Time for one last visit back to 1997:
Sash! ft La Trec - StayRed 5 - Lift Me Up
Time for one last visit back to 1997:
Sash! ft La Trec - StayA year ago I kicked of this series of posts with Dreamscape 15 vs 16 at The Sanctuary in Milton Keynes. It marked the first time Dreamscape incorporated the adjoining Rollers into their events to double capacity.
Following this they did the same again at Dreamscape 17 vs 18 and Dreamscape 19 and then they hadn't their big outdoor event with Dreamscape 20.
For Dreamscape 21 they held their new years eve event at both The Sanctuary in Milton Keynes and the Royal Showground in Shepton Mallet. For the simple fact it's closer to where I grew up I would have most likely chosen the event at The Sanctuary.
The plan was to link of by satellite to bring in the new year, but it went spectacularly wrong. Each site saw in the new year at a different time. At my first experience at a new years rave I recall seeing my watch say midnight a few minutes before they counted down into the new year.
We've seen the end of an era for a number of things in 1995 and we're about to see the end of another era with this rave. It was the last ever Dreamscape as we knew it. There was a Dreamscape 22 planned in 1996, but Dreamscape owner Murray Beetson sadly died in a car crash prior to the event and the event was cancelled as a result.
Dreamscape did start again later on in 1996 and carried on into the 21st century and has existed in one form or another since, but this was the end of Murrays Dreamscape.
The end of an era doesn't end there either. The tape I have posted is the Force & the Evolution one. As far as I'm aware it was the last Force & the Evolution set. After this it was Force & Styles who already had a few tunes under that name in 1995.
Clarkee played at both events that night, in the main arena at The Sanctuary and in the Tek No Prisoners arena at the Royal Showground.
Elsewhere it was the usual suspects playing, a mixture of hardcore DJs and drum & bass DJs. Dougal played the midnight set at The Sanctuary, so both Northampton DJs who were there from the beginning played a significant part.
That wraps up the raving in 1995 posts. On a personal level there will never be another year like it. If only I was old enough to have actually gone to the raves at the time.
Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.This year this blog has taken up a lot of my time. I've already mentioned the raving in 1995 posts being very time consuming and these will come to an end next week.
On Thursdays in 2023 I will be trying to answer the question: Does the overall quality of music in the Top 40 decline at Christmas time?
When I did my Top 20 from 20 years ago posts I found the scores I was giving each week were in serious decline towards the end of 1999 to the point I decided to do the Top 30 from 30 years ago the following year. Again though I did find scores started declining towards the end of 1990.
When I was looking for the best year of the Top 40 I gave each year a score based on a Top 40 from the middle of the year. Therefore what I will be doing is taking another score based on the Top 40 on Christmas week for each year and comparing.
In the modern era the Christmas charts are more or less the same each year. I thought I should review each year for the sake of completion but the years 2011-2022 will appear in a single post next week. That then gives me 51 years to do in 51 weeks prior to Christmas next year.
Instead of doing them chronologically I'm going to do them in reverse order of where they finished on the best year leaderboard with the aim to save the best for last and keep it going.
That's not the only change that's happening though.
Another reason this blog has been taking up a lot of my time is because of the Top of the Pops repeats on BBC4 which caught up with my Top 30 from 30 years ago posts earlier this year. I write these posts well in advance of them appearing on the blog and it somewhat spoils the fun of it if I'm revisiting records I heard just a few weeks ago on Top of the Pops.
I've therefore been working extra hard to stay ahead of the Top of the Pops repeats and although the latest posts you see are from the end of 1992 I'm actually well into 1994 with the posts I've written.
I figured that if I keep this up I'll have posts written to the end of the decade before we're even halfway through the decade. Anything could happen between now and then so I'm a bit hesitant to make posts so far in advance if they might not even see light of day.
Therefore I'm going to review the Top 30 for the equivalent week in 1995 and 1996 in addition to 1993 next year and then do the same for 1997 and 1998 in addition to 1994 the following year to keep ahead of Top of the Pops. That sounds like I'm giving myself more work, but it will be the same amount with the difference being posts appearing on the blog quicker instead of having 5 years worth of posts waiting. I'm going to spread these reviews across different days, so this is what each week will look like in 2023:
Tuesday: UK Number 40s
Wednesday: Top 30 Reviewed in 1995
Thursday: Christmas Chart Review
Friday: Top 30 Reviewed in 1996
Sunday: Top 30 Reviewed in 1994
Hopefully once I'm on top of these I'll have more time to make more one off random posts which was the idea behind this blog in the first place.
Now we're in the penultimate week of 1995 I thought instead of picking a rave to visit from around that time I would do a round up of the year instead.
One thing that has been said numerous times about 90s rave was that everything was happening so quickly which made it somewhat difficult to take stock of what was going on.
27 years has now passed with plenty of records from that era now a permanent fixture in my head. We also have the benefit of the internet to inform us of what happened when.
Yet despite all of this I've still found it difficult to keep up with everything. I've also learned what a useful resource Rolldabeats is now it's no longer available. It helped me keep track of what records were new for 1995 which was useful for seeing how it was all evolving.
To give you an idea, during the period Rolldabeats was available which was the bulk of the year there were a total of 871 new for 1995 records. This does not include remixes or many records which still remain unidentified plus the music generally played in the technodrome etc which wasn't as easily tracked.
That's not to mention the sets that aren't on tape or known releases from 1995 that don't appear on any of the sets or even records that just appeared at raves that did not feature.
