Saturday, 30 June 2018

25 Years Since....June 1993

We're already half way through 2018 so here is what I was enjoying half way through 1993:

UB40 - Can't Help Falling In Love


This is possibly the record which lead to me going to see UB40 in concert twice in recent times, that is the version with Ali, Astro and Mickey.

I can't say there is anything particularly ground-breaking about this record, a reggae cover of an old song, something which UB40 had done plenty of by this point. But crucially it's just a great record to listen to and despite the band being well into their 30s by this point it got them a number one.

Somebody did speculate to me at the time that the only reason I liked this was because it was number one, but if anything that would be a reason not to like it. They followed this up with another Top 10 single "Higher Ground" but beyond that they would only have one more Top 10 hit.

Spin Doctors - Two Princes


By the time this record came out me and my school friends were definitely writing out top ten favourite bands on a regular basis.

I remember this mainly because the Spin Doctors would often be my tenth favourite band despite the fact this was the only song of theirs I actually knew, such was the strength of this song.

They quite possibly fell out of my top ten list when their next hit "Little Miss Can't Be Wrong" came out. It wasn't a bad tune as such but was nowhere near as good as this.

Pet Shop Boys - Can You Forgive Her


This is the first Pet Shop Boys record to feature in this series of posts, basically because the previous Pet Shop Boys single "Was It Worth It" came out at the end of 1991 which was just over 25 years older than my first of these posts.

It's apparent that I was yet to get to the point in my life where I hated Pop music as I don't recall making an secret that I liked this record.

Therapy? - Turn


This was the second single from their yet to be released "Troublegum" album, or more specifically this was the second EP of which he lead track would be on said album.

Despite this being in the Top 40 I did see Therapy? as being that obscure band that only I knew about, they weren't a band that were talked about a lot and at the same time I remember some of the purists not liking Therapy? because they were too punky.

There would be one more single from the album before it finally got released, if we make it to 1994 with these posts I'll tell you what it was.

East 17 - West End Girls


As a Pet Shop Boys fan I should probably hate this record, it certainly isn't anywhere near as good as the Pet Shop Boys original, but I do like it.

I recall this record getting a lot of stick at the time, it never made the top ten either.

I was well aware that I wasn't supposed to like East 17 by this point so I was a bit more secretive about it. I do however recall singing this a lot and someone saying that I seem to like it, but then again they may have thought I was singing the Pet Shop Boys version.

Friday, 29 June 2018

Top of the Pops: Q2 2018 Review

After a Q1 of full Top of the Pops shows Q2 began without enough records to fill the show. The following week saw just 4 eligible records which were 3 new entries by Weeknd plus the number one, probably the best illustration of why Top of the Pops shouldn't come back.

After Drake occupied the number one spot for the bulk of Q1 he hit number one again with a new record and I suspected we'd see 9 weeks of him at number one, any more than 9 seems impossible thanks to the ridiculous chart rules. Instead though Drake only lasted a week and we had Calvin Harris instead at number one for the remaining 8 weeks before he inevitably got knocked of the top courtesy of the chart rules.

As of next week YouTube views will count towards the chart. Given the obvious way to hear how a chart record goes is by playing it on YouTube it will most likely ensure that a record will stay in the charts for 9 weeks before down weighting takes effect.

There have been a number of records which have not featured due to lack of YouTube video. Will these new rules make a difference of do said artists really care enough to put a video on YouTube? We'll soon find out.

Sunday, 24 June 2018

Are the days of the boyband over?

Over the past 30 years music has changed a lot. We've seen the rise and fall of many genres of music, many artists come and go. In fact the only act to have a UK Top 40 hit in both 1988 and 2018 so far is Kylie Minogue. But there has been one other constant the majority of that time, the boyband.

But is the boyband still a thing? We had a boyband win the X Factor for the first time last year and time will tell if they become successful, but aside from that there is little else out there at the moment.

Tomorrow will mark 30 years since Bros were at number one with "I Owe You Nothing". This was their third number one with their first two hits reaching number two including the main song they're remembered for, "When Will I Be Famous". Some may argue that they weren't a boyband because they formed of their own accord and played their own instruments. However not all boybands are manufactured and some do play instruments. Besides, the instruments they did play were bass and drums, every song had other instruments on them. Then Craig the bassist left so they became a vocalist and a drummer.

The demise of Bros coincided with the rise of New Kids on the Block. This was a more familiar look of future boybands, basically a vocal group without the singing ability of older vocal groups such as the Four Tops. They first hit the UK charts with the number one "You Got It (The Right Stuff)" at the end of 1989 and had the first number one of the 90s with "Hangin Tough". After releasing what seemed like a new single every week throughout 1990, all top tens, they were pretty much finished by 1991.

