation with "And I Love You So".

Four Tops: When "Loco In Acapulco" charted in 1988. I thought they were a modern group at the time.

Beach Boys: When they did "Wipeout" with the Fat Boys in 1987. They were also on the Now Christmas Album with "Little Saint Nick".

Cher: When she charted with "If I Could Turn Back Time" in 1989. 

Electric Light Orchestra: I knew the name long before I knew any songs. I was aware they'd topped the charts collaborating with Olivia Newton-John but the first song I remember hearing was "Living Thing" in the late 90s when it was on a tape that got played at the shop I was working at. 

Abba: My mum was a fan and played them all the time.

Madness: When "It Must Be Love" returned to the charts in 1992.

Bryan Adams: The summer of 1991 when it was impossible to avoid him.

Frankie Laine: Whilst Bryan Adams holds the record for most consecutive weeks at number one, Frankie Laine holds the record with most overall weeks with "I Believe". Knowing this fact made me intrigued by this record and I think it was pointed out to me when it appeared on the radio.

Pat Boone: We have the 2nd biggest chart act who I'd first heard via the internet. I think I already knew the name but even to this very day I'd struggle to tell you much about his music. He topped the charts in 1956 with "I'll Be Home" so I would have listened to this in the early days of YouTube when I listened to all the number ones I didn't know. His Top 40 career was over by 1962.

Billy Fury: Another chart act I first came across on the internet. He had no number ones though so would have come later than Frankie Vaughan and Pat Boone. He was at his chart peak in the early 60s before The Beatles came along. I've played a few of his songs but can't remember which was the first and when it was.

Donna Summer: In 1989 when she charted with "This Time I Know It's For Real"

Phil Collins: In 1988 when he topped the charts with "A Groovy Kind Of Love" which was also on Now 13.

Jackson 5: Pretty sure it was "Blame It On The Boogie". When Big Fun did their cover in 1989 I read in Smash Hits that it was written by Michael Jackson (turns out not that Michael Jackson) but was then told they originally did it in the 70s and heard it some point after that.

Hot Chocolate: They were on the 70s compilation I've already mentioned with "You'll Always Be A Friend".

Slade: On the Now Christmas Album.

Kate Bush: When she charted with "The Sensual World" in 1989.

New Order: When "True Faith" charted in 1987.

Bananarama: "I Can't Help It" was on Now 11 and I remember Siobhan leaving the group around the same time

Simple Minds: I was surprised to discover "Alive and Kicking" came out in 1985 so I wouldn't of remembered it charting but very much associate it with my early music memories.

Eurythmics: Their popularity was in decline by 1987 but I do remember the odd looking duo of a woman with short hair singing and a bearded bloke staying quiet in the background. I think "You Have Placed A Chill In My Heart" was the first song to register.

Adam Faith: A name I'd heard long before the internet but never heard any of his music until YouTube became a thing. His first 2 hits topped the charts so I listened to them in the early days of YouTube. 

The Who: Heard about them smashing up their instruments first and then saw them do that very thing on "Sounds of the 60s" in the early 90s though I can't remember which song they played. 

Showaddywaddy: They used to play "Hey Rock and Roll" on The Gladiators in the early 90s

Sting: We used to have a local radio station on at breakfast time and "Spread A Little Happiness" was played on it a lot.

Connie Francis: The 5th act I first heard on the internet. What all 5 acts have in common is that they were all around in the 50s. She had 2 number ones so would have heard them in the early days of YouTube.

Jim Reeves: My father was never really into music but one tape he did have was a Jim Reeves one.

Gene Pitney: When he did the remake of "Somethings Gotten Hold Of My Heart" with Marc Almond and topped the charts with it in 1989.

Stranglers: I remember "96 Tears" in 1990 without knowing who it was but first knowingly heard a song of there's when "Golden Brown" was on The Chart Show. Must have been one from the archives.

The Cure: I remember "Lullaby" coming out in 1989 and thinking that Robert Smith looked scary.

