Sunday, 25 January 2026

Record of the Year Revisited: 1964

Original Record of the Year: The Ronettes - Do I Love You

I picked the most obscure Ronettes single for my 1964 record of the year. I've not listened to it in a while but after listening again my thoughts are good song but is this really the best 1964 has to offer?

New Record of the Year: Gene Pitney - That Girl Belongs To Yesterday

The answer is no this Gene Pitney record is. It was a toss up between this record or another Gene Pitney record "It Hurts To Be In Love". This edges it because I think the drums are slightly better.

Gene Pitney is someone I've listened to for almost 30 years now and I've taken a lot of stick for doing so. He was hugely successful in the 60s but he's never really been seen as cool. I do get it even if I do like the majority of his songs.

This record though does deserve some credibility. It was written by Mick Jagger and Keith Richards and was the first of their compositions to reach the charts. Up to this point all the Rolling Stones hits had been covers. You could say this was the testing water for their songwriting credentials. 

Friday, 23 January 2026

Record of the Year Revisited: 1962

Original Record of the Year: Tornado's - Telstar

I picked a record that no doubt sounded futuristic in 1962. It was a time when chart music needed an injection of life i.e. The Beatles.

One thing I've learned in the last 10 years is just how much better chart music became once The Beatles had established themselves. It therefore would seem a logical choice to pick The Beatles debut "Love Me Do" as the record of the year.

That said the producer behind "Telstar" Joe Meek was almost laying the foundations for The Beatles to do their thing. He may not of had the same impact, and lets face it who has, but in a pre-Beatles world the Joe Meek records do generally stand out as being better.

If we were looking for the record that was most innovative in moving music forward then it would be a straight fight between these 2 records. Remember "Telstar" was the first USA number one recorded by a British act.

What we're looking for though is the best record and I still think "Telstar" has the edge.

Record of the Year Revisited: 1963

Original Record of the Year: Jimmy Soul - If You Wanna Be Happy

What we established from 1963 is that whilst it was the year The Beatles plus several other Mersey beat acts were establishing themselves in the charts the music world did not change overnight.

My choice was an American doo wop record with a sense of humour. It's a fun record that I've not heard for a while but am still enjoying it when I play it. Do I enjoy it to the extent it retains its crown as Record of the Year?

New Record of the Year: Steve & Eydie - I Wanna Stay Here

The answer is not quite. I've gone with the only hit for husband/wife duo Steve Lawrence and Eydie Gorme but of whom had hits by themselves prior to this. It's a tough decision but it takes the crown based on the fact I listen to this record semi regularly whereas I've not listened to Jimmy Soul in a while.

My only reservation is that it wouldn't sound out of place in the 50s. It's a pure pop record but done in a way pop music should be done. 

Thursday, 22 January 2026

January Charts: 1994

Here are the new entries ranked from best to worst:


In dance music history 1994 was the year of jungle. This didn't really translate to the Top 40 though, no jungle records in this batch and you can count the number of jungle Top 40 hits in 1994 on 1 hand.

Whilst there's always been the not so good commercial side of dance music in the charts there's been plenty of good stuff in there too. This time though I wouldn't say any of the dance records are underground ones that became successful, they all sound like they were made for the charts.

The best of those dance records is "Astral America" by Apollo 440 closely followed by "Blow Your Whistle" by DJ Duke. Not much to choose between them and both solid if unspectacular records. Other dance records have to settle for mid-table at best.

There's a case for saying "Whoomp! (There It Is)" by Tag Team is a dance record but Miami bass is more an offshoot of hip hop in America. Decent record nontheless.

Just above that is Enigma with "Return To Innocence". Although it didn't top the charts like "Sadeness" I would say this is the better known record and a good one for the chill out room.

Depeche Mode had very much made the transition to their darker sound with "In Your Room" and I like it. Almost another extreme is the cod reggae of Bitty McLean with "Here I Stand", very commercial but very fun at the same time.

Soul Asylum are seen by many as a one hit wonder with "Runaway Train". A decent record but I would say their other hits were better with "Black Gold" being one of those.

I must confess I have no recollection of "I'm In Luv" by Joe being in the charts in 1994 but a few years later when I went through my R&B phase he was one of the artists I'd listen to and this was amongst his best.

I've been aware for some time that the Inspiral Carpets were still having hits in 1994 but it did initially come as a surprise. I remember "Saturn 5" and like it but it does sound like it should of charted in 1990.