The end of 1991 brought us what was intended to be the British equivalent of New Kids on the Block, Take That. Their debut hit "Promises" only made number 38 though and their next single "Once You've Tasted Love" failed to reach the Top 40. Although they were clearly popular in 1992 they didn't make number one until 1993 with "Pray". After this though they only failed to make number one once before their break up in 1996.

Meanwhile Take That had another boyband giving them a run for their money, East 17. Whilst Bros and New Kids on the Block weren't the only boybands of their era, nobody could really rival them in the same way East 17 rivalled Take That. If Take That were the Boyz II Men of the pop world then East 17 were the Jodeci i.e. the bad boys of the pop world. They only managed one number 1 with "Stay Another Day" but had plenty of top tens and were sitting at number 3 in the charts at the start of 1997 with "Hey Child" when their glory days came to an abrupt end following Brian Harvey's comments on Ecstasy.

By this point though there was another boyband who had made their mark on the charts, Boyzone. This was a group intended to be the Irish Take That and they hit the ground running making number two with their debut "Love Me For a Reason". Like the band they were modelled on, they had to wait almost two years for their first number one "Words". The success of Boyzone was perhaps overlooked because of the bigger success of the Spice Girls, but their chart record in their heyday reads 6 number ones, 6 number twos, 3 number threes and a number four. The formula which has since been described by Boyzone creator Louis Walsh is Ronan Keating and Stephen Gately were chosen to sing, the rest were chosen to make up the numbers.

There were a number of boybands charting with various degrees of success in the late 90s. From the UK we had 5ive and 911 and from the USA we had Backstreet Boys and N Sync. 5ive were perhaps the most successful of these with two number ones and the rest of their hits making the top ten. Like East 17 before them they were the bad boys of pop but they were never really considered to be rivals to Boyzone.

In 1999 when Boyzone unofficially came to an end, a younger version of Boyzone came about, Westlife. Chart wise they would become the most successful boyband of all time scoring 14 number ones, only Elvis and the Beatles have managed more. When the only member most non-Westlife fans knew, Bryan McFadden, left in 2004 they still managed two number ones and a bunch of top tens. The first time they failed to reach the top five was in 2008 with the number 8 "Us Against the World" and the first time they failed to reach the top ten was their final single "Lighthouse" in 2011.

A number of boybands came and went during the Westlife era. A1 started out at a similar time and scored two number ones. Towards the end of their time they tried to move away from the boy band tag by playing instruments and their final hit "Make it Good" became their first hit not to reach the top ten and that was the end of them.

Blue came about in 2001 and lasted until 2004 scoring three number ones and failing to reach the top ten once.

In 2002 the boyband formula started to move away from what we had been used to for over a decade. Along came the Blazin Squad who were probably best described as pops answer to the So Solid Crew having a ridiculous number of members and rapping badly and lasted until 2004. We also had Busted, a boyband with guitars but no drummer. They never failed to reach the top three scoring four number ones from eight singles. Their time came to an end in 2004 when band member Charlie Simpson left the group because he wanted to be taken seriously as a musician.

With the demise of Blue, Blazin Squad and Busted in 2004, it was time for another boyband to rival Westlife to appear on the scene, McFly. Whilst many people remember McFly, few realise how good their chart record was. If acts to score 7 or more number ones was a question on Pointless then McFly would be a good bet. They scored 7 number ones from their first 12 hits, the final one coming in 2007 with "Baby's Coming Back/Transylvania". Their chart run continued until 2013, then in 2014 they joined forces with Busted to form McBusted.

In 2009 a boy band who failed to win the X Factor came about, JLS. They scored a number one with their first two singles "Beat Again" and "Everybody in Love" and managed five number ones with their first eight singles, the final one coming in 2011 with "She Makes Me Wanna". They continued until 2013 but their popularity was clearly in decline chart wise after 2011.

This is probably because another boy band who failed to win the X Factor came about in 2011, One Direction. The UK Singles Chart has always been the obvious way to measure the success of a boyband and given how big One Direction seemed to be, one would expect most of their singles to get to number one. However they only managed four, not bad but surprisingly few for the biggest boyband for half a decade.

Since One Direction went on hiatus in 2015 though, there has been no boyband to fill their shoes. There have been many less successful boybands in the last 30 years I haven't mentioned, including during the One Direction era, but since 2015 even the boybands in the lower reaches of the Top 40 don't seem to be there.