Marillion: Not until 2004 when they returned to the Top 40 after a long time away with "You're Gone". I remember much was being made of their comeback but I'd not heard of them before. That said I'm sure I'd heard "Kayleigh" prior to that.

Johnnie Ray: A name I'd heard before the internet but never heard his music until I listened to his 3 number ones in the early days of YouTube. He's another act who was around in the 50s but unlike the other 5 acts who I'd never heard pre-internet he have had a hit beyond the 50s.

Duane Eddy: I've known "Peter Gunn" for a long time but even now I'd struggle to name another of his records.

Kinks: Hard to pinpoint. I've known songs like "You Really Got Me" and "All Day And All Of The Night" for as long as I can remember and then some point realised they were by the Kinks.

Genesis: First aware that Phil Collins was also in a band and probably when I discovered "Invisible Touch" wasn't a Phil Collins record.

AC/DC: When I was into rock/metal in the early 90s and they were one of the legendary old bands we could appreciate. Would guess the first one I heard was "Highway To Hell".

Top 30 in 1999 Reviewed: Week 21

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


Pavement are one of those bands who appear to be big in America but not really having much impact in the UK. From a Top 40 perspective they had just 2 hits, and this one was the biggest one at number 27. I can see why Americans would take to this song more than the UK, but I think it's pretty good.

Verdict - Good


Happy Mondays were one of the big Madchester bands of the early 90s but then they broke up and then reformed at the end of the 90s with this being their comeback single. It's a cover of the Thin Lizzy record with a few expletives added to it. It's a bit of a questionable comeback single, but it's not too bad. The original is miles better though.

Verdict - OK


1000 Clowns were a rap group saying they weren't the greatest rapper. It was their only UK Top 40 hit. They are right that they aren't the greatest rappers, but you don't have to be to make a good record. Unfortunately they didn't achieve that either.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 13.5/30, or 45%. Now we're slipping.

Saturday, 24 May 2025

How I know these chart acts

Inspired by yesterdays post about being perceived as too young to know bands from before I was born it got me thinking: Who is the biggest chart act I only know because of the internet?

To quantify this I looked at the acts who with the most Top 40 hits who made their Top 40 debut prior to 1987 which is when my memories of the charts etc. begin. With each act I asked the question how did I first come across their music? 

With some it's easy to pinpoint, others not so much though I clearly knew them way before the internet. Here we go:

Elvis Presley: I'd heard of Elvis Costello first but it wouldn't be long after that I was familiar with Elvis Presley. Songs like "Hound Dog", "All Shook Up" and "Blue Suede Shoes" were played a lot and it didn't take long to piece it all together.

Cliff Richard: I clearly remember "Mistletoe & Wine" being Christmas number one in 1988 but I remember "Summer Holiday" as far back as I can remember before knowing who it was.

Elton John: My first Now was Now 11 in early 1988 and "Candle In The Wind" was on it.

Madonna: I remember "Who's That Girl" topping the charts in 1987.

David Bowie: I knew "Under Pressure" by Queen and someone told me he was also singing on it.

Status Quo: Whilst my music memories don't properly begin until 1987 I have a vague memory of singing "In The Army Now" in the school playground in 1986.

Queen: First memory of band accompanied with song was "I Want It All" in 1989 but already knew "Thank God It's Christmas" from the Now Christmas Album and knew "A Kind Of Magic" with is still being relatively fresh in 1987.

Michael Jackson: Remember seeing the video to "The Way You Make Me Feel" and thinking Michael Jackson looked a bit like a woman.

Paul McCartney: Clear memory of "My Brave Face" coming out in 1989 but already knew "Wonderful Christmastime" from the Now Christmas Album and pretty sure I knew "The Frog Chorus" too.

Rod Stewart: I remember "Downtown Train" charting in 1990 but pretty sure I was already familiar with him by that point.

Rolling Stones: In 1989 when "Mixed Emotions" charted. I also remember The Stone Roses around the same time and thinking the bands had similar names.

Diana Ross: My mum was a fan and played her music quite extensively.

