Here's my weekly look at the Top 30 from 30 years ago. The plan is for these posts to go out at 17:30 on a Sunday.
Here is the Top 40 in full.Obviously some of the records will be the same as last week so therefore the review will be the same for these. I've indicated which ones are new so you can skip the others if you read last weeks post.
Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.
So this is the top 30 from this week in 1992 with my verdict on each record:
When I was doing my best year series of posts where I listened to the Top 40 for the first week of July in each year, I picked this as the best record from the 1992 Top 40 I listened to. This is one of the all time greats from the early 90s.
Verdict - Good
We've now reached the time of the Olympics in Barcelona. I'm not really an Olympics fan truth be told, even when it was in London I only watched dribs and drabs. I was into the Barcelona Olympics though, I guess being school holidays and the right time zone helped. As a result this record has a bit of sentimental value to it.
Verdict - Good
Sinitta in 1992? This is the last Top 40 hit for Sinitta which pretty much follows the cheesy cover formula of her previous efforts. This didn't get any higher than 28 so it's probably fair to say not many people realised Sinitta was still around in 1992.
Verdict - Rubbish
27. Wet Wet Wet - Lip Service (New)
I remember this record being a bit odd at the time, but after hearing it for the first time in 30 years I'm thinking what the fuck was that. On one hand it sounds a little bit like "Toofunky" by George Michael but at the same time it sounds a bit like they're trying to make a Prince record. It certainly has a funkier sound than your average Wet Wet Wet record but it doesn't work in my opinion.
Verdict - Rubbish
The B-52s are one of those groups that tread that fine line between being innovative and annoying. This record more or less sits on that line, I can appreciate it and it's not a bad one to listen to but at the same time it's a bit cheesy and irritating.
Verdict - OK
I remember this one being much better than it actually is. It doesn't sound as lively as I remember it being so I'm struggling to really get into it. Maybe it needs a few more listens to get back into it, but at the moment it's simply ok.
Verdict - OK
After being the vocalist on a couple of Quartz hits the previous year this was the solo debut of Dina Carroll. It follows the same soul-dance formula of the Quartz records. If I was at a 90s night and this record came on I would no doubt enjoy it. For listening to at home though I think this will be the last time I'll be doing that.
Verdict - OK
This was the first single to be taken from the album of the same name. Even though it sounds like a typical Elton John record, it somehow sounds catchier than most. Maybe I've just heard it too many times in my life. It's a decent enough record but hasn't quite got enough about it for me to truly like it.
Verdict - OK
This cover of the Ray Charles record meant that Joe Cocker had more Top 40 hits in the 90s than he did in the 60s and he wasn't finished yet. I've never been able to get into Ray Charles music including this record truth be told. This basically sounds like a karaoke version.
Verdict - Rubbish
The Top 40 debut for The Orb which stands at just under 40 minutes long. There is a much shorter radio edit though and the album version stands at just 17 minutes 34 seconds long. I own the "UFOrb" album so no surprise that I like this record.
Verdict - Good
I remember getting somewhat confused by this record at the time. To my knowledge Was (Not Was) were a male group but here was a female I'd never seen before singing it. The female in question is Kim Basinger who simply provided vocals and wasn't a member of the group. It was originally recorded in 1983 with Ozzy Osbourne on vocals and his vocals appear on this version too. This remix was done by Steve "Silk" Hurley. It took a while for me to get into this but it grew on me eventually.
Verdict - Good
We're in an era where grunge had supposedly killed the rock music which existed before it. People are quick to point the finger at the ballads rock bands were making, but I would point my finger at records like this. It just sounds so bland. At least the ballads have a bit of character.
Verdict - Rubbish
Although this wasn't their debut hit, this was really the beginning of Take That becoming more or less the biggest pop act of the early 90s. Their debut "Do What You Like" never charted at all, then "Promises" only made 38, the next single "Once You've Tasted Love" didn't make the Top 40 and then came this. This was also their first single not to be written by Gary Barlow as it was a cover of the Tavares record.
Verdict - Rubbish
The Top 40 debut for Sophie B Hawkins. I think that all her records that I know have aged really well. I'm pretty certain I did like this at the time, but after listening to it just now I find myself wanting to listen to it again.
Verdict - Good
The 4th and final Top 40 hit to date for Altern 8. From a chart perspective Altern 8 were the biggest rave act at this point. The Prodigy were still just 2 singles into their Top 40 career. Whilst The Prodigy have made some questionable records over the years even by their own admission, Altern 8 never made a bad one.
