Monday, 30 June 2025

UK Number 40s: Tinie Tempah ft Labrinth - We Bring the stars Out (2011)

 


One of the big success stories of 2010 from a chart perspective was Tinie Tempah. He topped the charts with his Top 40 debut "Passout" and also scored a number one with his 3rd Top 40 hit "Written In the Stars".

At the Brit Awards in 2011 he performed both chart toppers together and this became known as "We Bring The Stars Out". Something quite ironic about combining two charter toppers together and getting a number 40 out of it.

The fact something like this could make the Top 40 said a lot about his popularity at the time. He would go on to have greater charts success clocking up a total of 7 number one hits.

25 Years Since....June 2000

In June 2000 it was announced that TFI Friday was being axed. As a fan of the show I thought it was a good decision at the time because it was a 90s show and time for something new. Nothing new of note really happened though, anyway to the music:

DJ Dee Kline - I Don't Smoke


We start with a common theme amongst these tunes that charted in 2000, a tune that's from 1999. It's a garage record but from the sub genre of garage known as breakstep. I guess this was a way of making garage appeal to those who were into breakbeat. 

Trevor & Simon - Hands Up


Some people probably bought this record thinking it would be by the comedy duo who used to appear on Going Live. It wasn't though, it was a DJ duo whose names are Trevor and Simon and this was their only Top 40 hit. Again it's a 1999 record that didn't chart until 2000.

B-15 Project ft Chrissy D - Girls Like Us

UK garage was very much seen as a London thing but not all the records were coming out of London. This is one of those examples which comes from Birmingham with B15 being the postcode they hail from. Appeared on quite a few garage tapes.

Ariel - A9

Ariel is an Argentinian DJ who at the time was based in Ibiza and was a well known name on the DJ circuit. This was his only Top 40 hit which is a simple no nonsense trance record with no vocals.

Moby - Porcelain

It had been nearly 2 years since Moby released "Honey" which was the lead single from his "Play" album. This was the final single from it and he really has saved the best for last here. It was also his highest charting single despite many people including myself owning the album which had topped the albums chart earlier on in the year.

Sunday, 29 June 2025

Top 30 in 1999 Reviewed: Week 26

Here's my weekly look at the Top 30 from 26 years ago. The plan is for these posts to go out at 17:30 on a Sunday.

Here is the Top 40 in full.

I've decided against repetition from previous weeks moving forward so will only feature the records I'm reviewing for the first time. I also won't repeat the reviews from the Top 20 in 1999 Reviewed posts.

Once again my opinions are inevitably going to differ from other people, but I'm not trying to convince anyone something is good or rubbish, I'm simply giving my opinion.

So this is the records new to the top 30 from this week in 1999 with my verdict on each record:


Yet another German trance record in the Top 40. One may think that Jones is said persons surname and Blank is just a nickname, but it's the opposite. Blank and Jones were Jan Blank & Rene Runge. I have to say though I do like the 1999 trance sound.

Verdict - Good


You can't really argue with Marilyn Manson here, rock really was pretty much dead around this time. It was an era one was more likely to buy turntables than a guitar. It didn't stop Marilyn Manson from having hits with what seemed like the same record every time.

Verdict - Rubbish

If we give the records which were good 1 point each and those which were OK half a point, the final score is 16/30, or 53%. We're back above 50%.

Saturday, 28 June 2025

From Rocker to Raver

When I was at school in 1994 you were either a grunger or a raver. It was strictly forbidden to like both. At the beginning of the year I was very much in the grunge camp but by the end of the year I made the controversial move to the rave camp. Sounds silly now but at the time it was serious and I did lose friends as a result.

In the late 80s when I was first into music I just liked music in general. Genres didn't really exist to me, it was all just pop music. I would however state a preference for what I'd call "shouting songs" that would typically be sung by men with long hair.

The early signs suggested I'd grow up moshing to guitars but instead I ended up dancing to beats. Except as much as I liked the guitar it wasn't the main attraction of the music. What appealed to me more was the hard edge and aggression of the music. 

By the time many of the other kids at school had properly got into music I was a Guns N Roses fan. Although not a grunge band, the fact they were a rock band put me into the grunge camp. Being a grunger meant it was compulsory to listen to Nirvana. They weren't bad but I certainly pretended to be into them more than I was.

It was also cool to like heavier bands such as Metallica and Megadeth though both had somewhat softened up come the early 90s. Then even heavier bands like Pantera and Sepultura came into the mix. Then suddenly none of that was cool anymore. It had to be grunge or alternative rock (though I don't ever remember hearing the term "alternative" at the time.

By 1994 there were 2 trains of thought. Firstly the ever changing rules made it quite difficult to keep up with what was or wasn't acceptable. I took some flack for still listening to Metallica when I wasn't supposed to for example. Secondly the main criticism of Metallica was that they were too old, but all this music was essentially an evolution of even older bands from the 60s and 70s such as Led Zeppelin. 

Rave on the other hand felt new and exciting but also had that hard edge to it that's always appealed to me in music.

At the time it did feel like I was going from one extreme to another. Now I look back though it wasn't until the whole grunger/raver thing came in that rave music didn't figure at all in my music tastes. The difference was that rave had evolved into something that didn't really exist in years gone by.

If we go back to the start of 1988 when I got my first Now album, "Now 11" I loved "That Jack That House Built" by Jack N Chill, on "Now 12" there was "Theme From S'Express" by S'Express and on "Now 13" there was "Big Fun" by Inner City.

In 1989 I used to sing "Ride On Time" by Black Box in the school playground all the time, a fact some other kids never let me forget years later. I can remember being blown away by "Voodoo Ray" by A Guy Called Gerald.