Take That had hits in both 2016 and 2017 but given Howard Donald is 50 and Gary Barlow and Mark Owen are in their late 40s you can't really call them a boyband anymore. In fact since they reunited in 2005 they have been described as a man band.

In 2017 we had Latin boyband CNCO chart in collaboration with Little Mix but arguably it was the inclusion of Little Mix that made it chart in this country. Then there was X Factor winners Rak Su who charted at the end of the year. In 2018 so far there has been nothing.

Bands like 5 Seconds of Summer and the Vamps have been described by some as a boyband, but these bands say they are not and it's because of their young female audience that they're described as being boybands. Maybe that's why there are no boybands anymore, their target audience has moved on to other things so the demand is no longer there.

Monday, 11 June 2018

Record of the Year 2000: New Vision - Just Me & You


My record of the year for 2000 charted in January of that year, but I first heard it back in the summer of 1999 where Pete Tong would play it on his show. What I remember most about this tune was being the second record he played on a show coming live from Café Mambo in Ibiza, in between "Rendez Vu" by Basement Jaxx and "The Launch" by DJ Jean.

I taped that particular show and listened to it many times, but whilst the Basement Jaxx and DJ Jean tunes would chart around the same time, this record didn't. Given how big Dance music had become by this point I expected it to chart, if anything because it was the stand out record of the show to me and thought surely many others would think the same. As time went on it looked like it wasn't going to happen.

Then one cold December night when I was changing the tape in my car I heard this on the Radio. There were a few more occasions that followed when I heard it again, but I didn't realise at the time that it actually charted in January 2000 reaching number 23.

New Vision was a one off project between Albert Cabrera and Samuel Morales. I tried to find out whether the latter is related to David but couldn't find anything. According to his discogs page he had a couple of records under his own name in 1988 and 1989, then a couple as Sam Savon in 1991 and a further one in 1997, with this being the last thing he released. Albert Cabrera on the other hand was part of several groups and also collaborated with David Morales which suggests Samuel could have been related.

In a way it feels a bit odd picking this for 2000 as it very much brings back memories of 1999 for me, plus I think this works better as a summer record. As the Top 40 is the criteria I use though, 2000 it is. At least I don't have to decide whether of not this is better than the Masters at Work record I picked for 1999.

Sunday, 10 June 2018

UK Singles Chart: 2000

Joining the 30+ hits club this year are Kylie Minogue, Whitney Houston and Janet Jackson:

  Artist No of Hits New Hits
1 Cliff Richard 114  
2 Elvis Presley 102  
3 Elton John 58  
4 David Bowie 56 Survive, Seven
5 Madonna 52 American Pie, Music, Don't Tell Me
6 Status Quo 50  
7 Queen 49 We Will Rock You
8 Michael Jackson 45  
9 Rod Stewart 44  
10 Paul McCartney 43  
11 Diana Ross 42  
12 Stevie Wonder 39  
= Rolling Stones 39  
14 Prince 38  
15 UB40 37  
16 Frank Sinatra 33  
= Depeche Mode 33  
= Pet Shop Boys 33 You Only Tell Me You Love Me When You're Drunk
= Tom Jones 33 Mama Told Me Not Come, Sexbomb, You Need Love Like I Do
20 Shakin Stevens 32  
21 Roy Orbison 31  
22 Lonnie Donegan 30  
= Beatles 30  
= Bee Gees 30  
= Kylie Minogue 30 Spinning Around, On A Night Like This, Kids, Please Stay
= Whitney Houston 30 If I Told You That, Could I Have This Kiss Forever, Heartbreak Hotel
= Janet Jackson 30 Doesn't Really Matter

Madonna overtakes Abba into fourth place for most number ones and the Spice Girl equal them. Westlife are already up to seven number ones whilst Oasis and Queen both score their sixth.

  Artist No of #1s New #1s
1 Elvis Presley 17  
= Beatles 17  
3 Cliff Richard 14  
4 Madonna 10 American Pie, Music
5 Abba 9  
= Spice Girls 9 Holler/ Let Love Lead the Way
7 Rolling Stones 8  
= Take That 8  
9 George Michael 7  
= Michael Jackson 7  
= Westlife 7 Fool Again, Against All Odds, My Love
12 Slade 6  
= Rod Stewart 6  
= Boyzone 6  
= Blondie 6  
= Oasis 6 Go Let It Out
= Queen 6 We Will Rock You

Whitney Houston continues her streak of hits every year since 1985:

  Artist Hits Every Year Since
1 Whitney Houston 1985
2 Madonna 1989
3 Mariah Carey 1990
4 Bryan Adams 1991
5 Daniel O'Donnell 1992
= Mary J Blige 1993
7 Beautiful South 1994
= Celine Dion 1994
= R Kelly 1994

We're now into the 21st Century and we have a first for the UK Top 40. For the first time in chart history no act who debuted in the 50s has a Top 40 hit this year. The earliest debutant to have a hit this year is 1960 debutant Rolf Harris who had his final hit with "Fine Day".