Depeche Mode: Remember "Personal Jesus" charting in 1989. It was around the same time I learned there was a band called Jesus & Mary Chain.

Pet Shop Boys: Easy to pinpoint, "It's A Sin" was the first song to have a real impact on me in 1987.

Stevie Wonder: I'm told that when I was too young to remember anything I used to get up in front of my family and sing "I Just Called To Say I Love You". It's a wonder I wasn't put off music for life.

U2: They had some big hits in 1987 that I may or may not remember at the time but I have a clear memory of "Desire" topping the charts in 1988.

Prince: In 1989 "Batdance" was the first song I taped off the radio without any assistance.

UB40: "Breakfast In Bed" was on Now 13.

Janet Jackson: Remember learning that Michael had a sister who also made music. Pretty sure "Lets Wait Awhile" was the first I know but the timeline would suggest this was after it charted, maybe in 1988.

Bon Jovi: Hard to pinpoint a particular song but clearly remember them as a long haired band with shouting songs in the late 80s.

Frank Sinatra: Even harder to pinpoint. By the time he died in 1998 I was yet to use the internet and I'd been familiar with him for a long time, when exactly I'm not sure.

Tom Jones: When "It's Not Unusual" got back into the Top 40 in 1987.

George Michael: Remember "Faith" being a hit in 1987.

Erasure: "A Little Respect" was on Now 13 but pretty sure that wasn't the first I'd heard of them.

Shakin Stevens: I don't find his music that memorable but very much remember him being around in the late 80s. "Love Attack" in 1989 stands out to me more than others.

Whitney Houston: When "I Wanna Dance With Somebody" topped the charts in 1987.

Nat 'King' Cole: I'd heard of Natalie Cole first and it was during her late 80s chart run that I'd learned of her father. I remember their duet "Unforgettable" in 1991.

Iron Maiden: "Can I Play With Madness" was on Now 12.

Simply Red: When "It's Only Love" charted in 1989.

Roy Orbison: My first memory of him was that he died and then "You Got It" came out shortly afterwards.

Beatles: Hard to pinpoint, they've just always been there. The first member I became aware of was John Lennon and that he was dead. Later I discovered the man who did "My Brave Face", the man who did "Got My Mind Set On You" and the man who narrated "Thomas the Tank Engine" were also members.

Bee Gees: Perhaps an obscure first memory here, it was when "One" appeared on The Chart Show in 1989. I remembered Metallica having a record called "One" at a similar time.

Tina Turner: Clear memory of "The Best" charting in 1989.

Lonnie Donegan: "My Old Mans A Dustman" is one of those records I've always known.

Duran Duran: First song I remember was "I Don't Want Your Love" in 1988 but pretty sure I'd heard records like "The Reflex" prior to that as it would be on the radio a lot.

Everly Brothers: Songs like "Bye Bye Love" and "Wake Up Little Susie" have been on the radio as far back as I can remember.

Supremes: "Baby Love" was on a Diana Ross compilation my mother used to play.

Frankie Vaughan: We've finally got there, someone I'd never heard of before the internet. 29 Top 40 hits in a career spanning well over a decade including 2 number ones yet he's not someone you really hear about when it comes to the history of music. The first time I came across him was in the early days of YouTube when I listened to every number one that I'd never heard before.

There you have it then, the biggest chart act I only know because of the internet is Frankie Vaughan.

Friday, 23 May 2025

Too young for...

I recently sang "My Way" by The Sex Pistols at karaoke. Afterwards a man who saw The Sex Pistols back in the 70s came up to me and asked me how do I know The Sex Pistols. One would assume he's in his later 60s/early 70s and I'm in my 40s, so a notable age gap. I can also confirm that on the day that Sid Vicious died I was yet to be born.

Now had I been singing a song by The Adverts for example he may have had a point. If it wasn't for the internet or the Top of the Pops reruns I may not have heard of them. But The Sex Pistols? Even if I had no interest in music whatsoever I'm pretty certain I would still have heard of them such was the impact they had on the music world.