Dr Dre made his Top 40 debut with the double a-side "Nuthin' But A 'G' Thang/Let Me Ride" which both came from his excellent 1992 album "The Chronic". It has to settle for 2nd place though.

The best record goes to Therapy? with "Nowhere". This was very much a reflection of my music taste at the time and it wasn't long before I owned the "Troublegum" album on which this was amongst my favourite tracks.

At the other end of the table we have Pauline Henry with "Can't Take Your Love". A sort of soul and rock crossover that's a bit of a non-entity but you have to put up with her singing voice. Aside from the crossover part the same could be said for 2nd bottom record "I'm In The Mood" by Ce Ce Peniston.

Cyndi Lauper manages to make a tune more dreary than Celine Dion with "Who Let In The Rain" which finishes just below Celine Dion with "The Power Of Love".

In later 1993 the Essential Mix started on Radio 1 with Pete Tong doing the first one. The first record he played quite surprisingly was "Save Our Love" by Eternal albeit a dance version. Always saw them as an example of why us Brits don't do R&B very well generally speaking.

I've previously been complimentary about "Breathe Again" by Toni Braxton mainly due to the man behind it being Babyface who I very much rate as a producer. Who am I kidding though, it's rubbish.

I've never liked the collaboration between Bryan Adams, Rod Stewart And Sting with "All For Love" though. To me it was find 3 blandest aging middle of the road musicians to collaborate on a bland middle of the road record.

This is the problem with this batch generally. There's a real lack of excitement or anything groundbreaking. Most have just played it safe, a problem that will only grow over time.

Score: 35

Wednesday, 21 January 2026

Record of the Year Revisited: 1961

Original Record of the Year: Drifters - I Count The Tears

I think of 1961 as being the pre-Beatles slump. When I was doing my initial research 10 years ago I can remember not knowing many of the records and a lot of those I listened to went in one ear and out of the other. 

I also remember picking an obscure Drifters record as my record of the year so the task this time round is to look at the list of records, listen to a few and decide whether they're better than "I Count The Tears".

I feel my knowledge of 20th century UK Top 40 music is better now than it was 10 years ago and yet I still find myself looking at the list of records and thinking what the hell is that with a lot of them.

There may be some hidden gems but I don't have time to listen to everything I don't know. Besides I don't think I'm going to crown a record after just one listen.

It was the debut year for Del Shannon and in the last 10 years I've bought a compilation CD of his from a charity shop because I decided I quite like his music. It was also the debut year of Gene Pitney who I bought a CD of back in 1998.

The question is are any of the Del Shannon hits in 1961 or the sole Gene Pitney hit in 1961 better than "I Count The Tears"? I would say no.

The Drifters retain their crown.

Monday, 19 January 2026

Record of the Year Revisited: 1960

Original Record of the Year: Johnny & the Hurricanes - Beatnik Fly

My reason behind my choice for 1960 was that it was instrumental, modern for its time and different to the guitar driven rock n roll that sounds a bit samey. To be honest though if this hadn't appeared on an episode of Father Ted then it may not of been a candidate for the simple fact I probably wouldn't know it.

I stated there were several candidates for my pick which means on a different day I may have picked a different record. Is today one of those days?

New Record of the Year: Marv Johnson - I Love The Way You Love

Yes today is one of those days. What I've gone for is essentially a Motown record before Motown was a thing in the UK. Marv Johnson was a Motown artist and this record was penned by Berry Gordy. It was the 2nd Marv Johnson UK Top 40 hit and was the less successful follow up to his debut "You Got What It Takes", also penned by Berry Gordy.

Marv Johnson wouldn't return to the UK Top 40 after this until 1969 with 2 more hits that were actually Motown records.

Saturday, 17 January 2026

Record of the Year Revisited: 1959

Original Record of the Year: Lloyd Price - I'm Gonna Get Married

Not only did I think this was the best record of the year, I thought it was the best record of the decade too. Even with my new choices for other years this would beat all of them.

It's not up against the other years though, it's up against other records of 1959. We're in an era where music generally improves as the years go on so competition is going to be tougher. Has it held on?

New Record of the Year: The Impalas - Sorry (I Ran All The Way Home)

It's close but in part due to this being a new discovery over the last 10 years I've picked it as my record of the year.

The Impalas were a one hit wonder and formed in 1958 and only lasted until 1961. It only made number 28 in the UK but was a number 2 in America so maybe it's not as obscure as I thought it might be. The Impalas are no household name though.