Then in 1990 I have clear memories of Guru Josh appearing on Top of the Pops with "Infinity" that spoke words to me even though it was an instrumental. I can remember the confusion of an act called The Adventures Of Stevie V appearing but it was a woman singing, or finding out that bloke I thought was Adamski was actually Seal, but was loving the music.

In 1991 I was really into KLF to the point that 12 years later a bloke came up to me in the pub and told me he remembered me as that kid who used to sing KLF and Queen all the time.

Then in 1992 I remember hearing The Prodigy's "Experience" album for the first time without knowing that's what I was listening to and I remember thinking this is the future. My favourite tune of the moment was "Fire" by The Prodigy.

It was only 1993 when you were either a grunger or raver that rave never really came on my radar. On that basis it wasn't the extreme move that it seemed.

Friday, 27 June 2025

Dutch Top 40 1995: Week 26

These were the new entries in the Dutch Top 40 that never made the UK Top 40:

De Sjonnies - Dans Je De Hele Nacht Met Mij

Discogs describes De Sjonnies as a Dutch party ensemble. The band themselves were a fictional Dutch family. This was their Dutch Top 40 debut and biggest hit with a not so successful follow up record the following year. Very much sounds like a novelty record.

Wolter Kroes - Laat Me Los

I just knew this was going to be a ballad before I played it. It was the Dutch Top 40 debut for Dutch singer Wolter Kroes. It was also the only Dutch Top 40 hit he had in the 90s but he was back in the 21st century and topped the charts in 2008.


Thursday, 26 June 2025

2001: The Good Old Days? - May

One thing I'm able to pin point when looking at the list of new entries in May 2001 is the last time I bought tapes. It was the hard house and trance tape pack from Slammin Vinyl in February 2001.  I would have obviously been after the rave had happened but it was before May.

The reason I know this is related to the best record this month which is "Strange World" by Push. It was the opening track to the Mark EG set and I was already the owner of this tape by the time this record made the charts.

That Slammin Vinyl event was the last time they had a UK garage arena. We had 4 garage new entries this month. There were 2 which get full marks which are "Coming Home" by K Warren ft Lee O and "Back Up (To Me)" by Wookie ft Lain. I don't mind "Shine On" by Scott & Leon but can't help but compare to the much better original. Finally we have "Up Middle Finger" by Oxide & Neutrino, a record that contributed to the demise of garage.

The majority of dance records this month were decent, another example of these being "Star 69" by Fatboy Slim. However the worst record this month is a dance record which is "Say It" by Maria Rubia. She had previously provided vocals for Fragma but this was a solo effort that was really cheesy and crap.

Rap wise we have the Black Eyed Peas when they were good, Spooks with their lesser know record "Karma Hotel", MOP with "Cold As Ice" and Jason Downs featuring Milk with "White Boy With A Feather" which all get full marks. 

R&B wise one of my all time favourite acts K-Ci & JoJo had their final Top 40 hit to date with "Crazy". We also have a decent effort from Joe with "I Wanna Know". Not so keen on "Don't Talk" by Jon B.

Shed Seven had what was possible the best record they've ever made with "Cry For Help". We were in the brief period where the Divine Comedy went for more of an indie image with "Bad Ambassador" which is actually pretty good.

Overall this has felt like the best batch of records I've listened to since I started the original 2005 series. All will be revealed soon in the score.

Here's a list of the records with the best on top, worst at the bottom and the good ones in green, OK ones in amber and rubbish ones in red (and in no particular order):

Score: 43%

Here's a look at the chart:


This sort of score would imply 2001 were the good old days. We'll need to see how the remaining 4 months go to be sure.

January Charts: 1964

Here are the new entries ranked from best to worst:


No Beatles in this batch but their presence can be felt. We have fellow Liverpudlian bands The Searchers and Gerry & the Pacemakers with chart topping hits "Needles And Pins" and "I'm The One" respectively. There's also the biggest hit for the Merseybeats which I think is the best of the 3 records mainly for the guitar riff.

Liverpudlian singer Billy Fury also has a record that clearly sounds like it was inspired by The Beatles. He had the best record in the 1961 batch but this bottom half finish is more of an indication of how much better the competition was.

Outside of Liverpool we have the chart debut of Manfred Mann with "5-4-3-2-1" which was the theme tune to the TV show Ready Steady Go and also sounds inspired by the mersey beat sound. Another record clearly inspired by the sound was the Beatles cover "All My Loving" by Dowlands which was produced by Joe Meek.

Another band whose presence could be felt was The Rolling Stones. They had their first 2 hits in 1963 which included a Beatles cover and their sound at the time was known as British Rhythm And Blues. Adopting this sound in this batch are Dave Berry with "My Baby Left Me" and The Paramounts with "Poison Ivy".

I've now covered 8 of the 9 best records except the best one which is "Baby I Love You" by The Ronettes. I heard the excellent Ramones cover of this first which perhaps helped me to like the original when I heard it.

At the other end we have Shirley Bassey with "M Special Dream" which I find boring. Just above we have the final hit for Helen Shapiro with "Fever" which came when she was just 17. The Brenda Lee record "As Usual" was also boring/old fashioned, but she did jump on the Beatles bandwagon later on in the year.

The Bachelors and Frank Ifield continue to sound outdated in this era. Nino Tempo & April Stevens did a better version of "Whispering" than The Bachelors who did a version the previous year. Finally there's Tony Meehan with "Song Of Mexico" which was his only solo hit without Jet Harris and is better than I expected it to be.

The fact every record has had a mention shows the small quantity of records this time which hadn't been seen since the charts were a Top 30. Overall I've found this batch to be the most listenable by far and this is reflected in the score.

Score: 50