This was one of many examples of people not being able to comprehend the fact it is possible to know music from before you were born. The internet makes it easier than ever to discover old music but there are still countless older artists whose music I was familiar with way before the internet.

It could be argued that my music tastes are older than my years but the more I think about it I'm not sure that's necessarily the case. Take rave for example, my teenage music of choice. Throughout much of it I was too young to go to an actual rave and it was before I'd used the internet.

My route into finding this rave music was via other kids having tapes. It wasn't like it was music for people 5 or 6 years older than us, it was the music of the moment.

Another example of a music act someone once suggested I was too young for was the Pet Shop Boys. My memory of them begins with "It's A Sin" so it wasn't the start of their career but was still early on and admittedly I was very young at the time. One would call them an 80s act but they still proved to be popular throughout the 90s. In fact by the end of the decade they were so popular amongst the dance music fans in my age group that they headlined Creamfields festival.

It would seem that some people think a window opens up between where you're 18 and 25 and you should only listen to, or even be familiar with music acts that establish themselves during this window.

Think about it logically though. Around 18 months ago The Beatles topped the charts with "Now and Then". If you were 18 when they first broke through in 1962 then you would be 81 now. If only people in their 80s or older bought your records then you're not getting to number one.

Elton John did his farewell tour that was attended by over 6 million people. If you were 18 when he broke through in 1971 then you'd be 70 by the end of that tour. Again you're not getting anywhere near that number if only people in their 70s or older attended.

The most profitable music act to this very day according to a TV show I watched recently is Elvis Presley. If you were 18 when he broke through in 1956 then you would now be 87. Given this age is some way above life expectancy that means most people who were born in 1937 are no longer with us. Who are these people making Elvis so profitable then? Well it's those people who are too young for Elvis.

Dutch Top 40 1995: Week 21

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

T-Spoon - See The Light

Just the one record this week and it's hello again to T-Spoon who we previously saw in the 5th week. This is quite different to that record, or indeed his big UK hit "Sex on the Beach". This is a dance record and quite surprisingly it's not a particularly cheesy one. I would go as far as say it's credible as it does have pretty naff vocals.

Thursday, 22 May 2025

January Charts: 1959

Here are the new entries ranked from best to worst:


We've reached the end of the 50s which is largely unchartered territory for me. As the decade has gone on we've seen the inevitable increase in quantity of records thanks to more chart positions available. But what about quality?

Well if we start with the positives. The best record, "Smoke Gets In Your Eyes" is a well known classic with origins going back to way before the charts began but done in a style which was modern for it's time. The same could be said about "Baby Face" by Little Richard too.

We have an original composition in 3rd place from Buddy Holly which could also be labelled as a well known classic, but we all know what happened to Buddy Holly once we were in February.

Slim Dusty gives us a novelty record with "A Pub With No Beer" which gets it's high placing for the simple fact I find it funny. It was however a 2 year old record by the time it hit the UK charts.

Whilst we have a handful of records that sound modern for their time, I would say around half the records wouldn't sound out of place in 1953. Had the charts remained a Top 12 like 1953 then none of these records would feature because they charted below 12.

However that doesn't always make them bad records. The Frankie Vaughan record "That's My Doll" is one I'd consider old fashioned but is quite a fun record.

Then we have the inevitable record with multiple versions, "The World Outside". I was pleasantly surprised by the Russ Conway version, least of all because everything I've heard of his is a forgettable piano medley. The Four Aces version is almost as good, the Ronnie Hilton version not so good.

We have Cliff Richard charting in January for the first time and despite it being one of the more modern sounding records I find it bad enough to score a zero. It's not as bad as the novelty records from Max Bygraves and Alma Cogan below it.

Had this been a Top 12 then it would have scored higher than 1953. As it's a Top 30 though it doesn't.

Score: 32

As we've reached the end of the decade, time to look at the table so far:


I thought I'd go for a graph this time. The mid-table slump perhaps suggested that rock n roll needed to happen. Not a great deal of variation between the years though.