The other 60s debutants to have hits this year are Lulu, Tom Jones, Edwin Starr, David Bowie and Eric Clapton. Of those it is Tom Jones, David Bowie and Eric Clapton who have had new hits in the 60s, 70s, 80s, 90s and 00s to date.

We have another first this year, the first time we've had a staggering 42 number ones in a year which remains a chart record to this day. There were several acts who scored two number ones, but the only act to score three numbers ones was Westlife. They became the first act in chart history to reach number one with their first seven hits. However their final release of the year "What Makes A Man" became their first single not to top the charts reaching number two.

Denying Westlife their eighth number one was the Christmas number one, "Can We Fix It" by Bob the Builder which was one of only two number ones which stayed there for more than two weeks this year. The other one came from Sonique with "It Feels So Good" which only managed to reach number 24 when it was originally released in 1998. Both records spent three weeks at number one.

Other boybands reaching number one this year were A1 with "Take On Me" and "Same Old Brand New You" and 5ive with "We Will Rock You", a cover of the Queen song which featured Brian May and Roger Taylor of Queen on the record.

Backstreet Boys had three hits this year which all made the top ten taking their streak of top ten hits to 12 with only their debut hit so far failing to reach the top 10. It was a mixed year for N Sync with them having their first top three hit with "Bye Bye Bye" but three of their five hits this year failed to reach the top 10.

98 Degrees scored their only top ten hit this year as featured artists on "Thank God I Found You" by Mariah Carey and Joe. This was followed by their final hit "The Hardest Thing" which reached number 29. Lyte Funkie Ones also scored their only top ten hit with "Girl On TV" which was their only hit of the year. There was also a brief return to the charts for Hanson with "If Only" which made number 15.

Point Break had their only top ten hit with "Stand Tough" and had a further three hits this year which would be the last we'd see of them in the UK Top 40. We'd also bid farewell to Northern Line who didn't manage a top ten with their biggest hit being "Love On The Northern Line" which made number 15.

There were two new boy bands in the charts this year, both of whom had just one hit and are now mostly forgotten. There was Spin City with "Landslide" which made number 30 and Mero with "It Must Be Love" which made number 33.

There was no Boyzone in the charts this year, but all five members had hits of their own accord. Most successful was Ronan Keating who had his second number one with "Life is A Rollercoaster" and a top ten hit with "The Way You Make Me Feel". Stephen Gately got off to a good start with the number three "New Beginning / Bright Eyes" but just missed out on the top ten with the follow up "I Believe" which reached number 11. Mikey Graham reached number 13 with his only hit "You're My Angel" whilst the other two joined forces under the name Keith n Shane and made number 36 with their only hit, a cover of "Girl You Know It's True".

The most successful girl group of the year was the All Saints who had two hits and two number ones with "Pure Shores" and "Black Coffee".

Bidding farewell to the charts were Precious with "It's Gonna Be My Way", Hepburn with "Deep Deep Down", Cleopatra with "Come And Get Me" and B*witched with "Jump Down". The younger sister of the B*witched twins had her only hit as part of the duo Buffalo G with a cover of "Really Saying Something".

There were three other female pop duos to have their only hits this year, M2M with "Don't Say You Love Me", Sister 2 Sister with "Sister" and Fred & Roxy with "Something for the Weekend". Then there was Daphne & Celeste who managed three hits, "Ooh Stick You!", "Ugly" and "Schools Out".

Atomic Kitten had a couple of top ten hits with "See Ya" and "I Want Your Love" but only managed number 20 with their third hit "Follow Me". Chart debutants Sugababes reached the top ten with their debut "Overload" but failed to reach the top ten with the follow up "New Year".

There was a new Simon Cowell created girl group waiting in the wings to become the next Spice Girls, Girl Thing. There was a lot of hype around them prior to them actually releasing anything, but when their debut hit "Last One Standing" was finally released it made number 8 which was seen as a disaster. Their appearance on the Big Reunion years later implied that would be it for them, but they did manage one more hit with "Girls on Top" which only managed number 25.

There were another three not so well remembered girl groups making their chart debuts this year. Madasun had their only three hits with "Don't You Worry", "Walking On Water" and "Feel Good". Made In London had their only hit with "Dirty Water" and Supersister made their debut with "Coffee" but they would be back.