I've posted one of the records that fits the latter category. "Sweet Inspiration" by Alchemist & Fade was in a set a mate who pretty much introduced me to all things rave did for me. Always thought it was a great record and somewhat surprised it wasn't played at any of the raves featured.
Loads of things happened in 1995 and its a year I have fond memories of. What I've discovered thanks mainly to Rolldabeats is the set that my mate did for me that introduced me to the new world of happy hardcore consisted mostly of Dutch records. I do therefore question whether that set would have had the same impact had it been mostly English records? We'll never know.
There is the temptation to carry this on into 1996 but I'm not going to. For a start it's been very time consuming, I've had as many as 16 tapes up to 90 minutes long each to get through some weeks. Another factor though is that the first Bonkers album came out in 1996 and I've already covered that.
I do have plans for another regular Thursday post next year, but more on that to come. In the meantime next Thursday will feature Dreamscape 21 to round off the year which was the final Dreamscape before the tragic death of the Dreamscape owner Murray Beetson.
The most logical explanation for this record only getting to number 40 in the charts is that it's too American. It's the type of record you'd expect to do pretty well in American but not in the UK. Except for one thing, this never made the Billboard 100.
What probably helped this record actually make the Top 40 in the UK was the fact it was performed on "Later With Jools Holland" at the end of 1994 and charted at the start of January 1995, a time of year when sales a traditionally low.
It was a cover of a song by American folk singer Greg Brown and appeared on Shawn Colvin's "Cover Girl" album which was an album full of covers. It was the Top 40 debut for Shawn Colvin and she would have one further Top 40 hit in 1998 with the better known "Sunny Came Home" which was also her only Billboard 100 single.
It was also the Top 40 debut for Mary-Chapin Carpenter. She also had one further UK Top 40 hit with "Shut Up and Kiss Me" later on in the year which made 35 in the UK and 90 on the Billboard 100. Like Shawn Colvin she didn't have much success on the Billboard 100 but she had quite a few hits in the US Country Charts with "Shut Up and Kiss Me" topping them.
Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.As we head towards the end of the year and towards a big new years eve rave there's a couple of things that have come to mind. First of all we're going into a period that's the calm before the storm. Secondly I thought it's worth considering events I'd like to visit one last time but I won't be featuring on new years eve.
I have therefore gone for the Pleasuredome. This was the calm before the storm as they had a bigger new years eve event a couple of weeks later. At the same time though I always thought of the Pleasuredome at the time as being the 3rd biggest rave after Dreamscape and Helter Skelter, which may give a hint of which rave will feature on new years eve.
There's no tapes from this event so not much I can say on the music front. As ever we have Fergus, Rush, Stomp and Sound playing. Then on the hardcore front is Slipmatt, Brisk and DJ SY and on the drum & bass front is Hype, DJ SS and Easy D.
If memory serves me correctly this is the first rave to feature this year to have Easy D on the line up.
Cast your mind back to 1992 and the number 40 record "One Love In My Lifetime" I mentioned that member Mark Jolley would have another number 40 record. This was that record.
His collaborator on the record was Nick Whitecross who was the lead singer and guitarist of 80s one hit wonders Kissing the Pink.
It was a house record that enjoyed success in the clubs. It had also featured on the Essential Mix Danny Tenaglia shortly before its release.
Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.This week we're at the 4th and final Helter Skelter of 1995. That doesn't sound like that many, but Dreamscape had only had 3 events in 1995 to this point and Helter Skelter had just 3 events in 1994 and 2 in 1993.
When I first tried to buy the tape pack for this event from Helter Skelter themselves it had sold out. Then in 1999 they mentioned in a newsletter that some of the older tape packs are back in stock so I tried again and succeeded this time.
Had I managed to buy the times when I first tried there would be no doubt I'd have listened to it a lot, but by 1999 I was listening to lots of different music and as a result I didn't listen to this tape pack much.
This was the penultimate event to just use The Sanctuary without The Rollers and was geared more towards hardcore than drum & bass with Hype, Grooverider and Jumpin Jack Frost the only drum & bass DJs.
I've posted the DJ Vibes set which I feel is setting the scene for 1996. It features MC Live Lee which was the future of DJ Vibes sets. Also featured MC wise was Magika who was celebrating his birthday and Charlie B.
Unfortunately Rolldabeats which is my main source for tracklistings is currently not working so I'm unable to find the new for 1995 records or see which tunes are being played the most.
One tune I do know is new for 1995 from this night is "Hold Me Now" by The Highlander which appears on this set.
DJ Destruction played at this night which was his final Helter Skelter. Not only that, but I've not seen any evidence of him playing any other rave after this night.
In the technodrome the Loftgroover and Music Maker sets are getting madder.
Just 3 weeks until the end of the year.
1994 was the year of eurodance. It existed before 1994 and continued after and reached a point where the lines became blurred between it and commercial trance. In terms of quantity of pure eurodance, 1994 was the year we had the most Top 40 hits.
Blast and VDC came from Italy and had 2 Top 40 hits. The first came in the summer of 1994 with "Crayzy Man" and the 2nd was this. A logical reason why this may have only made number 40 is that there's only room for 40 records and the sheer quantity of eurodance was keeping it down there. A look at the Top 40 that week though implies that wasn't the case as there wasn't that much eurodance in it. Maybe the record buying public had got sick of it.
Blast were Fabio Fiorentino and Roberto Masi. Like with a lot of Italian producers of the 90s they had another alias which was Sadomasy & DJ One plus Roberto Masi had lots of other projects. VDC stands for Vito De Canzio and he was the singer who had also sang for several other people.
Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.