2001: The Good Old Days? - October

In May 2002 we went back into the UK garage era and every month we've gone backwards since we've had at least one UK garage new entry. In October 2001 there were 5 of them so we're really in the thick of it now.

We have "Sambuca" by Wideboys & Dennis G which I'm certain I heard long before this but good record nonetheless. We do however have the MC driven garage in "Course Bruv" by Genius Cru and "Bouncing Flow" by K2 Family which aren't so good. The Streets debuted with the garage record "Has It Come To This" which again isn't to my liking. Then jumping on the UK garage bandwagon is Liberty X with their debut "Thinking It Over" which consisted of Popstars contestants who didn't make it into Hear'Say. Again no points.

Mis-Teeq had their first R&B single with "One Night Stand" though it does have a garage section in it which pretty much makes the tune. There's some great beats by Dr Dre on "Family Affair" by Mary J Bliuge which again makes the tune. 

The best record of the month is also an R&B record which is "Where The Party At?" by Jagged Edge ft Nelly. It's the first proper tune on the "Jagged Little Thrill" album which is a great album.

One of the singles I bought this month was "It's Over" by Kurupt. Yes it does sound a bit childish but I do enjoy it. Lisa 'Left Eye' Lopes went in a similar direction with her solo hit "The Block Party" but I can't say I like that one.

We have "2 People" by Jean Jacques Smoothie, a record I bought on vinyl. It never really went with the other tunes I had on vinyl though which were more the harder side of dance music.

We had "Fat Lip" which was the debut Top 40 hit for Sum 41. It was a record which mixed punk with nu metal, not a concept I was keen on but I have to concede that I like it. Likewise we had "First Date" by Blink 182 which was very American high school but I do like it.

The worst record goes to Girls@Play with "Respectable". They were one of many short lived girl groups from around this time and it was a cover of the Mel & Kim record.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 31%

Here's a look at the chart:


If we look at the final quarter of the years we've looked at so far then 2001 is considerably better. 

Tuesday, 20 May 2025

UK Number 40s: Bill Withers - Ain't No Sunshine (2009)

 


Two questions are probably springing to mind here, did this really only make number 40? and did this really not come out until 2009?

The record was originally from 1971, a time when Bill Withers was yet to have a Top 40 hit in the UK. There was however a version by Michael Jackson that made the Top 10 in 1972. Bill Withers had his first Top 40 hit that year with "Lean On Me" and then with "Lovely Day" in 1978.

By 2009 a record could get into charts purely on downloads. On the TV show Britain's Got Talent one of the contestants sang "Ain't No Sunshine". That performance had enough of an impact for the general public to go and download the Bill Withers original version and as a result it made the Top 40.

Monday, 19 May 2025

UK Number 40s: Killers - Spaceman (2009)

 


One could argue that The Killers are the most successful UK chart act of all time. At the time you're reading this there is a good chance that "Mr. Brightside" is currently in the charts.

They made their Top 40 debut in 2004 with "Somebody Told Me". It was the time when indie music was starting to take over the UK charts. No doubt many people thought The Killers were British as a result, but they hail from Las Vegas which is a place I don't imagine people to actually come from, just a place where people holiday.

This record was originally released in 2008 but finally climbed to number 40 in 2009. With "Mr. Brightside"  seemingly ever present in the charts though it doesn't really matter how any other their other records are doing in the charts.

Sunday, 18 May 2025

Top 30 in 1999 Reviewed: Week 20

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


This was the Top 40 debut for DMX which was from his 2nd album "Flesh of My Flesh, Blood of My Blood". It's a pretty calm record by DMX standards, I guess that eased people in to his other material. I own said album and all his other early albums, so I was quite a fan.

Verdict - Good


This was the other hit for Barenaked Ladies and their final Top 40 hit to date. As mentioned with their big hit, they were an all male band despite their name. This was written by a different band member, but I can't help but think it's all been done in their big hit and I didn't like that one.