Verdict - Good
For years I thought this was a 60s record that had been re-released. Turns out this was recorded by Roy Orbison in 1987 and not released until 1992. In hindsight this would have been well ahead of it's time if it was a 60s record.
Verdict - Good
This was George Michael's last hit before his legal battle with Sony. I can't remember what I thought about this record at the time, I just remember it existing. Given the circumstances around this single being released though it does sound a bit like he's put out any old crap.
Verdict - Rubbish
I once an old rave compilation and this was on it. I was somewhat surprised to see U2 on a rave compilation but then remembered this being more of a dance record. This is because it's been remixed by Paul Oakenfold. This result is a better record than the original so I guess you can technically say this is even better than the real thing.
Verdict - Good
This was the first version of "Please Don't Go" that I heard. The original is by KC & the Sunshine Band, but it's basically a clone of a cover done the same year by Italian act Double You. I do like it, but the other tune "Game Boy" is better. Whilst "Please Don't Go" is a commercial dance record, "Game Boy" is very much a rave record.
Verdict - Good / Good
One of the toytown techno records from this era. It didn't start out that way though. The version played at raves was called "Feel the Heat" which was a normal rave track. The trumpton sample has simply been added to it for this single version. I prefer it without the sample but I don't think it really ruins the tune.
Verdict - Good
I'm a big fan of Motown in the 60s and 70s, but not so much Motown in the 90s. The problem with this record is that technology has allowed this record to be produced much better than it would have in the 60s. In doing that though it loses it's charm. If this was made in the 60s I'd probably have liked it, but as it wasn't it doesn't quite get there.
Verdict - OK
I did like this record at the time. It was the theme music to the TV series of the same name which starred Nick Berry which had just began at a similar time on a Friday night. Unfortunately from the 2nd series it was on a Sunday night and has therefore since reminded me that I have school in the morning. If I'd carried on watching it once I joined the world of work then it would probably remind me of that similar dread of having work in the morning too.
Verdict - Rubbish
This is a great name the artist record for a music quiz because you will inevitably have people say it's the Pet Shop Boys. It does of course have Neil Tennant on lead vocals and came in the first year the Pet Shop Boys didn't have any Top 40 hits since their 1985 debut. It was also the highest charting hit for Electronic and I'd say probably their best one too.
Verdict - Good
I remember this on Top of the Pops with the chanting of "Utah Saints". It was their 2nd Top 40 hit and highest charting single to date. When the awful 2008 version was released I was quick to point towards this, the much better version.
Verdict - Good
In my college days I bought an old rave compilation from Cash Converters and put it on in the common room. Several people in the common room weren't into rave and weren't familiar with most of the tunes. I was there saying they were missing out, this was good stuff. Then this tune came on which everyone did know, but I had to concede that this one was shit. Think that was the only one we all agreed on.
Verdict - Rubbish
When an actor, or someone famous for something other than music releases a record you generally expect it to be a novelty record. Jimmy Nail is an actor but whilst this record has a bit of humour to it, I wouldn't call it a novelty record. The fact I quite like it too may have something to do with that.
Verdict - Good
My memory of this record is going on holiday around this time to the same place I went when the other big Richard Marx hit "Right Here Waiting" was in the charts. I like the record at the time without paying too much attention to the lyrics. Aside from the mystery behind the story I think it also highlights how judgmental some rural communities can be.
Verdict - Good
3. Smart E's - Sesame's Treet (New)
Seeing the kids singing this on Top of the Pops at the time gave me hope that I wouldn't have to wait until I was an adult to become a pop singer. Those kids weren't pop singers though, they were just there for show as the vocals were sampled from the kids TV show. One of the men behind this record is Luna C who started the legendary Kniteforce records afterwards and was one of the people making hardcore breaks in the 21st century when hardcore itself had gone a bit rubbish.
Verdict - Good
When I was doing my best year series of posts where I listened to the Top 40 for the first week of July in each year, I picked this as the worst record from the 1992 Top 40 I listened to. I remember watching it on Top of the Pops and wanting to throw the TV out the window.
Verdict - Rubbish
Erasure had 16 Top 40 hits to their name prior to this record. I like all 16 of those records, but then came this. It's an EP full of Abba covers with the main track being "Take A Chance On Me" that features a rap from MC Kinky. I don't like any of them.
Verdict - Rubbish
If we give the records which were good 1 point each and those which were OK half a point, the final score is 17.5/30, or 58%. I think a bit of nostalgia is keep the score decent.
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