The Spice Girls themselves returned to the charts with their final number one, but all members except Emma also had hits this year. Most successful was Mel C who had two number ones with "Never Be the Same Again" and "I Turn to You" and also had a hit with "If That Were Me". Geri Halliwell reached number one with her only hit of the year "Bag It Up" and Mel B made number four with here only hit of the year "Tell Me". Then there was the debut of Victoria Beckham who had a number two alongside True Steppers and Dane Bowers with the UK Garage single "Out of Your Mind".

Victoria Beckham was kept off the stop by Spiller and Sophie Ellis Bextor with "Groovejet (If This Ain't Love)" which started life as an instrumental that failed to chart the first time round. This was a similar story to Fragma who had reached number 11 the previous year with the most instrumental "Toca Me" but reached number one after adding the vocals of "I Need A Miracle" by CoCo to it and renaming it "Toca's Miracle".

Although there were more House and Trance records in the charts, UK Garage seemed to be making more of an impact. This included the solo debut of Craig David with the number one "Fill Me In". He also scored a number one with his second solo hit "Seven Days" but the radio version of this was R&B as opposed to Garage. So Solid Crew members Oxide & Neutrino had a number one with their debut "Bound 4 Da Reload (Casualty)", but the So Solid Crew themselves were yet to make their chart debut.

It was also the year Hard House music had its strongest presence in the charts to date. There were only a handful of Hard House Top 40 hits but we had some of the better known tunes such as "Operation Blade (Bass In The Place)" by Public Domain, "Phatt Bass" by Warp Brothers vs Aquagen and "Blow Ya Mind" by Lock 'N' Load.

In the R&B world, Sisqo from Dru Hill began his solo career with four hits this year, the biggest being "Thong Song". We also had the debut of Kelis with "Caught Out There" which she followed up with "Good Stuff". There was also the debut of Pink who was an R&B singer at the time. Her debut hit was "There You Go" which was followed up with "Most Girls".

It was the last we'd see of En Vogue in the charts this year with their final hit being "Riddle". Former En Vogue member Dawn Robinson had her only two hits with her new group Lucy Pearl this year with "Dance Tonight" and "Don't Mess With My Man".

There were two Rap number ones this year which both came from Eminem with "The Real Slim Shady" and "Stan". He also made number 8 with "The Way I Am" and a number 7 featuring on "Forgot About Dre" by Dr Dre who himself also had a number 6 with "Still Dre" featuring Snoop Dogg.

Notable rappers making their debut this year was Nelly with "(Hot Shit) Country Grammar" and Mystikal with "Shake Ya Ass" whilst the Wu Tang Clan would have their only hit by themselves this year with "Gravel Pit".

The first number one of the year came from the Manic Street Preachers with "The Masses Against The Classes" which would be their only hit of the year. We also had Oasis return to the charts with the number one "Go Let It Out" which was followed by the top 5 hits "Who Feels Love" and "Sunday Morning Call".

Notable Indie groups making their debut this year included Muse with "Sunburn", Coldplay with "Shiver" and Toploader with "Dancing In the Moonlight".

On the heavier side of things, Iron Maiden were back in top ten for the first time in five years with "The Wicker Man" and followed up with "Out Of The Silent Planet" which didn't make the top ten. Metallica also had a hit this year with "I Disappear".

The more modern groups by this point tended to be classed as Alternative or Nu Metal. Korn continued to have hits this year but they were joined by the debut of Slipknot with "Wait & Bleed" and the debut of Limp Bizkit with "Take A Look Around". It was also the year that brought us "American Bad Ass" by Kid Rock which could also be classified as Nu Metal. Probably the most notable Alternative record of the year came from the Foo Fighters with "Breakout".

In the Punk world, Blink 182 had a hit with perhaps their best known hit "All the Small Things". The Offspring had a had with "Original Prankster". There was also a return for Green Day who had moved away from their usual Punk sound to a more mellow sound with the hits "Minority" and "Warning".

We had the first act from Finland to have a UK Top 40 hit this year. This was Darude with "Sandstorm" in June, then in August we had our second Finnish act Bomfunk MCs with "Freestyler". We also had the only act to have a UK Top 40 hit at time of writing from Poland this year, "Love Will Come" by Tomski.

In many ways the year 2000 doesn't seem too different to 1999. Of the 42 number ones, only four are by acts making their debut this year and that includes Bob the Builder. The most notable difference is probably the rise of UK Garage.

Up next is 2001 where I recall in an interview at the beginning of the year with Ash, they predicted it would be the year for Rock music to make a comeback. Were they correct?