Verdict - Rubbish


There were a number of trance records that were by Ferry Corsten under different names. He'd already had a Top 40 hit as System F and now here he is alongside Vincent De Moor as Veracocha. It's the sort of record that would divide opinion, some would say it's good and euphoric and some will say it's crap and obvious. I'm one of those who likes it.

Verdict - Good

If we give the records which were good 1 point each and those which were OK half a point, the final score is 17/30, or 57%. The same as last week.

Thursday, 15 May 2025

January Charts: 1958

Here are the new entries ranked from best to worst:


This is really the first batch of records that tells me that rock n roll has properly arrived. The best record "At The Hop" is one of those records that I've known all my life that showcases how teenagers used to live in the 50s.

Instrumental rock has also arrived in the shape of "Raunchy" by Bill Justis, a record that's perhaps best known as the tune that George Harrison played when he auditioned to be in the Beatles.

Elvis Presley had 19 hits prior to 1958 but this is the first time he entered the charts in January and he did it twice. Chart topper "Jailhouse Rock" is the better known of these records and the better one in my opinion, though both are my least favourite of what I'd describe as being cool records for the time.

We have the debut of Sam Cooke which is "You Send Me", a pretty well known record that topped the American charts but only made number 29 here. It's one of 7 records that wouldn't feature if the charts were still a Top 20.

If it was still a Top 20 we'd only have 1 version of "Love Me Forever" which is the Marion Ryan version. However I prefer the Eydie Gorme version, though I don't particularly like either.

We would still have all 3 versions of "The Story Of My Life" if it was still a Top 20. It was the first Burt Bacharach and Hal David composition to make the UK charts but none of the versions were the original. Michael Holiday had the chart topper and once again we have Gary Miller providing an alternative version of a song. None of them are to my liking.

Down the bottom we have "Bye Bye Baby" by Johnny Otis Show which I guess you could describe as being the 50s equivalent of Jive Bunny.  Not quite bad enough to give a zero to but it was close.

Overall I'd say the positives are rock n roll and the negatives are the same songs being repeated.

Score: 36

Dutch top 40 1995: Week 20

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Frans Bauer - Waarom Heb Jij Mij Verlaten

We say hello again to Frans Bauer who we first saw in the 2nd week. Here we have a record that sound just like the hit he had in that 2nd week. We'll be seeing him again, the question is will his next hit sound the same too.

Lick ft Kentucky Martha - I'm The Girl Of Your Dreams

Lick is a Dutch act who never had a UK Top 40 hit, but it's 2 members had hits by other means. They were Peran Van Dijk who had a minor Top 40 hit with "Good Time" in 2002 under the name Peran. Then there was Wessel Van Diepen, one of the men behind Nakatomi, Vengaboys and Alice Deejay. Kentucky Martha is a Dutch drag queen. As you can imagine then, this is a cheesy Eurodance record. It was their 2nd and final Dutch Top 40 hit.

2001: The Good Old Days? - November

We've already established that we're now back in the era when dance music was big in the charts. There were no shortage of dance records in November 2001. However there were more rap and R&B records so this is where we'll start.

The only rap or R&B record to get full marks that I didn't buy the album of is "Ugly" by Bubba Sparxxx. The ones I do own as part of the albums are "Fight Music" by D12, "Livin It Up" by Ja Rule ft Case, "Letter 2 My Unborn" by 2Pac and "Fallin" by Alicia Keys.

That's all the rap records getting full marks but just the one R&B record. The rest of the R&B records all get zero even though these were the early days of me declaring myself as an R&B fan. With the likes of Destiny's Child having hits though it shouldn't be too much of a surprise.

I got into R&B off the back of being into UK garage. This month there were 2 UK garage records but neither were any good and part of the reason for the genres demise. We have "They Don't Know" by So Solid Crew which needs no further explanation. Then we have "Messin" by Ladies First, a girl group jumping on the garage bandwagon.

Trance music is a mixed bag. There's a zero for vocal records "Stay With Me" by Angelic and "Dreams" by Miss Shiva. The vocal record "Underwater" gets half a mark though. Instrumental trance record "The Legacy" by Push gets full marks.

There isn't a bad house record this month and that includes "Rapture" by IIO which I do like despite the fact it appeared to inspire a lot of vocal rubbish in later years. We also have "Harder Better Faster Stronger" by Daft Punk which I could almost tell would be a single when I first heard it on the album.

It's not Daft Punk who give us the best record though, it's a record from the punk world. I'd bought Green Days "Warning" album the day it was released a year or so prior to this. I found the album to be disappointing but one exception was the track "Waiting" which was different in a good way.

The worst record comes from Cher. After her late 90s revival with her autotune nonsense it seemed like that phase was over by 2001. But then came "The Music's No Good Without You". Fortunately that was the end.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 28%

Here's a look at the chart:


It's looking more promising but lets see how the rest of the year pans out.

Tuesday, 13 May 2025

UK Number 40s: Status Quo - It's Christmas Time (2008)

 


It had been almost 51 years since Status Quo made their Top 40 debut with "Pictures Of Matchstick Men". This was single number 56 for them, at the time just Elvis Presley, Cliff Richard, Elton John, Madonna and David Bowie could have claimed to have more.

This was the only Christmas Top 40 hit they had and it followed that same Status Quo formula that we'd all become familiar with. 

Status Quo had been considered old fashioned for quite some time by this point. They were famously banned on Radio 1 in the mid-90s for that very reason. Yet here they were outliving many of those new mid-90s acts whose Top 40 career had long been finished by this point.

They weren't finished with this either. One more Top 40 hit came in 2010 which made them the first band to have Top 40 hits in the 60s, 70s, 80s, 90s, 00s and 10s.

Monday, 12 May 2025

UK Number 40s: Pudsey's Beautiful Dreamers with The Tartan Army - We Have A Dream (2008)

 


"We Have A Dream" was the official Scotland World Cup record back in 1982. This was then covered by a collective of collaborators in 2008 for Children In Need. 

It was lead by BA Robertson who wrote the record and had a chart career of his own back in the early 80s. Not everyone on the record was Scottish but it's certainly the Scottish ones who stand out on the record.

The fact it was for Children In Need meant that people would have gone out and bought it regardless of what the music sounded like. At the same time though, it does seem a bit baffling using a Scottish football song for Children In Need. The reality is that most of the UK population is English and therefore won't buy a record that is pro-Scotland.

Sunday, 11 May 2025

Top 30 in 1999 Reviewed: Week 19

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


I would classify this record as not aged very well. I like a lot of 90s R&B music but when I take off my rose tinted specs I can see there was a lot of rubbish too. There was too much of it that sounded like this and sounds like it was made to sell to the masses rather than be decent musically.

Verdict - Rubbish


This was the Top 40 debut for Groove Armada and it was a pretty well known record, but was quickly overshadowed by the follow up record "At the River". Groove Armada have had some pretty good tunes over the years and this was one of them.

Verdict - Good


Korn are one of those bands who have had more Top 40 hits than you might think. They've had a total of 11 which have mostly charted in the lower reaches of the Top 40. This is perhaps their best known hit though, it's the one I think of when I hear the name Korn. Not my cup of tea though.

Verdict - Rubbish


Boney M had a pretty successful Top 40 career in the late 70s. Since then their chart hits have mostly been remakes of their big hits. In the case of this record it's a Sash! remix of their 1977 number 2 hit. Doesn't really do anything for me.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 17/30, or 57%. Slight drop over last week.

Friday, 9 May 2025

Dutch Top 40 1995: Week 19

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

Irene Moor & De Smurfen - K Heb Nieuwe Schoenen

We're now into 3rd hit of the year territory with this record. After topping the charts with their "No Limit" cover they never reached the same heights with the 2 follow ups and this will be the last we'll see of them. It's in Dutch, but it's a cover of "I Like To Move It" by Reel 2 Real.

Ronald & Peter Beense En Het Ajax Koor - Ay Ay Ay Ajax

Ajax would have been confirmed Dutch champions by this point so we have yet another cheesy football record. Ronald & Peter Beense are not brothers like you may think, Ronald is yet another 1 named singer. He was a school mate of fellow Dutch singer Rene Froger. This was his 3rd and final Dutch Top 40 hit. Peter Beense is also an actor and this was his only Dutch Top 40 hit.

Thursday, 8 May 2025

January Charts: 1957

Here are the new entries ranked from best to worst:


The best record from this batch is an example of why the charts can be detached from what's actually happening in the music world. That's because "Ain't That A Shame" by Fats Domino is from 1955 and a far inferior cover by Pat Boone charted at the time.

Just missing out on top spot is the Platters with both sides of the record decent. Incidentally both this and the Fats Domino record made number 23 in the charts. Had both records come out a year earlier when it was still a Top 20 instead of Top 30 then neither would have charted.

No such problem for 3rd placed Johnny Ray who was a pleasant surprise. Despite him being one of the artists in the first chart of 1952 he was still able to top the charts in the rock n roll era though not with this particular record.

Another pleasant surprise came from Alma Cogan. Many of her records were novelty hits but this record actually isn't bad and is the best song from a female artist so far.

We have 2 skiffle records this time round, Lonnie Donegan and Vipers Skiffle Group with their respective versions "Don't You Rock Me Daddy-O". Lonnie Donegan's version is the cover but I think it's slightly better.

It goes without saying that I'm now sick of hearing "The Garden Of Eden" having listened to 4 different versions. Joe Valino had the original and Frankie Vaughan had the chart topping version. Gary Miller and Dick James had also done their own versions of "Robin Hood" the previous year, this was the only other hit for Dick James and Gary Miller had a year long gap between these 2 hits, but he'll be back.

David Whitfield sounded old fashioned even when he made his debut in 1953 let alone in the rock n roll era where he hadn't updated his sound and finishes bottom as a result, though not bad enough for a zero.

Aside from hearing "The Garden Of Eden" too much it's been an easier listen than the last 2 years and the score reflects this, though it falls slightly short of the 1953 score. Due to the small quantity of songs though it would be mathematically impossible for them to have exactly the same score so I guess they're on a par with each other.

Score: 35

2001: The Good Old Days? - December

One thing I remember the band Ash saying at the start of 2001 was that it was going to be the year of rock. If we make that definition guitar music then based on the new entries in December they were wrong. There were more dance records entering the charts.

From the indie records the only one to get any points was "60 Miles An Hour" by New Order. I initially wasn't too keen on their newer more guitar orientated music but it's grown on me over the years.

Feeder normally make indie records but this time they've gone punk with the record "Just A Day" which is easily the best thing they've ever done. 

There is a case for having "Trouble" by Cypress Hill in the guitar music category. It's a great blend of rap and rock, the chorus very much fitting the latter category. It's part of a double a-side with "Lowrider" which is purely a rap record. Both are decent.

The best record is a dance record which is "Where's Your Head At?" by Basement Jaxx. There is an argument this is rock music given it entered the US Billboard Modern Rock Tracks chart, but in reality it's a dance track with rock elements in it.

Much of the dance music is rubbish thought. Vocal trance is leading the way and includes a record with Dannii Minogue providing vocals. There is however a decent instrumental trance record in "Resurrection" by PPK.

There were 2 UK garage records and both were decent. There was "It Ain't Enough" by Artful Dodger and Dreem Team, the final Top 40 hit for both. It had been doing the DJ sets for well over a year by this point. The other one was the Daniel Beginfield debut "Gotta Get Thru This" which is the only decent record he ever made.

The Jackson family represented the R&B genre this month with the only 2 record being "Cry" by Michael Jackson and "Son Of A Gun (I Betcha Think This Song)" by Janet Jackson. Neither are any good.

The worst record is "Paid My Dues" by Anastacia. Her voice is so annoying.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):


Score: 24%

Here's a look at the chart:


Given the Christmas slump this is a good start. Better than the new Decembers looked at and better than most months in 2002.